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Set I
Setting Up And Discussion Between Garcia And Grisman To Get David A Mic
Setup And Tuning > Poison Glass Of Wine* > Garcia "your Fired" Joke To Grisman > Setup And Tuning
When First Unto This Country** ~ Take 1
When First Unto This Country** ~ Take 2
Grateful Dawg**
Bass Setup Tuneup With Garcia And Grisman Approval Talk
Setup And Tuning > Poison Glass Of Wine* > Garcia "your Fired" Joke To Grisman > Setup And Tuning
When First Unto This Country** ~ Take 1
When First Unto This Country** ~ Take 2
Grateful Dawg**
Bass Setup Tuneup With Garcia And Grisman Approval Talk
Set II
more bass setup
more bass setup while Garcia and Grisman discuss strategies
percussion setup while Garcia helps with guitar beat and jokes about percussionist
more percussion setup while Garcia noodles warmup scales and Grisman chats with stage hand
Garcia noodles warmup scales while more percussion setup > Arabia* (hints of)
So What?**
setting up violin while Garcia and Grisman talk and laugh
Garcia and violin player tuneup, Grisman hams it up to camera
mish mahsh instrumental tuning by entire band
stage hand ticks Jerry off, Grisman suggests, ...Banjo Duet... to calm Jerry down then banjo setup > Sweet Sunny South*
Instrumental (?)***
bass setup with bow tuning, setup and stage chatter > Garcia noodling
all band members talk strategy
Two Soldiers** ~ 1st take
Two Soldiers** ~ 2nd take > tuneup > Spring In California**
Garcia noodling > Grateful Dawg**
- Set 2 (con't.)
Garcia noodling scales > tuneup > Thrill Is Gone** ~ 1st take > Garcia shows Grisman melody
Thrill Is Gone** ~ 2nd take
Thrill Is Gone** ~ 3rd take
Thrill Is Gone** ~ 4th take
Garcia noodling scales while checking the sound in all the corners of the Warfield
Drum solo intro for Arabia* >
Arabia*
More Garcia noodling scales
more bass setup while Garcia and Grisman discuss strategies
percussion setup while Garcia helps with guitar beat and jokes about percussionist
more percussion setup while Garcia noodles warmup scales and Grisman chats with stage hand
Garcia noodles warmup scales while more percussion setup > Arabia* (hints of)
So What?**
setting up violin while Garcia and Grisman talk and laugh
Garcia and violin player tuneup, Grisman hams it up to camera
mish mahsh instrumental tuning by entire band
stage hand ticks Jerry off, Grisman suggests, ...Banjo Duet... to calm Jerry down then banjo setup > Sweet Sunny South*
Instrumental (?)***
bass setup with bow tuning, setup and stage chatter > Garcia noodling
all band members talk strategy
Two Soldiers** ~ 1st take
Two Soldiers** ~ 2nd take > tuneup > Spring In California**
Garcia noodling > Grateful Dawg**
- Set 2 (con't.)
Garcia noodling scales > tuneup > Thrill Is Gone** ~ 1st take > Garcia shows Grisman melody
Thrill Is Gone** ~ 2nd take
Thrill Is Gone** ~ 3rd take
Thrill Is Gone** ~ 4th take
Garcia noodling scales while checking the sound in all the corners of the Warfield
Drum solo intro for Arabia* >
Arabia*
More Garcia noodling scales
Set III
talk > break time lapse talk
Man Of Constant Sorrow* ~ 1st take
Man Of Constant Sorrow* ~ 2nd take
tuneup >
Friend of The Devil* ~ 1st take
Friend of The Devil* ~ 2nd take
talk > Ripple* ~ 1st take
sound complaints > Ripple* ~ 2nd take
Ripple* ending duel mandolin only w/Grisman & Craven
telling jokes break time
Old Rockin' Chair* ~ 1st take
Old Rockin' Chair* ~ 2nd take
Garcia noodles > ending talk
Man Of Constant Sorrow* ~ 1st take
Man Of Constant Sorrow* ~ 2nd take
tuneup >
Friend of The Devil* ~ 1st take
Friend of The Devil* ~ 2nd take
talk > Ripple* ~ 1st take
sound complaints > Ripple* ~ 2nd take
Ripple* ending duel mandolin only w/Grisman & Craven
telling jokes break time
Old Rockin' Chair* ~ 1st take
Old Rockin' Chair* ~ 2nd take
Garcia noodles > ending talk
Comment
-- This is the pre show Rehearsals and Soundcheck of the Garcia & Grisman Band -- Also available on 2 ProShot DVDs (NTSC) at BT near you!
