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Set I
Feel Like A Stranger, Peggy-O-> El Paso, Ramble On Rose, CC Rider, Althea, Passenger, Brown Eyed Women, The Music Never Stopped-> Don't Ease Me In
Set II
Scarlet Begonias-> Fire On The Mountain, Estimated Prophet-> Eyes Of The World-> Drums-> Uncle John's Band-> Truckin'-> Alabama Getaway-> Johnny B. Goode, E: U.S. Blues
Set III
Comment
Last Changed By
Hamilton, Greg & Diana
Sources
(8595) View Source
View Archive
Recording by Jim Wise. Master Audience Cassette: Sennheiser 421 mics > Sony TC-D5 > DAT> CDR; Seeded to etree by Scott Clugston
(28356) View Source
View Archive
flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies); Mic Config: "primitive DIN" pointing the mics directly at the stacks forming a "Y"; Mic Location: first row behind the soundboard cage; Sony D5 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; taped and transferred by Doug Mow; CDR> flac by Alex Ford
(102023) View Source
View Archive
flac16; (FOB) Nakamichi CM-300 Shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded FOB from floor Section 105, Row H, Seat 10 by Bob Morris
(125867) View Source
View Archive
flac16; Set 2 Source: Unknown AUD, lo-gen tape kindly provided by Ted Gidley. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 10/2013
(134951) View Source
View Archive
flac24; Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing (Adobe Audition CC)-Mastering (iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing by Jim Wise
(135254) View Source
View Archive
flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony D5, maxell ud-xlII90’s, dolby b; floor, near sound board; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
(135255) View Source
View Archive
flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony D5, maxell ud-xlII90’s, dolby b; floor, near sound board; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
(143043) View Source
View Archive
flac24; Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
(143044) View Source
View Archive
flac16/48kHz; Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
(8595) View Source
View Archive Recording by Jim Wise. Master Audience Cassette: Sennheiser 421 mics > Sony TC-D5 > DAT> CDR; Seeded to etree by Scott Clugston
(28356) View Source
View Archive flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies); Mic Config: "primitive DIN" pointing the mics directly at the stacks forming a "Y"; Mic Location: first row behind the soundboard cage; Sony D5 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; taped and transferred by Doug Mow; CDR> flac by Alex Ford
(102023) View Source
View Archive flac16; (FOB) Nakamichi CM-300 Shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded FOB from floor Section 105, Row H, Seat 10 by Bob Morris
(125867) View Source
View Archive flac16; Set 2 Source: Unknown AUD, lo-gen tape kindly provided by Ted Gidley. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 10/2013
(134951) View Source
View Archive flac24; Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing (Adobe Audition CC)-Mastering (iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing by Jim Wise
(135254) View Source
View Archive flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony D5, maxell ud-xlII90’s, dolby b; floor, near sound board; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
(135255) View Source
View Archive flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony D5, maxell ud-xlII90’s, dolby b; floor, near sound board; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
(143043) View Source
View Archive flac24; Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
(143044) View Source
View Archive flac16/48kHz; Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Matt Vernon (1/4.8) | FLAC / 3 | X | X | View | 28356 | |
| Notes: | flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies); Mic Config: "primitive DIN" pointing the mics directly at the stacks forming a "Y"; Mic Location: first row behind the soundboard cage; Sony D5 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; taped and transferred by Doug Mow; CDR> flac by Alex Ford [2011-02-01]The Jack Straw from this tape is identical to the Bob Morris tape - neither info file refers to a different source. So I can't explain this but there appear to be conflicting claims to one source | |||||
| Matt Vernon (1/4.8) | FLAC / 1 | A- | A- | View | 125867 | |
| Notes: | flac16; Set 2 Source: Unknown AUD, lo-gen tape kindly provided by Ted Gidley. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 10/2013 [2013-10-23]Very nice sound (at beginning it appears left side heavy but then the sound field evens out). This is also a nice set featuring Jerry tunes and no lame Bob tunes, the Spanish jam interlude indicates Jerry is engaged and not on auto pilot. Recommended. | |||||
| SpiralLightofVenus (1/5) | FLAC / 0 | AUD | View | 102023 | ||
| Notes: | AUD TB4 | |||||
| Mark Diamond (1/3) | / 3 | View | 8595 | |||
| GratefulBrad (1/5) | cdr / 3 | A | A | View | 8595 | Senn 421's > Sony TC-D5 > DAT> CDR |
| Notes: | Full Show | |||||
| oldsk8r1962 (1/5) | FLAC / 3 | A | View | SBD | ||
| winterland121072 (1/0) | / 0 | View | 8595 | |||
| winterland121072 (1/0) | / 0 | View | 102023 | |||
| winterland121072 (1/0) | / 0 | View | 28356 | |||
| winterland121072 (1/0) | / 0 | View | 125867 | |||
| winterland121072 (1/0) | / 0 | View | 134951 | |||
| winterland121072 (1/0) | / 0 | View | 135255 | |||
| winterland121072 (1/0) | / 0 | View | 135254 | |||
| Mike Tausig (1/5) | FLAC / 3 | View | 28356 | |||
| Notes: | AUD>Nak 300/CP-4>Sony TCD-D5>WAV>CD>EAC>FLAC (Doug Mow) | |||||
| Mike Tausig (1/5) | SHN / 3 | View | 8595 | |||
| Notes: | FOB>Senn 421's>Sony TCD-D5>WAV>CD>EAC>SHN (Jim Wise) | |||||
| Israel Frankel (1/0) | flac cd-r / 3 | View | 102023 | |||
| Charlie Yohe (1/5) | CDR / 3 | View | 102023 | |||
| Notes: | filler on D2 is Jerry Interview 7/1/81 D1 | |||||
| wharfratpat (1/4) | SHN / 3 | View | 8595 | |||
| wharfratpat (1/4) | FLAC / 3 | View | 28356 | |||
| OBIE (1/5) | / 3 | View | 8595 | |||
| Tommy Danscuk (1/5) | CD / 3 | View | Aud FOB > Cass | |||
| Gary (1/0) | cd / 3 | A | View | |||
| Jibboo (1/5) | SHN / 0 | View | 8595 | |||
| Notes: | SENNHEISER 421's.... | |||||
| brett garvey (1/5) | FLAC / 3 | A | View | 28356 | 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape | |
| Notes: | gd1981 10 of 31 | |||||
| LossLess Legs (1/0) | CDR / 3 | View | 28356 | 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape | ||
| Notes: | seed deleted by wharfratpat | |||||
| Built2Last (1/0) | / 3 | View | 28356 | |||
| Built2Last (1/0) | / 3 | View | 8595 | |||
| Charlie (1/5) | cdr / 3 | View | Jim Wise's Master Audience Cassette:Sennheiser 421 mics > Sony TC-D5 > DAT> CDR | |||
| LarryO (1/5) | CDR / 2 | View | 8595 | aud | ||
| Ken Doughty (1/5) | flac / 0 | View | 28356 | aud | ||