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Set I
Acoustic: Me And Bobby McGee*, Bye Bye Love*, Lucifer's Eyes*, Children Of The Eighties*, Banks Of The Ohio*
Set II
Electric-1: Shakedown Street, Me & My Uncle-> Mexicali Blues, Cold Rain & Snow, CC Rider**, It Must Have Been The Roses*-> Beat It On Down The Line, Big Boss Man**-> Minglewood Blues**, Don't Ease Me In
Set III
Electric-2: Iko Iko*, Playin' In The Band-> Terrapin Station-> Playin' In The Band-> Drums-> The Other One***-> Not Fade Away***-> Goin' Down The Road Feelin' Bad***-> Morning Dew; Encore aka Electric-3: Dark Star-> Bertha-> Good Lovin', It's All Over Now Baby Blue*
Comment
*W Joan Baez, **W Matt Kelly, ***W John Cippolina. First Set Acoustic; Bill Graham flew in on a joint at midnight
Last Changed By
System
Sources
(331) View Source
View Archive
Reels > Cass > Dat > CDR; via G. Lanum; 8/00: note tracklist now apparently corrected here from what had been listed originally; see pub comments for flaw notes.; upgrade in circulation
(7041) View Source
View Archive
electric sets; Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB; via Jay Serafin to gdlive; see extensive notes in txt files
(12784) View Source
View Archive
Jay Ashley (Bertha) remaster of Jay Serafin's 4 TRACK RTR source; SBD> MR> PCM> DAT> CDR> SHN> DAW(Bertha)> CDA; Note- Joan Baez set missing
(14040) View Source
View Archive
Acoustic set only (w/ Joan Baez); SBD > MR > CASS > DAT > CDR > EAC > SHN via Chris Warren; upgrade in circulation
(14686) View Source
View Archive
Master reels->cass->DAT->CD-R->EAC(x2 w/wav compare)->shn. ; upgrade in circulation
(33660) View Source
View Archive
flac16; SBD> Cassette Master (Dolby B)> Sonic 24bit> SBM2> CD> EAC> FLAC; Transferred and Mastered By David Gans; FLAC By Charlie Miller
(85628) View Source
View Archive
flac16; Recording by Matt Field. Source: FOB Nak 100's > D-5 > D-5 > Maxell UDXL I cassettes. Transfer and Mastering: Cassette (1st Gen) playback on Nakamichi CR-7A, azimuth adjusted, no Dolby > Grace Lunatec V3, sample rate at 96 KHz > AES digital connection > LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. Transfer and mastering by Chris L.
(96082) View Source
View Archive
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(96090) View Source
View Archive
flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(96106) View Source
View Archive
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.)
(96107) View Source
View Archive
flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.)
(96611) View Source
View Archive
flac16; Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither.
(126611) View Source
View Archive
flac16; Matrix 3 Source Mix - SBD (shnid=96107) flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 96611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. + VID (no shn id) low generation video found on the internet for a video project - matrix mixing by Kevin Tobin
(331) View Source
View Archive Reels > Cass > Dat > CDR; via G. Lanum; 8/00: note tracklist now apparently corrected here from what had been listed originally; see pub comments for flaw notes.; upgrade in circulation
(7041) View Source
View Archive electric sets; Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB; via Jay Serafin to gdlive; see extensive notes in txt files
(12784) View Source
View Archive Jay Ashley (Bertha) remaster of Jay Serafin's 4 TRACK RTR source; SBD> MR> PCM> DAT> CDR> SHN> DAW(Bertha)> CDA; Note- Joan Baez set missing
(14040) View Source
View Archive Acoustic set only (w/ Joan Baez); SBD > MR > CASS > DAT > CDR > EAC > SHN via Chris Warren; upgrade in circulation
(14686) View Source
View Archive Master reels->cass->DAT->CD-R->EAC(x2 w/wav compare)->shn. ; upgrade in circulation
(33660) View Source
View Archive flac16; SBD> Cassette Master (Dolby B)> Sonic 24bit> SBM2> CD> EAC> FLAC; Transferred and Mastered By David Gans; FLAC By Charlie Miller
(85628) View Source
View Archive flac16; Recording by Matt Field. Source: FOB Nak 100's > D-5 > D-5 > Maxell UDXL I cassettes. Transfer and Mastering: Cassette (1st Gen) playback on Nakamichi CR-7A, azimuth adjusted, no Dolby > Grace Lunatec V3, sample rate at 96 KHz > AES digital connection > LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. Transfer and mastering by Chris L.
