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Grateful Dead 12/31/81
Oakland Auditorium Arena, Oakland, CA
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Set I
Acoustic: Me And Bobby McGee*, Bye Bye Love*, Lucifer's Eyes*, Children Of The Eighties*, Banks Of The Ohio*
Set II
Electric-1: Shakedown Street, Me & My Uncle-> Mexicali Blues, Cold Rain & Snow, CC Rider**, It Must Have Been The Roses*-> Beat It On Down The Line, Big Boss Man**-> Minglewood Blues**, Don't Ease Me In
Set III
Electric-2: Iko Iko*, Playin' In The Band-> Terrapin Station-> Playin' In The Band-> Drums-> The Other One***-> Not Fade Away***-> Goin' Down The Road Feelin' Bad***-> Morning Dew; Encore aka Electric-3: Dark Star-> Bertha-> Good Lovin', It's All Over Now Baby Blue*
Comment
*W Joan Baez, **W Matt Kelly, ***W John Cippolina. First Set Acoustic; Bill Graham flew in on a joint at midnight
Last Changed By System
Sources
(331) View Source    View Archive
Reels > Cass > Dat > CDR; via G. Lanum; 8/00: note tracklist now apparently corrected here from what had been listed originally; see pub comments for flaw notes.; upgrade in circulation
(7041) View Source    View Archive
electric sets; Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB; via Jay Serafin to gdlive; see extensive notes in txt files
(12784) View Source    View Archive
Jay Ashley (Bertha) remaster of Jay Serafin's 4 TRACK RTR source; SBD> MR> PCM> DAT> CDR> SHN> DAW(Bertha)> CDA; Note- Joan Baez set missing
(14040) View Source    View Archive
Acoustic set only (w/ Joan Baez); SBD > MR > CASS > DAT > CDR > EAC > SHN via Chris Warren; upgrade in circulation
(14686) View Source    View Archive
Master reels->cass->DAT->CD-R->EAC(x2 w/wav compare)->shn. ; upgrade in circulation
(33660) View Source    View Archive
flac16; SBD> Cassette Master (Dolby B)> Sonic 24bit> SBM2> CD> EAC> FLAC; Transferred and Mastered By David Gans; FLAC By Charlie Miller
(85628) View Source    View Archive
flac16; Recording by Matt Field. Source: FOB Nak 100's > D-5 > D-5 > Maxell UDXL I cassettes. Transfer and Mastering: Cassette (1st Gen) playback on Nakamichi CR-7A, azimuth adjusted, no Dolby > Grace Lunatec V3, sample rate at 96 KHz > AES digital connection > LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. Transfer and mastering by Chris L.
(96082) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(96090) View Source    View Archive
flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(96106) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.)
(96107) View Source    View Archive
flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.)
(96611) View Source    View Archive
flac16; Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither.
(126611) View Source    View Archive
flac16; Matrix 3 Source Mix - SBD (shnid=96107) flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 96611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. + VID (no shn id) low generation video found on the internet for a video project - matrix mixing by Kevin Tobin
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User (active/rating) Media / # Show Sound Details DB Source User Source
darkhorse (5/0) cdr / 4 A A View   SBD>4 track RTR @ 7.5 i.p.s. monitor mix > 16-bit PCM GD Archive > SSSB (Dolby B decoded)
Notes: Missing the accoustic set. NRPS opened. Show was sourced by Jay Serafin, owner/chief engineer, Serafin Station Studio B, 11/21/01. Notes I was given state this is from the "monitor mix" not the soundboard feed mix. Phil apparantly, wanting to shake things up, had the mix set up in way that they could hear each other better. They open the 'c&w' tunes in early '70s style, which was more country sounding. And, the vocals will slightly fade when they step away from the mics after finishing singing a line...very nice job I must say! Set 2 opens with Ken Kesey's "Gong Bong" / NYE "Space" Countdown. Bill Graham flies down to stage on giant j. This section is AUD, but when "Iko Iko" starts, the AUD splice neds and the SBD continues. Awesome show! Joan Baez, Matt Kelly and John Cippolina are guests. Last Dark Star before this one: 1/20/79
Jay Flynn (5/4.3) cdr / 4 A View   SBD>C>DAT>EAC>CDR
Notes: All
Peter Fuchs (5/5) CDR / 3 A A View  
Joe Sanderson (5/0) CDR / 4 View 331
jeff bradley (5/5) cdr / 4 A- View  
Tyler Jameslyn (5/0) CDR / 1 View   With Joan Baez
Tyler Jameslyn (5/0) CDR / 1 View   With Joan Baez
zach smith (5/0) cdr / 4 A View 7041
Notes: 4 cd- w/ joan baez and matt kelly
matt (5/1) CD / 4 View  
jacob (5/0) cd-r / 4 a a View   sbd
POON TANGERAMUS (5/0) ANALOG / 2 A View  
Paul (5/2) SHN / 2 View 12784
Wischmeier (5/0) SHN / 2 View   SBD > 4 track RTR @ 7.5 i.p.s. monitor mix > 16-bit PCM GD Archive > SSSB
Notes: "This show is dedicated to the memory of Ken Kesey, who passed away while I was editing Disc 2 at the time... he "guided me" through a very tough section which contained a large number of master volume changes! I'll shake his hand again someday, and tell him 'Thanks for the help'... and I know Ken will just give me that knowing wink of his..." Jay Serafin, owner/chief engineer, Serafin Station Studio B
john tiermann (5/0) / 0 View 331
John Bortel (5/5) CD / 3 A View  
Notes: Have cool cover art
charles (5/5) analog / 2 View  
Jack Fisher (5/4.3) CDR / 4 A A View   SBD > 16 track MR > DAT
brothercrow (a.k.a. michael crow) (5/5) shn>cdr= / 3 a+ View   Master reels->cass->DAT->CD-R->EAC(x2 w/wav compare)->shn
Notes: very nice show . see the tech notes for all the good stuff packed in here .
ALAN DOUGLAS (5/3.9) / 4 View  
Ryan E. Stearns (5/0) MD / 4 A A View   sbd.
Hub Spencer (5/4.7) CDR / 4 A A View   SBD Master Reels > Cass(1) > DAT > CDR
Notes: Complete show Last Dark Star 1-29-79 (232)
Kevin O'Hagen (5/0) / 2 View  
Calvin (5/0) CDR / 4 View  
Ryan Henry (5/0) CDR / 4 View 7041 SBD>[email protected] ips monitor mix>16-bit PCM GD Archive>SSSB
Notes: Monitor Mix Version
Jason Tvrdik (5/0) / 0 View 7041
Oak (5/0) SHN / 4 A+ A View 7041 SBD > 4 track RTR @ 7.5 i.p.s. monitor mix > 16-bit PCM GD Archive > SSSB
Notes: Monitor Mix SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB (Dolby B decoded); NRPS opened; *=w/Joan Baez; **=w/Matt Kelly; ***=w/John Cippolina; Bill Graham flies in on a giant joint; LAST "Dark Star": 01-20-79 [232]; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 11/01]
john acquafredda (5/0) shn / 0 View 331
Adam Heckelsmiller (5/5) .shn / 2 View 7041 Monitor Mix SBD > 4 Track RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB (Dolby B decoded)
Natalie (5/0) CDR / 4 View  
Livey (5/5) CD / 4 A A View   Monitor Mix SBD> 4 Track RTR@ 7.5 IPS (Dolby 8)> PCM> D> SSSB (Dolby B decoded)