(18847) View Source    View Archive
SBD > MC > DAT > EAC > SHN; EAC/SHN by Darryl Hinko

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(24492) View Source    View Archive
Source: FOB 10th Row Sony D5 w/NAK 700's>MAC>C>DAT>WAV>SHN C>SHN Conversion by Cousinit Notes: Disc 1 requires an 80 minute disc

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(83737) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller

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(98158) View Source    View Archive
flac16; Source: FOB 10th Row Sony D5 w/NAK 700's>MAC>C>DAT>WAV>SHN; C>SHN>remaster>FLAC, Conversion by Cousinit; this is a remaster of source ID 24492

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(105509) View Source    View Archive
flac16; Master Digital Audience Recording by Michael Grace Lineage: Schoeps CMC-32s (Omni) spaced 10 foot, 0 degrees > Grace 18V mic power supply, polypropylene coupling capacitors > PCM-F1/SL-2000 Betamax Sony SL-HF900 Transfer Info: Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 to 24 BIT - 44.1 kHz by Michael Grace Editing and Mastering: Jamie Waddell ([email protected]) on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDWAV Tag&Rename for Meta_Data TLH for FLAC Level 8 by Patrick White

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(141909) View Source    View Archive
flac16; Recording Info: Master UltraMatrix PCM > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16