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Set I
Buried Alive > Ghost, Scent of a Mule, Sample in a Jar, Reba, 46 Days, Big Black Furry Creature from Mars, Lawn Boy, Saw It Again > Tube, Wolfman's Brother
Set II
The Haunted House[1], The Very Long Fuse[1], The Dogs[1], Timber[1], Your Pet Cat[1], Shipwreck[1], The Unsafe Bridge[1], The Chinese Water Torture[1], The Birds[1], Martian Monster[1]
Set III
Punch You In the Eye > Golden Age > Tweezer -> Heavy Things, Guyute, Sand -> Tweezer Reprise
Encore: Is This What You Wanted[2], Frankenstein[3]
Encore: Is This What You Wanted[2], Frankenstein[3]
Comment
[1] Debut.
[2] first time played (Leonard Cohen)
[3] Page on keytar, first since 7/1/2012 (100 shows)
Teases:
· Saw It Again tease in Tube
· San-Ho-Zay tease in Wolfman's Brother
The backdrop on the stage at the start of the show was a large gate adorned with a "P." During Lawn Boy, Page introduced Mike as "Michael Gordleone" and Fishman took a drum solo. The musical costume was a set of original, mostly instrumental music played with the sound effects and narration of the 1964 Disneyland album Chilling, Thrilling Sounds of the Haunted House. Prior to the start of Set II, the stage was cleared of all band equipment, and a graveyard set was brought out. At the start of the set, smoke filled the stage, and zombies appeared behind the gate. When the gate opened, a large haunted house with the band inside was brought to the front of the stage. The sound effects and narration were played on the PA, while an undead narrator would emerge from a crypt inscribed with "ESTHER" prior to each song for the introduction. At the end of The Fuse, the sides of the house came down while sounds of an explosion were heard, and the band was revealed inside, dressed in white tuxedoes and with zombie face paint. Several zombies came to the front of the stage and danced during Martian Monster. At the conclusion of the set, the band members came down from the Haunted House riser, slowly walked to the front of the stage, and took bows, along with the entire cast of zombies. All songs during the second set were debuts, with the titles taken from the first ten tracks of Chilling, Thrilling Sounds of the Haunted House.
[2] first time played (Leonard Cohen)
[3] Page on keytar, first since 7/1/2012 (100 shows)
Teases:
· Saw It Again tease in Tube
· San-Ho-Zay tease in Wolfman's Brother
The backdrop on the stage at the start of the show was a large gate adorned with a "P." During Lawn Boy, Page introduced Mike as "Michael Gordleone" and Fishman took a drum solo. The musical costume was a set of original, mostly instrumental music played with the sound effects and narration of the 1964 Disneyland album Chilling, Thrilling Sounds of the Haunted House. Prior to the start of Set II, the stage was cleared of all band equipment, and a graveyard set was brought out. At the start of the set, smoke filled the stage, and zombies appeared behind the gate. When the gate opened, a large haunted house with the band inside was brought to the front of the stage. The sound effects and narration were played on the PA, while an undead narrator would emerge from a crypt inscribed with "ESTHER" prior to each song for the introduction. At the end of The Fuse, the sides of the house came down while sounds of an explosion were heard, and the band was revealed inside, dressed in white tuxedoes and with zombie face paint. Several zombies came to the front of the stage and danced during Martian Monster. At the conclusion of the set, the band members came down from the Haunted House riser, slowly walked to the front of the stage, and took bows, along with the entire cast of zombies. All songs during the second set were debuts, with the titles taken from the first ten tracks of Chilling, Thrilling Sounds of the Haunted House.
Last Changed By
SailorSaint
Sources
(131631) View Source
flac16 44.1kHz OTS DFC 12ft; Schoeps mk41v (dina)>kcy aki> M222> NT222>Sonosax SX-M2>744t 24/96; SDHC>Audacity 16/44>Amadeus Pro>xACT; Taped By: Chris King
(131632) View Source
flac16 44.1kHz DPA 4018A(22cm-80deg/DFC/Behind SBD@12')->Portico 5012->Mytek 192(24/96)>UV22HR(16/44.1)->CDWave->FLAC; Recorded and transferred by Scott Schneider
(131673) View Source
flac16 44.1kHz OTS DFC 12ft; Schoeps mk21(nos)kcy>vms02ib>744t 24/96; SDHC>Audacity 16/44>Amadeus Pro>xACT; Taped By: Chris King
(131683) View Source
flac16 44.1kHz DPA 4022(NOS/DFC/Behind SBD@12')->V3(SPDIF)->DR100mkII(24/96)->UV22HR(16/44.1)->CDWave->FLAC; Recorded and transferred by Scott Schneider
(131709) View Source
Beyerdynamic CK930 > Naiant Tinybox > Sony M10 (@24/48). Recorded and transferred by MIKE B!
