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Grateful Dead 03/24/87
Hampton Coliseum, Hampton, VA
Set I
Jack Straw
Candyman
New Minglewood Blues
Loser
Mama Tried >
Mexicali Blues
Ramble On Rose
Let It Grow
Set II
Gimme Some Lovin' >
Black Muddy River
Playing In The Band >
Terrapin Station >
Drums >
Space >
Dear Mr. Fantasy >
Wharf Rat >
Not Fade Away

Encore:
Brokedown Palace
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(10077) View Source    View Archive
Nakamichi 300/Sony D-5> Nakamichi BX-300 > CD; via Stephen B. Porter; Seeded to etree by Peter Braverman
(10354) View Source    View Archive
FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1 Sony PCMF1> DAT; via Sean Weber-Small, Bill Gardner; Shntool fix by Darrin Sacks
(25581) View Source    View Archive
Set 2 Only - Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller
(77915) View Source    View Archive
flac16; Source: Sennheiser ME88 shotguns > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res CD dither settings) > CDWAV 1.9 (tracking and encoding) > FLAC (level 8 encoding). Transfer, mastering and encoding by C.Ladner
(89110) View Source    View Archive
flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1> creative extigy soundcard> cool edit pro> flac frontend
(91254) View Source    View Archive
flac16; Nakamichi CM-100's with CP-4 shotgun capsules>>Sony D-5 cassette recorder located just at the right front lip of the soundboard. Recorded by Greg Holtz & Mike Rice master cassette> tascam112mkII>presonus firestudio>firewire>Wavelab 6.0 transfer at 32bf/96kHz mastering and crystal resampler to 16/44.1 in Wavelab 6.0 by Jamie Waddell on the GEMS Edit Station. Trac'ed cdwave,Flac'ed Flac Frontend level 8
(94349) View Source    View Archive
flac16; Recording Info: Set 1: SBD -> Master Cassette -> Cassette; Set 2: SBD -> Master Cassette -> Dat (44.1k); Transfer Info: Set 1: Cassette -> Apogee MiniMe -> Samplitude Professional v9.1 -> FLAC; Set 2: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC; All Transfers and Mastering By Charlie Miller
(126241) View Source    View Archive
flac16; 2 Sennhesier 441s and Sony TC-D5m Cassette Master; FOB; Transfer: Playback Maxell XL-IIS cassette masters on Sony TC-D5m to Marantz PMD-670
(131806) View Source    View Archive
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(131807) View Source    View Archive
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
(135546) View Source    View Archive
flac24; Set 2 source: neuman kmr 184 fob> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
(135992) View Source    View Archive
flac16; OTS 2 Nakamichi CM100s w/cP4 shotguns(PAS)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6)
(140805) View Source    View Archive
flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(140920) View Source    View Archive
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(142039) View Source    View Archive
flac24; Patched & Pitch Corrected Audience (original shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin
(142040) View Source    View Archive
flac16; Patched & Pitch Corrected Audience (original shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin
(142041) View Source    View Archive
flac24; Matrix 2 Source Mix - SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
(142042) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
(142043) View Source    View Archive
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin
(142044) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k)- SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
LossLess Legs (1/0) CDR / 2 View 94349
Notes: 09/03/2008 - jthomas0237
LossLess Legs (1/0) CDR / 2 View 10077
Notes: 01/23/2009 - oleo86
tom (1/0) / 0 View 91254
Built2Last (1/0) / 2 View 10354
Rhodes (1/0) / 0 View 94349
Charlie (1/5) Oade cdr / 2 View   FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1 Sony PCMF1> DAT
Ken Doughty (1/5) shn / 2 A View 10354 aud
Notes: Source: FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1 Sony PCMF1> DAT Tranfer: DAT (master, direct copy from PCM @ 44.1) Sony DTC-A6 > DIO 2448 > CDWAV > SHN
artisgilmore (1/0) D5 / 2 View  
Matthew Kupchinsky (1/0) CDR / 2 B A- View 10354 FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1 > DAT (master, direct copy from PCM @ 44.1)...
Notes: from BitTorrent.
Smoke Signal (1/0) VCD / 2 View  
Dene Wright (1/5) CD / 3 View   Nakamichi CM100
Notes: All
Randy (1/0) FLAC / 1 View 25581
Randy (1/0) DVD / 1 View 94349
MattMan_Video (1/5) DVD / 2 A View 10354 Video: Tripod Cam w/Zoom, Phil side; Audio: FOB Schoeps
Notes: New awolfoutwest69/mattman joint. nice!
raincooker (1/0) / 3 A View   FOB-AUDIENCE, All
Bradley Sink (1/0) DVD / 2 B View  
Notes: AUD, AUD set I, II
triportweek (1/5) cdr / 0 View 25581
Mark Gay (1/0) FLAC / 2 View 77915
Notes: 77915
Mark Gay (1/0) / 0 View 10077
Notes: 10077
Mark Gay (1/0) / 0 View 89110
Notes: 89110
Mark Gay (1/0) / 0 View 91254
Notes: 91254
Mark Gay (1/0) / 0 View 94349
Notes: 94349
taperBWeed (1/5) / 2 View 10354 FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1
Sigmund BoPs (1/5) CD-R / 2 View 10354
Ron Lynch (1/5) CDR / 2 B+ View   NAK 300 shotgun > SONY D5
Notes: This is the final night of a 3-night stand at the Hampton Coliseum. Jerry is in rare form this tour, having returned to active duty in 12/86 following health problems at the end of summer tour 1986.
Marklar (1/0) VCD / 2 View  
justin tobin (1/5) CDR / 1 A+ View  
Notes: 1 DVD
Terence Keating (1/5) shn / 2 View 10354
Mike McD (1/4.9) cd / 2 A+ A View   (FOB) Schoeps CMC44>Oade>DAT>CDR>SHN>CDR
Mike McD (1/4.9) vcd / 3 A+ A View   Master Hi-fi VHS>Hi-fi VHS>Hi-fi VHS>ATI All-in-Wonder 128>MPEG-1; Schoeps CMC44...
Notes: video grade A: tripod steady, well framed; slightly washed out