(96082) View Source
View Archive flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(96090) View Source
View Archive flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(96106) View Source
View Archive flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.)
(96107) View Source
View Archive flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.)
(96611) View Source
View Archive flac16; Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither.
(126611) View Source
View Archive flac16; Matrix 3 Source Mix - SBD (shnid=96107) flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 96611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. + VID (no shn id) low generation video found on the internet for a video project - matrix mixing by Kevin Tobin
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Kyle (5/5) | CDR / 4 | A | A | View | ||
| Reverend Alex Lagusis (5/0) | / 0 | View | 33660 | |||
| David D (5/0) | SHN / 3 | View | 331 | Reels > Cass > Dat > CDR | ||
| Neil Cohen (5/5) | / 3 | BA- | View | sbd | ||
| Cptn Trips (5/3) | CDR / 4 | C+ | View | SBD - Hissy | ||
| Sean McIntyre (5/0) | CD / 4 | View | SBD | |||
| Notes: | SBD->MReel->Cassette->DAT->CDR | |||||
| phoompapa (5/5) | / 3 | View | ||||
| Tripp McCandlish (5/4) | CDR / 4 | View | Monitor Mix SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB (Dolby B decoded) | |||
| etreewv (5/5) | SHN / 2 | View | 7041 | Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB | ||
| Jonathan Steckler (5/0) | / 3 | A | View | Brd | ||
| MeltN2aDream (5/5) | cdr / 4 | View | 7041 | SBD monitor mix | ||
| Jeff Riney (5/5) | cdr / 3 | View | 12784 | |||
| Notes: | electric Bertha remaster on same disc as 12/31/81 acoustic | |||||
| Jeff Riney (5/5) | cdr / 1 | View | 14040 | |||
| Notes: | MSR; acoustic set only w/Joan Baez | |||||
| Jeff Riney (5/5) | cdr / 2 | View | 7041 | |||
| Notes: | electric sets SBD monitor mixer! | |||||
| EricS (5/0) | CDR / 5 | View | SDB | |||
| Notes: | ||||||
| Hutch Tibbetts (5/0) | CD-R / 4 | View | ||||
| Pat (5/5) | / 4 | A | A | View | ||
| Notes: | sbd | |||||
| Pat (5/5) | / 4 | View | ||||
| Joey Browning (5/4.9) | cdr / 4 | A | View | |||
| Glenn (5/5) | CDR / 3 | View | ||||
| Notes: | Notes on the way | |||||
| Gene Walters (5/4.7) | SHN / 2 | View | 7041 | Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB (Dolby B decoded) | ||
| DaffiDuck (5/5) | shn / 2 | View | SBD>>MR>>PCM>>DAT>>CDR>>SHN>>DAW(Bertha)>>CDA - Sound A | |||
| Notes: | Set1 w/Joan Baez (Missing) With Joan Baez Matt Kelly Ken Kessy Bill Graham and John Cipollina not enough bass but pristine recording...no audience is hear most of the night. Aiko Aiko has panning at the beginning | |||||
| Cherish (5/4.9) | CD / 4 | A | View | |||
| CTDEADHEAD (5/5) | SHN / 2 | View | 7041 | |||
| Notes: | SBDRR | |||||
| Jake Rorschach (5/5) | DAT / 2 | A | View | SBD Reel>DAT | ||
| Notes: | 2x60m | |||||
| Mike Lorenz (5/0) | / 0 | View | ||||
| vivek (5/0) | SHN / 2 | A+ | A | View | 331 | |
| Erika Vago (5/0) | CDR / 4 | A | View | SBD | ||
| harryhood3441 (5/0) | / 0 | View | ||||
| AoXoMoXoA (5/5) | SHN / 2 | View | 7041 | |||
| Notes: | Monitor Mixer SBD > | |||||