YOU ARE EDITING THE MASTER SHOW RECORD, NOT YOUR PERSONAL LIST!
Please . . . .
Enter GENERIC data for everyone to use
Specifics about your recording go in the 'Notes' on
your list
No mic or recording info here
Do not list track numbers or timings
Use Initial Capitals For Just About Everything
Historical info and cross-references welcome
If you make a mistake, click on the show date to reload
Compilation Name: Edit this compilation's name
Date: 09/22/22
Year: 2022
Venue: The Factory In Deep Ellum
City: Dallas
State: TX
Set I
Vicarious Atonement
Roulette Dares (The Haunt Of)
Eriatarka
Graveyard Love
L'Via L'Viaquez
Empty Vessels Make The Loudest Sound
Cygnus....Vismund Cygnus
Drunkship Of Lanterns
Viscera Eyes
The Widow
Cicatriz ESP
Blacklight Shine
Televators
Inertiatic ESP
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the
Request Merge page.
Collectors With This Show
User (active/rating) |
Media / # |
Show |
Sound |
Details |
DB Source |
User Source |
Tulum (5/0) |
FLAC / 25 |
|
|
View |
|
Sony PCM-M10 (built-in mic) 24-bit |
Notes: |
First show since 2012. Opening night for their tour following the release of Mars Volta (2022) album. Band lineup prior to the show was unknown. For an opening night, the band really killed it. Cedric's vocals were very, very good. People had been expecting primarily material from the new album, however the setlist was primarily made up of songs from Deloused in the Comatorium as well as other big hits.
Most ambience before/after songs is split into a separate track, for the sake of those who do not care for the sections in between each song. The ambience before Vicarious Atonement is left intact with the full performance because it is the opener. The same is true for the ambience after Inertiatic ESP, because it is the closer (though I did remove a small amount after the Volta chant). I also left the ambience at the beginning of Televators since it just seems to flow better overall. |