(131737) View Source
flac24 Beyerdynamic CK930 > Naiant Tinybox > Sony M10 (@24/48); Wavelab 6.0 (Waves Q10 Paragraphic EQ/Waves L3 Multimaximizer) > CD Wave (tracking) > Traders Little Helper (FLAC level 8) > foobar2000 (tagging)
(131760) View Source
flac24 96kHz aimed at PA array, behind SBD, dead center, 14 feet high; AKG C414xls Hypercardioid > Edirol R4Pro ( Oade preamp mod ) @ 24/96; 24/96 untouched WAV > Audacity > xACT; Taped by: PADeliMike; Process/Uploading: widespreadez
(131764) View Source
flac16 44.1kHz pointed at PA array, behind SBD, dead center, 14 feet high; AKG C414xls Hypercardioid > Edirol R4Pro ( Oade preamp mod ) @ 24/88.2R4Pro > WaveBurner ( track on sector boundaries, fades, SRC, BDC ) > xACT ( to flac, and for tagging and checksums ); Recorded, processed and let loose by Mike Kutik
(132051) View Source
flac24 96kHz OTS DFC 12ft; Schoeps mk41v (dina)>kcy aki> M222> NT222>Sonosax SX-M2>744t 24/96; SDHC>Audacity 24/96>Amadeus Pro>xACT Taped By: Chris King
(131631) View Source
flac16 44.1kHz OTS DFC 12ft; Schoeps mk41v (dina)>kcy aki> M222> NT222>Sonosax SX-M2>744t 24/96; SDHC>Audacity 16/44>Amadeus Pro>xACT; Taped By: Chris King
(131632) View Source
flac16 44.1kHz DPA 4018A(22cm-80deg/DFC/Behind SBD@12')->Portico 5012->Mytek 192(24/96)>UV22HR(16/44.1)->CDWave->FLAC; Recorded and transferred by Scott Schneider
(131673) View Source
flac16 44.1kHz OTS DFC 12ft; Schoeps mk21(nos)kcy>vms02ib>744t 24/96; SDHC>Audacity 16/44>Amadeus Pro>xACT; Taped By: Chris King
(131683) View Source
flac16 44.1kHz DPA 4022(NOS/DFC/Behind SBD@12')->V3(SPDIF)->DR100mkII(24/96)->UV22HR(16/44.1)->CDWave->FLAC; Recorded and transferred by Scott Schneider
(131709) View Source
Beyerdynamic CK930 > Naiant Tinybox > Sony M10 (@24/48). Recorded and transferred by MIKE B!
(131737) View Source
flac24 Beyerdynamic CK930 > Naiant Tinybox > Sony M10 (@24/48); Wavelab 6.0 (Waves Q10 Paragraphic EQ/Waves L3 Multimaximizer) > CD Wave (tracking) > Traders Little Helper (FLAC level 8) > foobar2000 (tagging)
(131760) View Source
flac24 96kHz aimed at PA array, behind SBD, dead center, 14 feet high; AKG C414xls Hypercardioid > Edirol R4Pro ( Oade preamp mod ) @ 24/96; 24/96 untouched WAV > Audacity > xACT; Taped by: PADeliMike; Process/Uploading: widespreadez
(131764) View Source
flac16 44.1kHz pointed at PA array, behind SBD, dead center, 14 feet high; AKG C414xls Hypercardioid > Edirol R4Pro ( Oade preamp mod ) @ 24/88.2R4Pro > WaveBurner ( track on sector boundaries, fades, SRC, BDC ) > xACT ( to flac, and for tagging and checksums ); Recorded, processed and let loose by Mike Kutik
(132051) View Source
flac24 96kHz OTS DFC 12ft; Schoeps mk41v (dina)>kcy aki> M222> NT222>Sonosax SX-M2>744t 24/96; SDHC>Audacity 24/96>Amadeus Pro>xACT Taped By: Chris King
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