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Set I
Shakedown Street
Little Red Rooster
Friend Of The Devil
Victim Or The Crime
Built To Last
We Can Run
Stuck Inside Of Mobile With The Memphis Blues Again >
Deal
Little Red Rooster
Friend Of The Devil
Victim Or The Crime
Built To Last
We Can Run
Stuck Inside Of Mobile With The Memphis Blues Again >
Deal
Set II
Samson & Delilah >
Crazy Fingers >
Playing In The Band >
Terrapin Station >
Drums >
Space >
Gimme Some Lovin' >
Standing On The Moon >
Throwing Stones >
Not Fade Away
Encore:
U.S. Blues
Crazy Fingers >
Playing In The Band >
Terrapin Station >
Drums >
Space >
Gimme Some Lovin' >
Standing On The Moon >
Throwing Stones >
Not Fade Away
Encore:
U.S. Blues
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By
J
Sources
(15109) View Source
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SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller
(94240) View Source
View Archive
flac16; Source: Audience recording Lineage: OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5> MAC > Nakamichi CR-5A > Emu 1212M > 24/96 wave > wavelab 5 > Plugins > r8brainpro > 16/44.1 wave > cd wave > flac lvl 8 (TLH)
(106238) View Source
View Archive
flac16; Recorded by Justin L. Lee 2 Nakamichi CM300s CP4 1 Nakamichi CM100 CP1 Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B in OTS. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
(120302) View Source
View Archive
flac24; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
(120303) View Source
View Archive
flac16; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(141850) View Source
View Archive
flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
(15109) View Source
View Archive SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller
(94240) View Source
View Archive flac16; Source: Audience recording Lineage: OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5> MAC > Nakamichi CR-5A > Emu 1212M > 24/96 wave > wavelab 5 > Plugins > r8brainpro > 16/44.1 wave > cd wave > flac lvl 8 (TLH)
(106238) View Source
View Archive flac16; Recorded by Justin L. Lee 2 Nakamichi CM300s CP4 1 Nakamichi CM100 CP1 Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B in OTS. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
(120302) View Source
View Archive flac24; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
(120303) View Source
View Archive flac16; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(141850) View Source
View Archive flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
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Collectors With This Show
<< Previous 1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 365 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Trip Bates (3/0) | shn / 3 | View | 15109 | |||
| Ed Stevenson (3/5) | / 3 | View | 15109 | SBD | ||
| robert naylor (3/3) | MD / 1 | A | View | Sbd | ||
| robert naylor (3/3) | MD / 1 | A | View | SBD FM>MD | ||
| bcanoe1 (3/0) | / 3 | View | ||||
| Dave Wenzel (2/5) | / 3 | A | View | SBD:D>Samplitude>CoolEditPro>shn>EAC>CD | ||
| Greg P (2/5) | / 0 | View | 120303 | |||
| EddieTandy (2/0) | CDR / 3 | View | 15109 | |||
| Lost Sailor (2/0) | Shn / 0 | View | 15109 | SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller | ||
| Lost Sailor (2/0) | Flac 16 / 0 | View | 120303 | flac16; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat... | ||
| Lost Sailor (2/0) | Flac 24/48 / 0 | View | 120302 | flac24; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat... | ||
| Lost Sailor (2/0) | Flac 16 / 0 | View | 141850 | flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony... | ||
| Dave Sanders (2/5) | shn / 2 | View | 15109 | |||
| Bill Tetzeli (2/5) | SHN / 3 | View | 15109 | SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN | ||
| Michael McMullan (2/5) | CDR/SHN / 3 | A | View | 15109 | SBD | |
| Michael McMullan (2/5) | CDR/FLAC / 3 | A- | View | 120303 | Aud | |
| Chris_G (2/0) | HD2 / 3 | View | 15109 | |||
| Notes: | Miller | |||||
| Matt Craddock (2/0) | shn / 2 | View | 15109 | |||
| Notes: | phenomenal shakedown | |||||
| Scott (2/0) | CDR(DAO) / 3 | View | ||||
| Richard D. Jordan (2/5) | shn / 2 | View | 15109 | SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN | ||
| Notes: | Charlie Miller source | |||||
| Jason (2/0) | / 3 | View | 15109 | |||
| Luke Bailey (2/0) | SHN / 3 | View | 15109 | SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN | ||
| Notes: | SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN | |||||
| Dennis O'Donnell (2/0) | shn / 2 | View | 15109 | |||
| Dan Walter (2/0) | shn / 2 | View | 15109 | |||
| Terrapanda (2/0) | / 2 | View | 15109 | |||
| khanti (2/3) | SHN / 3 | View | 15109 | |||
| Brad (2/0) | SHN / 0 | View | 15109 | SBD > DAT > Cool Edit Pro | ||
| easywind74 (2/0) | / 0 | View | 15109 | |||
| AAA Audio (2/4.8) | shn / 2 | View | ||||
| Dean Thole (2/0) | SHN / 2 | View | 15109 | |||