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Phish 08/30/14
Dick's Sporting Goods Park, Commerce City, CO
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Set I
Free, The Moma Dance, Halley's Comet, Stealing Time From the Faulty Plan, 555, Rift, Sample in a Jar, Devotion To a Dream, Yarmouth Road > Sparkle, Wingsuit, David Bowie, Cavern
Set II
Down with Disease[1] -> What's the Use?, Carini > Light > Fuego > Slave to the Traffic Light, Meatstick > Bold As Love

Encore: The Horse, Silent in the Morning, Fluffhead
Set III

Comment
his show was webcast via LivePhish. The second set was preceded by Call to the Post teases. Down with Disease contiained What's the Use? teases and was unfinished. Page played the guitar part of The Horse on piano while Trey sang. Following The Horse, the band acted as if the show was over before starting to play Silent in the Morning. Trey then explained that by pretending to not play Silent and end the show, they were making a joke, given their not playing The Horse to precede Silent in recent versions. Having to explain this "joke" prompted Trey to tell the story of performing In A Hole back in the 1980's. Fish suggested they play In A Hole, but Trey said he could not remember it. He agreed to sing the chorus, however, and sang part of it briefly (emphasizing the pun on the "a hole" lyric) while Fish and Page played a small part of the music of the song's chorus. "It's just as funny as it was 30 years ago," Page noted. "Thank you for laughing."
Last Changed By Jeff Mitchell
Sources
(131144) View Source   
flac16 44.1kHz DPA 4027(45cm-80*/FOB/[email protected]')->Portico 5012->Mytek 192->HD-P2(24/96)->UV22HR(16/44.1)->CDWave->FLAC; Recorded and transferred by Scott Schneider
(131145) View Source   
flac16 44.1kHz FOB/DFC 6.5ft up; AKG CK-63 ULS (DIN) > Nbob actives/Naiant PFA > Lunatec V3 > Tascam HD-P2 (24/48); CF > WaveLab 6 (Normalize, Fades, Convert to 16bit, Resample to 44.1 with Apogee UV22HR Dither) > CDWave (Tracking) > Traders Little Helper (FLAC6); Recorded by Ryan Stearns
(131146) View Source   
flac16 44.1kHz fob, dfc, 6’ up; 3 Milab VM-44 Links (L,C,R) -> Sonosax SX-M32 -> Tascam DR-2 (24/48); sdhc -> AudioGate (16/44) -> CD Wave -> Flac(6)
(131147) View Source   
flac16 FOB, DFC, 50' from stage, 6' high, back stand of the FOB group; Neumann AK50(DINa)>LC3KA>KM100>Grace Designs Lunatec V3(Oade ACM)>Marantz PMD661(24/48); SDHC>PC>Wave Lab 6.1(levels, fades, conversion)>CD Wave 1.98(tracks)>TLH(level 8); Recorded by: Rob O'Brien
(131149) View Source   
flac16 44.1kHz DPA 4018c(17cm-80*/FOB/[email protected]')->V3(SPDIF)->DR-100mkII(24/96)->UV22HR(16/44.1)->CDWave->FLAC; Recorded and transferred by Scott Schneider
(131150) View Source   
flac16 44.1kHz Schoeps mk21 (ORTF wide/FOB) > kc5 > cmc6xt > Sonosax SX-M2 > Mytek 192 > Tascam HD-P2 (24/48); CF > Sound Studio > xACT > .flac (16/44)
(131151) View Source   
flac24 48kHz Schoeps mk21 (ORTF wide/FOB) > kc5 > cmc6xt > Sonosax SX-M2 > Mytek 192 > Tascam HD-P2 (24/48); CF > Sound Studio > xACT > .flac (24/48)
(131152) View Source   
flac16 Beyerdynamic CK930 > Naiant Tinybox > Sony M10 (@24/48); Wavelab 6.0 (Waves Q10 Paragraphic EQ/Waves L3 Multimaximizer) > CD Wave(tracking) > Traders Little Helper (FLAC level 8) > foobar2000 (tagging)
(131190) View Source   
flac16 FOB: DFC - ~100' From Stage - POS - Stand @ ~6'; JW MOD AKG461's > OCM Marantz PMD661 > SD; SD > WAV > Sound Forge 11 (fades & volume) > CDWave (tracks & flac) > FLAC; Taped & Transfered By: Brad Shears
(131224) View Source   
flac16 44.1kHz fob, dfc, 6’ up; Milab VM-44 Links -> Sonosax SX-M32 -> Tascam DR-680 (24/48); sdhc -> AudioGate (16/44) -> CD Wave -> Flac(6)
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