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Grateful Dead 12/13/80
Long Beach Arena, Long Beach, CA
Set I
Feel Like A Stranger-> Sugaree-> CC Rider, To Lay Me Down-> Minglewood Blues, Ramble On Rose, Lost Sailor-> Saint Of Circumstance-> Deal
Set II
Scarlet Begonias-> Fire On The Mountain-> Playin' In The Band-> Drums-> Not Fade Away-> Black Peter-> Sugar Magnolia, E: One More Saturday Night
Set III

Comment

Last Changed By System
Sources
(1633) View Source    View Archive
set 2; Master Audience Cassette; Sony ECM-280 mics > Sony D5> DAT > CDR; via Scott Clugston, Lee Revell
(13412) View Source    View Archive
Complete; (FOB) Nak 700 -> Cm -> Reel -> Dat shn encoding Charlie Miller
(88964) View Source    View Archive
flac16; Recording by Joani Walker: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(91939) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller
(92889) View Source    View Archive
DVD-VA; (Video-Audio) Bertha Remaster of the Master Cassette source; SBD>>MC>>R>>D>>Flac>>Daw(Bertha)>>Audio DVD (Audio only; no video)
(124551) View Source    View Archive
flac16; Recorded from the 15th row dead center on the floor with the microphones about 10 feet apart; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes) Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave
(128617) View Source    View Archive
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
(136725) View Source    View Archive
flac16; 3 source matrix by Dusborne;Soundboard (Shnid:91939) Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 ->Cool Edit Pro v2.0 -> FLAC; Audience 1 (Shnid:88964) Recording Info: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->Samplitude Professional v9.12 -> FLAC/16; and Audience 2 (Shnid:124551) Recorded by: Ron Goldshine and John Musgrave; 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes)My Copy of masters: Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes)) Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) >NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
aikox2 (1/4.9) / 0 View  
John Peters (1/0) FLAC / 1 View 91939 SBD: MC > R > DAT (48k); DAT (Sony D8) > Sound Devices 744T > Samplitude Professional v10.02 >...
michael rosenberg (1/5) cdr / 2 a a View 91939 SBD -> Cassette Master -> Reel -> Dat (48k)
Richard Markley (1/5) flac / 2 View 91939
Notes: HD1
Richard (1/5) CD-R / 2 A+ View 88964 A:C
Richard (1/5) CD-R / 3 View 91939
Matt Vernon (1/4.8) SHN / 2 A- A- View 1633
Notes: set 2; Master Audience Cassette; Sony ECM-280 mics > Sony D5> DAT > CDR; via Scott Clugston, Lee Revell [2008-04-25]Another excellent aud and an interesting show with some inventive late 1980 playing. Don't know if this is the same an known sources from this date. Not a bad way to get some 1980 gd if that's the flavor you like.
Matt Vernon (1/4.8) SHN / 2 B+ A- View 13412
Notes: Complete; (FOB) Nak 700 -> Cm -> Reel -> Dat shn encoding Charlie Miller [2008-04-30]Did not do a direct comparison against the Walker auds also mastered by Charlie but this is very listenable. Opinion of the show about the same - the ROR is still a buzzkill.
Matt Vernon (1/4.8) FLAC / 2 A- A- View 91939
Notes: flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller [2008-06-02]NIce sound/mix - lots of energy and a good setlist for the songs in rotation.
Matt Vernon (1/4.8) FLAC / 3 A/B A- View 88964
Notes: Nak300 Joani Walker aud [2007-12-08]Excellent sound on this one - show is strong with typical setlist (Sailor > Saint > Deal set 1 closer, kickoff w/ Stranger), I'm a fan of TLMD but ROR is marginal buzzkill. Set 2 has a very good S>F, and PITB starts string but the airto/Purim shenanigans on set 2 drums and the remainder doesn't really do much for me. Pleasant listen but not a repeat one for me. Overall split A/B rating
Matt Vernon (1/4.8) DVDA / 1 X X View 92889
Notes: DVD-VA; (Video-Audio) Bertha Remaster of the Master Cassette source; SBD>>MC>>R>>D>>Flac>>Daw(Bertha)>>Audio DVD (Audio only; no video)
Matt Vernon (1/4.8) FLAC / 3 A/B A View 124551
Notes: flac16; Recorded from the 15th row dead center on the floor with the microphones about 10 feet apart; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes) Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave [2013-10-05]Superb sound. Very clear. You can hear the friction on Jerry's strings. Show is good, though nothing uber special
SpiralLightofVenus (1/5) FLAC / 0 SBD View 91939
Notes: SBD TB4
SpiralLightofVenus (1/5) FLAC / 0 MTX View 136725
Notes: MTX TB18
Mark Diamond (1/3) / 2 View 13412
GratefulBrad (1/5) flac / 0 View 91939
Peterphan (1/0) FLAC16 / 2 View   SBD -> Cassette Master -> Reel -> Dat (48k)
Craig S (1/0) CDR / 2 View 91939
winterland121072 (1/0) / 0 View 124551
winterland121072 (1/0) / 0 View 92889
winterland121072 (1/0) / 0 View 13412
winterland121072 (1/0) / 0 View 88964
winterland121072 (1/0) / 0 View 91939
winterland121072 (1/0) / 0 View 1633
winterland121072 (1/0) / 0 View 128617
kam (1/0) flac / 0 View 91939
Israel Frankel (1/0) flac cd-r / 2 View 91939
Charlie Yohe (1/5) CDR / 2 View 88964
Charlie Yohe (1/5) CDR / 2 View 91939
Sean Gleason (1/4.6) CDR / 2 View 91939