* 1st known time (session) being played as "Jerry Garcia and David Grisman"
** 2nd known time (session) being played as "Jerry Garcia and David Grisman"
*** Sounds like "Grateful Dawg" but Garcia seems a little unfamiliar with it.
* 1st known time (session) being played as "Jerry Garcia and David Grisman"
** 2nd known time (session) being played as "Jerry Garcia and David Grisman"
*** Sounds like "Grateful Dawg" but Garcia seems a little unfamiliar with it.
Last Changed By
Teddy GoodBear
Sources
(7323) View Source
Garcia & Grisman: AUD > DAT > CDR > WAV > SHN
(11168) View Source
Garcia & Grisman, complete show: DSBD > DATs > CDs > EAC > SHN.
(30812) View Source
JGJK: Team-taped (Rob Darroch, Sara Paul, John Ammons, Rick Katzeff, Marcus Buick and others) B&K 4011s (110 ORTF from "The Spot," 2nd tier, 2nd row from drink rail) > Neumann 48V power supply > Panasonic SV255 master DAT; Transfer: Panasonic SV3500 playback > Sony PCM601 DSP > Sony SL 360 Betamax master Beta > Sony SL360 playback > Sony PCM701 DSP > ProTools 442 (on Mac Quadra 650, captured in ProTools 3.1, mastered with MasterList 1.1) > CD/0. No EQ or dynamics added; master gain level for the CD was performed in Masterlist and was done completely in the digital domain. CD mastering by Marcus Buick. Level 8 FLAC encoding from the master CDs by jjoops.
(81804) View Source
Garcia & Grisman, rehearsals: unknown gen proshot video > editing > WAV 48 kHz > FLAC, via Teddy Goodbear.
(134412) View Source
flac1644; Recorded and transferred by fobaud. Source: Aud-> B&K 4011 -> Oade Power Supply -> Prolink Cables -> Panasonic SV-255; mics at 110 degrees ORTF on Schoeps t-bar hand held at about 5' 10" 2nd person behind the "drink rail", center. New transfer June, 2015: Playback on Tascam DA20 -> Roland SRC-2 -> Mac Mini -> Audacity 2.1 -> WAV. Droncit lowered audience noise between songs and occasional clapping. Some minor mic adjustment noise lowered. Slight equalization to account for distance from the stacks, light de-essing to counter the sibilance from the mics, then gain normalized using Diamond Cut Forensics 8.5, July, 2015.
(139696) View Source
JGDG; flac1648; s2; Unknown Taper (FOB): Schoeps MK4 > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/48.
(7323) View Source
Garcia & Grisman: AUD > DAT > CDR > WAV > SHN
(11168) View Source
Garcia & Grisman, complete show: DSBD > DATs > CDs > EAC > SHN.
(30812) View Source
JGJK: Team-taped (Rob Darroch, Sara Paul, John Ammons, Rick Katzeff, Marcus Buick and others) B&K 4011s (110 ORTF from "The Spot," 2nd tier, 2nd row from drink rail) > Neumann 48V power supply > Panasonic SV255 master DAT; Transfer: Panasonic SV3500 playback > Sony PCM601 DSP > Sony SL 360 Betamax master Beta > Sony SL360 playback > Sony PCM701 DSP > ProTools 442 (on Mac Quadra 650, captured in ProTools 3.1, mastered with MasterList 1.1) > CD/0. No EQ or dynamics added; master gain level for the CD was performed in Masterlist and was done completely in the digital domain. CD mastering by Marcus Buick. Level 8 FLAC encoding from the master CDs by jjoops.
(81804) View Source
Garcia & Grisman, rehearsals: unknown gen proshot video > editing > WAV 48 kHz > FLAC, via Teddy Goodbear.
(134412) View Source
flac1644; Recorded and transferred by fobaud. Source: Aud-> B&K 4011 -> Oade Power Supply -> Prolink Cables -> Panasonic SV-255; mics at 110 degrees ORTF on Schoeps t-bar hand held at about 5' 10" 2nd person behind the "drink rail", center. New transfer June, 2015: Playback on Tascam DA20 -> Roland SRC-2 -> Mac Mini -> Audacity 2.1 -> WAV. Droncit lowered audience noise between songs and occasional clapping. Some minor mic adjustment noise lowered. Slight equalization to account for distance from the stacks, light de-essing to counter the sibilance from the mics, then gain normalized using Diamond Cut Forensics 8.5, July, 2015.
(139696) View Source
JGDG; flac1648; s2; Unknown Taper (FOB): Schoeps MK4 > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/48.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.