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Set I
Shakedown Street
Little Red Rooster
Friend Of The Devil
Victim Or The Crime
Built To Last
We Can Run
Stuck Inside Of Mobile With The Memphis Blues Again >
Deal
Little Red Rooster
Friend Of The Devil
Victim Or The Crime
Built To Last
We Can Run
Stuck Inside Of Mobile With The Memphis Blues Again >
Deal
Set II
Samson & Delilah >
Crazy Fingers >
Playing In The Band >
Terrapin Station >
Drums >
Space >
Gimme Some Lovin' >
Standing On The Moon >
Throwing Stones >
Not Fade Away
Encore:
U.S. Blues
Crazy Fingers >
Playing In The Band >
Terrapin Station >
Drums >
Space >
Gimme Some Lovin' >
Standing On The Moon >
Throwing Stones >
Not Fade Away
Encore:
U.S. Blues
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By
J
Sources
(15109) View Source
View Archive
SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller
(94240) View Source
View Archive
flac16; Source: Audience recording Lineage: OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5> MAC > Nakamichi CR-5A > Emu 1212M > 24/96 wave > wavelab 5 > Plugins > r8brainpro > 16/44.1 wave > cd wave > flac lvl 8 (TLH)
(106238) View Source
View Archive
flac16; Recorded by Justin L. Lee 2 Nakamichi CM300s CP4 1 Nakamichi CM100 CP1 Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B in OTS. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
(120302) View Source
View Archive
flac24; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
(120303) View Source
View Archive
flac16; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(141850) View Source
View Archive
flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
(15109) View Source
View Archive SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller
(94240) View Source
View Archive flac16; Source: Audience recording Lineage: OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5> MAC > Nakamichi CR-5A > Emu 1212M > 24/96 wave > wavelab 5 > Plugins > r8brainpro > 16/44.1 wave > cd wave > flac lvl 8 (TLH)
(106238) View Source
View Archive flac16; Recorded by Justin L. Lee 2 Nakamichi CM300s CP4 1 Nakamichi CM100 CP1 Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B in OTS. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
(120302) View Source
View Archive flac24; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
(120303) View Source
View Archive flac16; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(141850) View Source
View Archive flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
<< Previous 1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 365 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Marko (5/0) | CDR / 3 | View | ||||
| John Valter (5/3.7) | cdr / 2 | A- | View | matrixsbd>mc>dat>c>dat>cd | ||
| Emily Sunshine (5/5) | CDR / 3 | A+ | View | |||
| Notes: | SBD | |||||
| martin rordam (5/5) | SHN / 2 | View | 15109 | |||
| Notes: | SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN | |||||
| Evan (5/0) | Shn / 2 | View | 15109 | |||
| Notes: | SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller | |||||
| tuktu (5/5) | / 3 | View | SBD | |||
| tuktu (5/5) | / 3 | View | ||||
| Jimmy Cronk (5/5) | shns / 2 | View | 15109 | |||
| Kurt Perkins (5/1) | / 0 | View | 15109 | |||
| Peter Fuchs (5/5) | SHN / 1 | A | A | View | ||
| Notes: | 1st Set Only, SBD | |||||
| dan (5/0) | CD / 1 | View | FB SBD>Harmon Kardon CDR2 | |||
| Notes: | set 2 only | |||||
| tom kunz (5/5) | shn / 2 | View | 15109 | |||
| john acquafredda (5/0) | shn / 0 | View | 15109 | |||
| Steven L. (5/0) | CDR / 2 | View | 15109 | |||
| mjlaurent (5/4.7) | cd / 2 | View | 15109 | sbd | ||
| Craig (5/0) | shn cds / 3 | View | 15109 | |||
| Brad Foster (4/4.9) | SHN / 2 | View | SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN | |||
| Taylor73 (4/5) | flac / 0 | View | 15109 | 15109 | ||
| Kevin (4/0) | / 0 | View | ||||
| Bruce O'Neil (4/0) | shn / 0 | View | 15109 | sbd | ||
| Notes: | gd89-4-11.sbd.miller.15109.shnf | |||||
| Bruce O'Neil (4/0) | flac / 0 | View | 94240 | aud | ||
| Notes: | gd89-04-11.nak100.holtz.94240.flac16 | |||||
| Bruce O'Neil (4/0) | flac / 0 | View | 106238 | aud | ||
| Notes: | gd1989-04-11.nak300.cohen.lee.106238.sbeok.flac16 | |||||
| Charlie Dicken (4/0) | / 0 | View | 15109 | |||
| John Gibbs (4/5) | shn / 2 | View | 15109 | |||
| chris carter (4/5) | shn/2 / 3 | View | 15109 | sdbd | ||
| Charles Wier (4/5) | SHN / 3 | View | 15109 | |||
| bob (4/5) | cdr / 3 | View | ||||
| Notes: | sbd | |||||
| Matt Stevenson (4/5) | / 0 | View | 15109 | |||
| Doug Nawrocki (4/4.8) | SHN / 2 | View | 15109 | SBD > DAT > Samplitude > CEP > SHN | ||
| chris (4/0) | / 0 | View | 15109 | |||