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Set I
We're Gonna Groove, I Can't Quit You Baby, Dazed and Confused, Bring It On Home, Heartbreaker, White Summer/Black Mountain Side, Since I've Been Loving You, Organ Solo -> Thank You, What Is and What Should Never Be, Moby Dick
Set II
Set III
Comment
Last Changed By
jfdouble
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| gwendibbley (5/0) | / 0 | View | ||||
| John (5/5) | CDR / 2 | View | ||||
| rockcdr (5/5) | CD / 2 | View | ||||
| Notes: | AUD | |||||
| George Rue (5/5) | CD / 1 | B++ | View | American Accent>Flac>Wav>CD | ||
| Notes: | 79:56 min (No Trade-Moby Dick edit to fit) | |||||
| Jack Warner (5/5) | FLAC / 0 | View | MAC>C>FLAC | |||
| Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | American Accents (AE001 & GG046 & GG047) | |||
| Notes: | liberated Babyface bootleg GG046: SILVER>EAC>FLAC | |||||
| Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | Fearsome Four Live On Stage (A017) | |||
| Notes: | liberated Mandala Records bootleg; Trader CD-R/Wav/Flac | |||||
| sean hite (5/0) | / 0 | View | ||||
| Notes: | American Accents / Baby Face 9603 AUD / 7.5 * This bootleg is commonly listed as a 1970.04.07 and/or a Charlotte show. Cover art is incorrect as a 1970.04.07 show – the correct date and location is above however. :) | |||||
| sean hite (5/0) | / 0 | View | ||||
| Notes: | Type II Cass(1st Gen)>X-Fi>WaveLab>Flac Quality VG++ | |||||
| sean hite (5/0) | / 0 | View | ||||
| Notes: | "Carolina Hurricane" April, 8th, 1970, Raleigh, North Carolina, J.S.Dorton Arena Remastered Audience Recording, (A Group/Personal Project) Lineage: 1st Gen > CD-R (2) > EAC > WAV > Remaster > Flac (Level.8, Align On SBE'S), (All Tracks Tested With TLH, No Errors Occured) Label: N/A Original Taper: N/A | |||||
| Rick Martin (5/5) | Flac / 2 | B | View | Lineage: 1st Gen > Panasonic SW Cassette Deck, Evolution Patch Chord > Goldwave > 24... | ||
| Notes: | Led Zeppelin - " Dorten Arena, 1st Generation Tape" | |||||
| Drifty (5/4.9) | CDr / 2 | B | View | Audience | ||
| Notes: | Bootleg "We're Gonna Rock" | |||||
| Dwayne (5/5) | cdr / 2 | View | "American Accents" Baby Face>aud; CD(M) > CDR | |||
| shadow121603 (5/0) | Flac / 2 | B+ | View | Type II Cass(1st Gen)>X-Fi>WaveLab>Flac | ||
| Notes: | Type II Cass(1st Gen)>X-Fi>WaveLab>Flac | |||||
| catherine (5/5) | shn 1 / 0 | View | ||||
| Notes: | Liberated "Americn Accents" boot, AUD 8 | |||||
| Jon Pavuk (5/4.3) | SHN / 1 | A | B+ | View | ||
| BH (5/5) | flac / 2 | View | ||||
| Notes: | American Accents | |||||
| Dan Nelson (5/0) | CDR / 2 | Yes | B | View | AUD | |
| Notes: | American Accents - Babyface | |||||
| Zeppelin71 (5/0) | FLAC / 0 | View | ||||
| Jeff (5/5) | CDR / 2 | A- | A- | View | Silvers > EAC > WAV > FLAC | |
| Notes: | "American Accents" (Baby Face) | |||||
| Jeff (5/5) | CDR / 2 | View | 2nd gen analog cassette>Sony Vegas, max peaks at -3.4dB>Cut on sector boundaries with... | |||
| Notes: | Not quite as clear as "American Accents" | |||||
| Joe (5/5) | CD-R / 2 | View | Aud | |||
| Notes: | American Accents - Baby Face | |||||
| Joe (5/5) | CD-R / 2 | B | View | Aud. | ||
| Notes: | World Championship Drummer! - EVSD | |||||
| Michael Ross (5/0) | / 0 | View | ||||
| Jeff Hagen (4/5) | FLAC / 1 | View | ||||
| Notes: | Disputed Date- May well be from April 7, 1970 | |||||
| Steve K (4/5) | FLAC / 2 | B+ | View | AUD | ||
| Edgar H (4/5) | / 2 | View | 1st Gen > Panasonic SW Cassette Deck, Evolution Patch Chord > Goldwave > 24 Bit, 48 KHZ... | |||
| Notes: | history of this show: This tape came into my possession about 15 years ago, back when this show was still uncirculated. The taper of the show contacted my friend, (how they knew one another is beyond me) and told him about the show he taped, then handed him his master. Copies of the master were made for a select few people, my copy was one of the last ones made from the master. The recording captures that feeling, and has an even distribution of all the instruments, the only problem the tape has is that there is some tape hiss in the left channel. | |||||
| Edgar H (4/5) | / 2 | View | "World Champion Drummer" (Empress Valley) | |||
| Edgar H (4/5) | / 2 | View | "Carolina Hurricane" (A Group/Personal Project) | |||
| Notes: | After listening to the recording, we noticed that while there's a pretty decent balance of the instruments, and a lovely "sharpness" to it, some instruments aren't as present as others (bass), and there are things that are buried under the recording (i.e: cheers, commentary, etc) that are drowned out by the instruments. Also, the tape suffered from some tape speed issues, running a little too fast. So, our goal(s) for this project was to try and balance the instruments of this tape, without losing that beautiful "sharpness" in the mix, bring out the things buried in the tape, and correct the tape speed issues. What we've done to make this project: - We've tried to balance the instruments as best we can, without losing the sharpness in the tape. Originally, the raw recording had more guitar, vocals, and drum fills in the mix than bass, which probably made the recording so sharp, but it needed a little smoothing/rounding out. So we've done our best to try and balance all the instruments out for a more evenly distributed, yet still sharp, mix. - We've done some tape speed correction on the raw recording, originally the tape was running a little fast, and so we slowed the tape down about 5%, and now it's running at it's correct tape speed. - We've tried to bring out things that were buried under the instruments and hiss (i.e: crowd cheers, clapping, commentary, etc). After we finished the remastering we could actually hear things we didn't pick up on before, (i.e: the echo effects used by Plant at the end of "Heartbreaker", and the extra little ad-libs at the end of "Thank You"). - We've tried to reduce as much tape hiss as possible. The raw recording had quite a bit of tape hiss in both channels, we've pushed the tape as far as we can without dulling the sound quality. - We've tried to create a feeling of ambiance for the listener as best we can. | |||||
| Brad Foster (4/4.9) | FLAC / 1 | View | AUD | |||