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Grateful Dead 09/12/81
Greek Theatre, U. Of California, Berkeley, CA
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Set I
Shakedown Street-> Greatest Story Ever Told, Friend Of The Devil-> El Paso, Bird Song-> Cassidy, Tennessee Jed-> Looks Like Rain, China Cat Sunflower-> I Know You Rider
Set II
Scarlet Begonias-> Fire On The Mountain-> CC Rider, Estimated Prophet-> Eyes Of The World-> Drums-> Not Fade Away-> Wharf Rat-> Around & Around-> One More Saturday Night, E: It's All Over Now Baby Blue, E: Good Lovin'*
Set III

Comment
*Second Encore
Last Changed By System
Sources
(7091) View Source    View Archive
Recording by Jim Wise. Sennheiser 421 mics > Sony TC D-5, (see Jim Wise's notes in info file); d3 tracked for 80 min; via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy
(23658) View Source    View Archive
This is the same as shnid 7091 with Good Lovin' added (from an alternate aud source) so that the show is now complete via SIRMick([email protected])
(23729) View Source    View Archive
flac16; Recording by Steven Martin. Master audience cassette (modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding
(25317) View Source    View Archive
Recording by Jim Wise. FOB Senn 421s > Sony TC-D5 > MAC (Maxell XL II 90, Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV (no processing!) > CD > EAC > WAV > SHN. Transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs
(95391) View Source    View Archive
flac16; Source: Audience Recording Lineage: 3 Nakamichi 700's (l & R-Cross Cardiod, 6db Bass EQ, 75 Deg angle, center-omni straight at stage, 40 deg up) 40 feet from stage, dead center > 3 mic mixer(made by Jamie Poris) > Sony D5 > MAC (dolby B) > Nakamichi CR-5A (Dolby B) > Tascam HD-P2 > 24/96 Wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > CD wave > flac lvl 8 (TLH)
(95671) View Source    View Archive
flac16; Recording Info:(FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-D5M/Maxell UDXLII); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recoded by Joani Walker; All Transfers and Mastering By Charlie Miller
(101497) View Source    View Archive
flac16; Recording info: 2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(TDK SA-X 90, Maxell UDXL-II 90 'Estimated thru Baby Bloe') Playback, Editing, Preparation info: Nakamichi Dragon (Dolby B decoded) > Panasonic SV 3700 DAT (A/D conversion)(HP data cartridge) > Apple G4 (RME interface)(Peak 5 editing) > Xact
(105584) View Source    View Archive
flac16;Recording Info:Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller
(123788) View Source    View Archive
flac24; Recorded, Transferred and Mastered by N. Hoey (shnid 123665)(tagged version); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(tracks 01-13, 22 TDK SA-X C 90 ~ tracks 14-21, 23,24 Maxell UDXL II C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing) > xACT (flac-tagging)
(125697) View Source    View Archive
flac16;Recorded, Transferred and Mastered by N. Hoey (shnid 123788)(tagged version) 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(tracks 01-13, 22 TDK SA-X C 90 ~ tracks 14-21, 23,24 Maxell UDXL II C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing, sample rate conversion, dithering) > xACT (flac-tagging)
(142835) View Source    View Archive
flac24; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
(142836) View Source    View Archive
flac16/48kHz; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
Curt Reichwein (5/5) CD / 3 A A View   Sennheiser 321>Sony D-5>MC>PCM>DAT>CD
katy miller (5/5) shn / 2 View 7091
TUGBOAT (5/5) / 3 View  
Rick Garvey (5/0) SHN & CD-R / 3 View   Sennheiser 421 mics > Sony TC D-5
