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Set I
Beer Barrel Polka, Jack Straw, Cold Rain & Snow, Minglewood Blues, Candyman, Me & My Uncle, Mexicali Blues, Tennessee Jed, Looks Like Rain-> Might As Well
Set II
Scarlet Begonias-> Touch Of Gray-> Women Are Smarter, Terrapin Station-> Drums*-> The Other One-> Wharf Rat-> I Need A Miracle-> Morning Dew, E: Sugar Magnolia, E: Brokedown Palace
Set III
Comment
*with Ken Kesey and the Thunder Machine
Last Changed By
System
Sources
(2573) View Source
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SBD> MR> C> DAT> CDR; transfer by Mike Lai from Bruce Fried seed; upgrade in circulation
(12521) View Source
View Archive
Set 2 only; (Mics?)>Sony D5>Master AUD Cassette>Cassette>WAV (CDWav)>SHN (MKWAct); Taped by Dave Morris, seeded by Jim Bennett and Brian Bontempo
(29304) View Source
View Archive
flac16; Source: Sony ECM-939LT stereo mic > Marantz PMD-340 cassette deck. Sony UCX-S 90 cassettes, with Dolby B On. Taped by Andrew F. Mic on 7-foot tent pole, center seat of 30th row (rear orchestra). Transfer: MAC > Sony TC-D5M > Marantz CDR-500 > EAC > Soundforge > CD-Wave > FLAC Soundforge used for fades and to smooth out a few rough spots. There were too many yells and hand-claps to deal with, so I left those as-is. CD-Wave used for track-ID?s, and FLAC Frontend for lossless compression.
(77312) View Source
View Archive
flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
(134517) View Source
View Archive
flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(134627) View Source
View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
(2573) View Source
View Archive SBD> MR> C> DAT> CDR; transfer by Mike Lai from Bruce Fried seed; upgrade in circulation
(12521) View Source
View Archive Set 2 only; (Mics?)>Sony D5>Master AUD Cassette>Cassette>WAV (CDWav)>SHN (MKWAct); Taped by Dave Morris, seeded by Jim Bennett and Brian Bontempo
(29304) View Source
View Archive flac16; Source: Sony ECM-939LT stereo mic > Marantz PMD-340 cassette deck. Sony UCX-S 90 cassettes, with Dolby B On. Taped by Andrew F. Mic on 7-foot tent pole, center seat of 30th row (rear orchestra). Transfer: MAC > Sony TC-D5M > Marantz CDR-500 > EAC > Soundforge > CD-Wave > FLAC Soundforge used for fades and to smooth out a few rough spots. There were too many yells and hand-claps to deal with, so I left those as-is. CD-Wave used for track-ID?s, and FLAC Frontend for lossless compression.
(77312) View Source
View Archive flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
(134517) View Source
View Archive flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(134627) View Source
View Archive flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.