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Grateful Dead 06/24/84
Saratoga Performing Arts Center, Saratoga Springs, NY
Set I
Dancin' In The Streets, Dire Wolf, Minglewood Blues, Candyman, Me & My Uncle-> Mexicali Blues, Ramble On Rose, Hell In A Bucket, Deal
Set II
I Need A Miracle-> Bertha-> Playin' In The Band-> China Doll-> Samson & Delilah-> Drums-> The Other One-> Wharf Rat-> Sugar Magnolia, E: Satisfaction, E: It's All Over Now Baby Blue
Set III

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Aud> Nak300> CM> CDR> EAC(Secure Mode)> CDWave(Retracking Only)> Shnv3(MKW ACT)
(27449) View Source    View Archive
flac16: SBD> Cassette Master> Dat; patches from Nakamichi 300/CP1> Cassette Master> Dat; Transfer: Dat> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> FLAC; All Transfers and Editing By Charlie Miller
(81627) View Source    View Archive
flac16; Recordist: Kyle Holbrook Location: Set One: ~5' ROC, ~175' from stage lip, head height | Set Two: Centered, ~150' from stage lip, head height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6
(81707) View Source    View Archive
flac24/96; Recordist: Kyle Holbrook Location: Set One: ~5' ROC, ~175' from stage lip, head height | Set Two: Centered, ~150' from stage lip, head height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format : 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8
(89559) View Source    View Archive
flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5M/Maxell XLIIS-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller.
(109483) View Source    View Archive
flac24; FOB AUD: 3x Nakamichi CM300/CP1's cardioids > Nakamichi 550 > Maxell XLII-S 90's, set up in 12th row left of center. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 08/2010
(109484) View Source    View Archive
flac16; FOB AUD: 3x Nakamichi CM300/CP1's cardioids > Nakamichi 550 > Maxell XLII-S 90's, set up in 12th row left of center. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 08/2010
(117800) View Source    View Archive
flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
(126261) View Source    View Archive
flac24; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
(132576) View Source    View Archive
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(132577) View Source    View Archive
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
(138865) View Source    View Archive
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
(138866) View Source    View Archive
flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
(139813) View Source    View Archive
flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
(141137) View Source    View Archive
flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
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