Notes: Disc One 1st Set Tuning Shakedown Greatest Story Friend of the Devil> El Paso Bird Song> Cassidy Tennessee Jed> Looks Like Rain Disc Two 1st Set (cont) Chinacat> Rider 2nd Set Scarlet> Fire CC Rider Disc Three 2nd Set (cont) Estimated> Eyes> Drums> Not Fade Away> Wharf Rat> Around and Around> Saturday Night Encore Baby Blue Good Lovin' (missing) Disc three will require an 80 minute disc unless you put the encore at the end of disc two. Here are the taper's notes for this Greek run. "The masters were made with Sennheiser 421 mics > Sony TC D-5 cassette deck. The tape was Maxell XL II 90's and were Dolby B encoded. There were mounted on a spreader bar and hand held without the benefit of a mic stand and located midway between the stage and the soundboard. I played them back on the original D-5, and ran the analog signal through a Sony PCM R-700 (to accomplish the A/D transfer) to my PC. Using Sound Forge 4.0, the levels were normalized, and a slight NR was applied. Then Using CD architect (By Sonic Foundry), they were disc'd. What I would really like to stress is that, all in all, these really are only "B" grade aud recordings. They are certainly quite listenable, and I'm sure most listeners will be able to get past that and enjoy them. I would like to mention that with the exception of 12/9/81, this '81 Greek run was the tightest security I've ever experienced. I witnessed at least two other tapers getting busted by BGP security. I consider myself lucky, and do believe these were possibly the only master to make it out of the shows. Feel free to post this e-mail when you make your offer. Enjoy! - Jim Wise"
Tom Snider, Jr. (5/5) shn / 2 View 7091
Mickey (5/5) shn / 2 View  
jt james (5/3) CDR / 3 A- View  
Jimmy Cronk (5/5) cdr/shn / 3 View 7091
Notes: 2 SHNs, Sennheiser 421 mics > Sony TC D-5
Jason Eckert (5/5) shn / 2 View 7091 Sennheiser 421 mics > Sony TC D-5, taped by Jim Wise (see his notes in info file); d3 tracked...
Jason Eckert (5/5) shn / 0 View 7091
Jason Eckert (5/5) shn / 0 View 7091
Tony Handmaker (5/5) SHN / 2 View 7091
Notes: Sennheiser 421 mics > Sony TC D-5
Dan Smith (5/3) CDR / 3 A A View   AUD
jim (5/0) audio cdr / 3 View   Sennheiser 421 mics > Sony TC D-5
Notes: Grateful Dead Greek Theater Bezerkeley, CA Sept 12, 1981 Sennheiser 421 mics > Sony TC D-5 See Taper Jim Wise's Notes Below Disc One 1st Set Tuning Shakedown Greatest Story Friend of the Devil> El Paso Bird Song> Cassidy Tennessee Jed> Looks Like Rain Disc Two 1st Set (cont) Chinacat> Rider 2nd Set Scarlet> Fire CC Rider Disc Three 2nd Set (cont) Estimated> Eyes> Drums> Not Fade Away> Wharf Rat> Around and Around> Saturday Night Encore Baby Blue Good Lovin' (missing) Disc three will require an 80 minute disc unless you put the encore at the end of disc two. Here are the taper's notes for this Greek run. "The masters were made with Sennheiser 421 mics > Sony TC D-5 cassette deck. The tape was Maxell XL II 90's and were Dolby B encoded. There were mounted on a spreader bar and hand held without the benefit of a mic stand and located midway between the stage and the soundboard. I played them back on the original D-5, and ran the analog signal through a Sony PCM R-700 (to accomplish the A/D transfer) to my PC. Using Sound Forge 4.0, the levels were normalized, and a slight NR was applied. Then Using CD architect (By Sonic Foundry), they were disc'd. What I would really like to stress is that, all in all, these really are only "B" grade aud recordings. They are certainly quite listenable, and I'm sure most listeners will be able to get past that and enjoy them. I would like to mention that with the exception of 12/9/81, this '81 Greek run was the tightest security I've ever experienced. I witnessed at least two other tapers getting busted by BGP security. I consider myself lucky, and do believe these were possibly the only master to make it out of the shows. Feel free to post this e-mail when you make your offer. Enjoy! - Jim Wise"
jim (5/0) audio cdr / 3 View   Sennheiser 421 mics > Sony TC D-5
