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Set I
Feel Like A Stranger >
Franklin's Tower
Walkin' Blues
When Push Comes To Shove
My Brother Esau
It Must Have Been The Roses
Far From Me
Let It Grow
Franklin's Tower
Walkin' Blues
When Push Comes To Shove
My Brother Esau
It Must Have Been The Roses
Far From Me
Let It Grow
Set II
Iko Iko
Saint Of Circumstance
Ship Of Fools
Uncle John's Band >
Playing In The Band Jam >
Drums >
Space >
Truckin' >
Spoonful >
Black Peter >
Around & Around >
Good Lovin' >
La Bamba >
Good Lovin'
Encore:
Knockin' On Heaven's Door
Saint Of Circumstance
Ship Of Fools
Uncle John's Band >
Playing In The Band Jam >
Drums >
Space >
Truckin' >
Spoonful >
Black Peter >
Around & Around >
Good Lovin' >
La Bamba >
Good Lovin'
Encore:
Knockin' On Heaven's Door
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By
J
Sources
(8596) View Source
View Archive
Sony ECM220T mics from taper's section; via DNC vine
(73861) View Source
View Archive
flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up in taper's section, mics on stand aprx 7-1/2 feet high. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC
(82277) View Source
View Archive
flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci
(89984) View Source
View Archive
flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
(106061) View Source
View Archive
flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
(106821) View Source
View Archive
flac16; Recording Info:Sony ECM-220T -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> Adobe Audition v3.0 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller
(8596) View Source
View Archive Sony ECM220T mics from taper's section; via DNC vine
(73861) View Source
View Archive flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up in taper's section, mics on stand aprx 7-1/2 feet high. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC
(82277) View Source
View Archive flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci
(89984) View Source
View Archive flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
(106061) View Source
View Archive flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
(106821) View Source
View Archive flac16; Recording Info:Sony ECM-220T -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> Adobe Audition v3.0 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller
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Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Ken Berry (3/5) | SHN / 2 | View | 8596 | |||
| Brad (3/5) | flac / 2 | View | 73861 | |||
| Scott Herring (3/0) | FLAC / 3 | View | 82277 | AUD | ||
| Notes: | DVD #15 | |||||
| mcjeff (3/5) | shn / 2 | View | 8596 | audience | ||
| Chris Bertschmann (3/0) | CDR / 2 | View | senn 441s>sony d5>mc>dat>cd | |||
| Kevin Scala (3/0) | CDR-Audio / 3 | A | A- | View | Nak 300 + cp4>MC>CD | |
| Kevin Scala (3/0) | CDR-Audio / 3 | A | A- | View | Nak 300 + cp4>MC>CD | |
| Sarah (3/0) | / 2 | View | ||||
| Jim Van Houten (2/5) | / 0 | View | 106821 | https://archive.org/details/gd1987-09-07.ecm220t.keshavan.miller.106821.flac16 | ||
| Lost Sailor (2/0) | Flac / 0 | View | 106061 | flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90) Cassette Master... | ||
| cisconethead (2/0) | / 0 | View | 82277 | |||
| Michael McMullan (2/5) | CDR/FLAC / 2 | A- | View | 73861 | Aud | |
| Scott (2/0) | CDR(DAO) / 0 | View | ||||
| ZIP007 (2/5) | SHN / 0 | View | 8596 | AUD | ||
| Luke Bailey (2/0) | SHN / 2 | View | 8596 | Sony ECM220T mics | ||
| Notes: | Sony ECM220T mics | |||||
| Chris Nestler (2/0) | FLAC / 2 | View | 73861 | |||
| Terrapanda (2/0) | / 2 | View | 82277 | |||
| Terrapanda (2/0) | / 2 | View | 89984 | |||
| Raphael (2/5) | SHN / 2 | View | 8596 | |||
| Brad (2/0) | FLAC / 2 | View | 82277 | Nakamichi CM304's>Sony D5M | ||
| FTLShawn (2/0) | FLAC / 0 | View | 89984 | |||
| Notes: | AUD | |||||
| William Ferdinandsen (2/5) | CDR / 3 | View | ||||
| Michael Goff (2/5) | cd / 2 | View | 8596 | |||
| Notes: | 87 dvd #17 | |||||
| Gary Field (1/5) | SHN / 2 | View | 8596 | AUD | ||
| Notes: | Recorded: Sec: 8, Row: D, Seat: 11 (Taper's Section) Sony ECM220T mics > Sony TCDM5 Cassette deck > Maxell MX90 tapes NO DOLBY Digitizing process: Nak DR1 using Azimuth adjustment > Sony PCMR500 DAT with SBM ON for A>D > Turtle Beach Montego II Digital I/O sound card > CD Waves > Cool Edit for putting waves together > CDWav for breaking up wav > Shorten | |||||
| Gary Field (1/5) | FLAC / 2 | View | 73861 | AUD | ||
| Notes: | Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up in taper's section, mics on stand aprx 7-1/2 feet high. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC [060712.2] | |||||
| Gary Field (1/5) | FLAC / 2 | View | 82277 | AUD | ||
| Notes: | Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci [070208.2] | |||||
| Gary Field (1/5) | 89984 / 2 | View | 89984 | AUD | ||
| Notes: | taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend [080224.1] | |||||
| Gary Field (1/5) | 106061 / 2 | View | 106061 | AUD | ||
| Notes: | Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris [100319.1] | |||||
| Gary Field (1/5) | 106821 / 2 | View | 106821 | AUD | ||
| Notes: | Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> Adobe Audition v3.0 -> FLAC/16; Recorded by Rango Keshavan [100611.1] | |||||
| Marc Deardorff (1/5) | shn / 2 | View | 8596 | |||
| Notes: | Sony ECM220T mics from taper's section | |||||