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Grateful Dead 07/02/89
Sullivan Stadium, Foxboro, MA
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Set I
Playing In The Band >
Crazy Fingers >
Wang Dang Doodle
We Can Run
Tennessee Jed
Queen Jane Approximately
To Lay Me Down
Cassidy >
Don't Ease Me In
Set II
Friend Of The Devil
Truckin' >
He's Gone >
Eyes Of The World >
Drums >
Space >
The Wheel >
Dear Mr. Fantasy >
Hey Jude >
Sugar Magnolia

Encore:
The Mighty Quinn (Quinn The Eskimo)
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(1110) View Source    View Archive
FOB Schoeps CMC42s spaced omnis > Sony SL-2000PCM; Taped by: Rich Gastwirt; via NateDawg to offer, 2/01 to abgd
(8243) View Source    View Archive
Digital Audience - Jill & Rob R 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern
(30363) View Source    View Archive
flac16; AKG c414>?>DAT>CD(1gen)>EAC>FLAC
(30364) View Source    View Archive
flac16; FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC
(77444) View Source    View Archive
flac16; SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC
(77458) View Source    View Archive
flac24; SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC
(81459) View Source    View Archive
flac16; Source: Audience FOB Recording Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette Lineage: FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC(level 8) Taper: Danny Thomson Transfer: Derek McCabe Mastering: Chris Ladner
(81855) View Source    View Archive
flac24/96; Taper: Danny Thomson Source: FOB Nak700's > Uher 240 > Master Cassette Maxell XLII 90min. Transfer: Playback on Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak (24 bit/96 KHz WAV) by D.McCabe. Mastering: Wavelab 5 > Waves L3 Multimaximizer (threshold -2.3 dB/ceiling -0.1 dB) > CDWAV 1.9 > FLAC (level 8), by C.Ladner.
(99911) View Source    View Archive
flac24; FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side). Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. 06/2009
(99912) View Source    View Archive
flac16; FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side). Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. 06/2009
(106586) View Source    View Archive
flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
(109498) View Source    View Archive
flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac (Maxell XLIIS x 3) Transfer: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich
(133781) View Source    View Archive
flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
(134395) View Source    View Archive
flac16; Source: Audience FOB Recording; Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette; Lineage: FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC (level 8); Taper: Danny Thomson; Transfer: Derek McCabe
(138258) View Source    View Archive
flac16; Ted Mattes FOB recording: Schoeps CMC42s (omnis spaced 8 feet) > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; DAT Master > Sony PCM601/Beta > DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Audacity 3.0 at 44K > Wave; Joe Noel Track, Flac, Patch, Pack & Seed: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT
(138287) View Source    View Archive
flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(138306) View Source    View Archive
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138287 24 bit -> 16 bit
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
Steve Swartz (5/0) / 0 View 8243
Steve Swartz (5/0) / 0 View 30364
Steve Swartz (5/0) / 0 View 77458
Steve Swartz (5/0) / 0 View 81459
Steve Swartz (5/0) / 0 View 81855
Gratefulmjh (5/5) / 3 View  
Stretch (5/0) / 0 View 81459
libarchiver (5/0) / 0 View  
Jason Westerfeld (5/4.9) shn / 2 View 8243
Jason Westerfeld (5/4.9) flac / 2 View 77444 FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC)
Jason Westerfeld (5/4.9) flac / 2 View 81459 Audience FOB Recording (MOTB 0007)
niccolo mugnaioni (5/5) cdr / 3 View   (fob)schoeps cmc4/mk2 spaced 20'>pcm>dat>cd>eac>flac>cdr
Sean (5/0) CDR / 3 View  
captain_trip_420 (5/0) / 3 View 8243 AUD
Notes: 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section. Digital Audience - Jill & Rob R
captain_trip_420 (5/0) / 3 View 1110 FOB
Notes: FOB Schoeps CMC42s spaced omnis > Sony SL-2000PCM; Taped by: Rich Gastwirt; via NateDawg to offer, 2/01 to abgd
captain_trip_420 (5/0) / 2 View 77444 FOB
Notes: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander
captain_trip_420 (5/0) / 3 View 81459 FOB - MOTB
Notes: Audience FOB Recording
captain_trip_420 (5/0) / 3 View 81855 FOB - 24bit - MOTB
Notes: flac24/96; Taper: Danny Thomson Source: FOB Nak700's > Uher 240 > Master Cassette Maxell XLII 90min. Transfer: Playback on Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak (24 bit/96 KHz WAV) by D.McCabe. Mastering: Wavelab 5 > Waves L3 Multimaximizer (threshold -2.3 dB/ceiling -0.1 dB) > CDWAV 1.9 > FLAC (level 8), by C.Ladner.
RamblinBear (5/0) DVD / 1 View 81855 flac24/96; Taper: Danny Thomson Source: FOB Nak700's > Uher 240 > Master Cassette Maxell...
Notes: .81855.
Adam Fox (5/5) CD-R / 3 View 81459 Audience FOB Recording
Notes: 1989-07-02 Sullivan Stadium - Foxboro, MA
Aaron Starke (5/4) cdr / 3 A View 1110 FOB schoeps cmc42's spaced omnis>sony sl-2000 pcm
Rudolf E. Zielinski (5/5) CDR / 3 A+ View   AUD
garret (5/0) Flac / 20 A+ A++ View 30364 Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC
Notes: Killer recording!!!
garret (5/0) Flac / 20 A++ A++ View 77444 Sennheiser 421s > Sony D-5 (Dolby B in) > MAC
Notes: Known flaws: - Friend of the Devil cuts in at the beginning. This was patched with the Schoeps source from :00 to :13 - Tape flip in Drums. This and a few seconds of slightly degraded tape at the beginning of the second side were patched with the Schoeps source, from 3:52 to 4:10. All patches made in CE Pro with levels matched and crossfades. Quality notes: IMHO this sounds better than the Schoeps source on archive.org (which is still excellent, and used to patch a couple of spots in the second set). First, it was taped right in the Phil zone and sounds every inch of it - it sounds like starting with Wang Dang Healy cranked up Phil and just left him there. Second, Jerry and all the other instruments sound clearer, fuller and warmer, with more definition and separation. It sounds a ghost of a hair's ghost away from being a Healy matrix. Many thanks to Tim Alexander for lending me these phenomenal masters!
garret (5/0) Flac / 20 A+ A View 81459 Audience FOB Recording
john (5/5) / 2 View 8243 Digital Audience - Jill & Rob R 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni )...
Notes: DVD 66
barry bryson (5/4.3) analog/180 / 2 View   aud
Jon (5/0) CDR / 3 A View   3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern
MattMan_audio (5/0) SHN / 2 View 8243 Digital Audience - Jill & Rob R
Andrew Murawa (5/5) cd / 2 A View   Digital AUD
Notes: missing We Can Run