Notes: Grateful Dead Greek Theater Bezerkeley, CA Sept 12, 1981 Sennheiser 421 mics > Sony TC D-5 See Taper Jim Wise's Notes Below Disc One 1st Set Tuning Shakedown Greatest Story Friend of the Devil> El Paso Bird Song> Cassidy Tennessee Jed> Looks Like Rain Disc Two 1st Set (cont) Chinacat> Rider 2nd Set Scarlet> Fire CC Rider Disc Three 2nd Set (cont) Estimated> Eyes> Drums> Not Fade Away> Wharf Rat> Around and Around> Saturday Night Encore Baby Blue Good Lovin' (missing) Disc three will require an 80 minute disc unless you put the encore at the end of disc two. Here are the taper's notes for this Greek run. "The masters were made with Sennheiser 421 mics > Sony TC D-5 cassette deck. The tape was Maxell XL II 90's and were Dolby B encoded. There were mounted on a spreader bar and hand held without the benefit of a mic stand and located midway between the stage and the soundboard. I played them back on the original D-5, and ran the analog signal through a Sony PCM R-700 (to accomplish the A/D transfer) to my PC. Using Sound Forge 4.0, the levels were normalized, and a slight NR was applied. Then Using CD architect (By Sonic Foundry), they were disc'd. What I would really like to stress is that, all in all, these really are only "B" grade aud recordings. They are certainly quite listenable, and I'm sure most listeners will be able to get past that and enjoy them. I would like to mention that with the exception of 12/9/81, this '81 Greek run was the tightest security I've ever experienced. I witnessed at least two other tapers getting busted by BGP security. I consider myself lucky, and do believe these were possibly the only master to make it out of the shows. Feel free to post this e-mail when you make your offer. Enjoy! - Jim Wise"
jim (5/0) audio cdr / 3 View   Sennheiser 421 mics > Sony TC D-5
Notes: Grateful Dead Greek Theater Bezerkeley, CA Sept 12, 1981 Sennheiser 421 mics > Sony TC D-5 See Taper Jim Wise's Notes Below Disc One 1st Set Tuning Shakedown Greatest Story Friend of the Devil> El Paso Bird Song> Cassidy Tennessee Jed> Looks Like Rain Disc Two 1st Set (cont) Chinacat> Rider 2nd Set Scarlet> Fire CC Rider Disc Three 2nd Set (cont) Estimated> Eyes> Drums> Not Fade Away> Wharf Rat> Around and Around> Saturday Night Encore Baby Blue Good Lovin' (missing) Disc three will require an 80 minute disc unless you put the encore at the end of disc two. Here are the taper's notes for this Greek run. "The masters were made with Sennheiser 421 mics > Sony TC D-5 cassette deck. The tape was Maxell XL II 90's and were Dolby B encoded. There were mounted on a spreader bar and hand held without the benefit of a mic stand and located midway between the stage and the soundboard. I played them back on the original D-5, and ran the analog signal through a Sony PCM R-700 (to accomplish the A/D transfer) to my PC. Using Sound Forge 4.0, the levels were normalized, and a slight NR was applied. Then Using CD architect (By Sonic Foundry), they were disc'd. What I would really like to stress is that, all in all, these really are only "B" grade aud recordings. They are certainly quite listenable, and I'm sure most listeners will be able to get past that and enjoy them. I would like to mention that with the exception of 12/9/81, this '81 Greek run was the tightest security I've ever experienced. I witnessed at least two other tapers getting busted by BGP security. I consider myself lucky, and do believe these were possibly the only master to make it out of the shows. Feel free to post this e-mail when you make your offer. Enjoy! - Jim Wise"
Bill Wright (5/5) AUDIO / 3 View  
tom kunz (5/5) shn / 0 View  
Hub Spencer (5/4.7) CDR / 3 A A View 7091
Robert Bosworth (5/0) cdr / 4 View  
Ryan Henry (5/0) SHN / 2 View 7091 AUD > Sony TC D-5
Adam Heckelsmiller (5/5) .shn / 2 View 7091
doubleA (5/0) / 0 View  
Thomas Sera (4/0) SHN / 2 View 7091
Brad Foster (4/4.9) FLAC / 2 View   (FOB) Nakamichi 300/CP1 > D5 > MC
Bruce Svoboda (4/0) Audio CDR / 3 View 95391
shakedown80 (4/3.5) / 0 View 25317
shakedown80 (4/3.5) / 0 View 95391
shakedown80 (4/3.5) / 0 View 95671
shakedown80 (4/3.5) / 0 View 101497