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Grateful Dead 04/17/71
Dillon Gym, Princeton University, Princeton, NJ
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Set I
Truckin', Big Railroad Blues, Big Boss Man, Bird Song, Playin' In The Band, Hard To Handle, Loser, Mama Tried, Casey Jones, Sugar Magnolia
Set II
Good Lovin'-> Drums-> Good Lovin', Me And Bobby McGee, Deal, Beat It On Down The Line, I'm A King Bee, Bertha, Sing Me Back Home, Goin' Down The Road Feelin' Bad-> Turn On Your Love Light
Set III

Comment
'NFA' tease before "Lovelight' - Other artist(s): NRPS
Last Changed By System
Sources
(121) View Source    View Archive
set1; SBD> Reel> ?> DAT> ZA2 (48>44.1)> CD; via R. Nayfield
(122) View Source    View Archive
set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield
(88760) View Source    View Archive
flac16; source: soundboard lineage: MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav
(89031) View Source    View Archive
flac24; source: soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate
(107075) View Source    View Archive
flac16; Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith
(107384) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + AUD (no shnid) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - matrix mixing by Kevin Tobin
(107385) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + SBD2 (shn id 122) set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield + AUD1 (no shn id) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - dts mixing by Kevin Tobin
(138033) View Source    View Archive
flac16/48kHz; SBD Master Reel originally recorded with analog equipment on a 7 inch, 7.5 i.p.s half-track master reel; Transferred to 16 48 WAV February 2017
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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User (active/rating) Media / # Show Sound Details DB Source User Source
pmags (4/2.5) shn / 1 View 121
pmags (4/2.5) shn / 1 View 122
Ryan (4/0) CD-r / 3 A+ View  
Dan R (4/0) 2 / 2 A View 121
Harland (4/5) SHN / 2 View 121 Main: S:R?D Dub: S:RPD
Tom Ruwitch (4/5) 1SHN 2CDR / 0 View 122
Notes: This is Set 2. Total show 2SHN, 3CDR
Tom Ruwitch (4/5) 1SHN 1CDR / 0 View 121
Notes: This is Set 1 only. See Set 2 below. Sets 1 and 2 seeded to etree separately. Total show 2SHN, 3CDR
Soli (4/0) cdr / 2 A View  
Troy (4/1.3) Tape / 1 A A View  
oxy (4/0) / 2 View  
Bryen Burns (4/0) CDR / 3 A - View   SBD>MR>?>CDR
Notes: HIGHLY recommended !
mark sweeney (4/5) cdr / 3 View   mr>dat>cdr
Notes: mr>dat>cdr
l-bear (4/1.3) .shn / 1 View  
scarlet (4/0) cdr / 2 View  
Rodney (4/3) 180 / 2 A- View   Sbd
Notes: Part1,2
Summoner (4/5) 1shn/1cdr / 1 View 121 S:R?D(set1)
Summoner (4/5) 1shn/2cdr / 2 View 122 S:R?D(set2)
Ed Clinton (4/0) CDR / 3 View  
David (4/0) / 2 View 122
Joe (4/0) CD-R / 2 View 122 SBD
neil speer (4/0) CDR / 2 View  
Notes: Set I Cassette>Cool Edit Pro>CDR
chucktcounceller (4/0) CDR / 2 View   SBD>Reel>?>DAT>ZA2 (48>44.1)>CDR
Notes: SET 2 ONLY
Jeffrey Pyne (4/0) SHN / 2 View   SBD > Reel > DAT
Notes: Set I: SBD>Reel>?>DAT Set II: Main: SBD>Reel>?>DAT Dub: SBD>RPD
Kevin Mayfield (4/0) SHN / 2 View   See Notes
Notes: The lineage of these files is: Main: S:R?D DAT was downsampled into my computer via ZA2 (48>44.1) This tape is NOT an A+, healy master to DAT, multi-track remix, 96bit A>D conversion. This is from a reel made in 1971, so you will hear some rough bits. To the best of my knowledge, this transfer represents the best circulating copy in existence. Rod Nayfield [email protected] with thanks to D.H. Disc 1 01] Truckin' [8:58] 02] Big Railroad Blues [4:06] 03] Big Boss Man [5:26] 04] Bird Song [8:00] 05] Playin' in the Band [4:40] 06] Hard to Handle [8:43] 07] Loser [7:10] 08] Mama Tried [2:57] 09] Casey Jones [5:41] 10] Sugar Magnolia [7:28] Disc 2 1] Good Lovin' > 2] Drums > 3] Good Lovin' 4] Me and Bobbi McGee 5] Deal 6] Beat It On Down The Line 7] King Bee 8] Bertha Disc 3 1] Sing Me Back Home 2] Goin' Down The Road Feeling Bad > 3] Turn On Your Lovelight
Jon Paulk (4/5) shn / 2 View 121 Main: S:R?D
Cassie Heyne (4/0) CDR / 3 A A View  
Ken Whitmore (4/0) cd / 3 View 121
Gene Rider (3/0) WMA / 3 View  
Notes: [This is the first set, the second set was circulated previously] Growing up near Princeton, this show was one of the first dead tapes I ever heard. My copy was probably S:RCCCCCCCCCCC but I loved it anyway. I later received a much better copy (sounded like 2-3 analog gens) with a really lame flip at 45 minutes (aka middle of King Bee). When I first got my DAT deck, a kind soul (thanks Mike) spun me a copy of the set. This copy had a cut in Lovelight but beat the analogs any day. I finally found a copy without the infamous cut in Lovelight and decent levels to boot. Since this set was worth the trouble of getting different copies at least 5 times, I figured that I'd distribute it further than it has been until now. The lineage of these files is: Main: S:R?D DAT was downsampled into my computer via ZA2 (48>44.1) This tape is NOT an A+, healy master to DAT, multi-track remix, 96bit A>D conversion. This is from a reel made in 1971, so you will hear some rough bits. To the best of my knowledge, this transfer represents the best circulating copy in existence. Rod Nayfield [email protected] with thanks to D.H. Growing up near Princeton, this show was one of the first dead tapes I ever heard. My copy was probably S:RCCCCCCCCCCC but I loved it anyway. I later received a much better copy (sounded like 2-3 analog gens) with a really lame flip at 45 minutes (aka middle of King Bee). When I first got my DAT deck, a kind soul (thanks Mike) spun me a copy of the set. This copy had a cut in Lovelight but beat the analogs any day. I finally found a copy without the infamous cut in Lovelight and decent levels to boot. Since this set was worth the trouble of getting different copies at least 5 times, I figured that I'd distribute it further than it has been until now. The lineage of these files is: Main: S:R?D Dub: S:RPD Both DATs were downsampled into my computer via ZA2 (48>44.1) The Main tape sounds much better than the dub - which is only used for 1.1 seconds (want to find it? Listen to the last time the guys say "the blues" in Bobbi McGee) Given the differences in the reel flip (at the end of lovelight) I would guess that the 'Main' tape represents a separate A>D transfer than the 'Dub' tape. If you know more, I'd love to hear about it. This tape is NOT an A+, healy master to DAT, multi-track remix, 96bit A>D conversion. This is from a reel made in 1971, so you will hear some rough bits. To the best of my knowledge, this transfer represents the best circulating copy in existence. Rod Nayfield [email protected] with thanks to D.H. There is plenty of room for filler at the end of Disc 2.
Jeff Hyman (3/5) cdr / 3 A View 88760 sbd
Bill d'Angelo (3/5) CDR/shn / 2 View 122 SBD>reel>?>D
Notes: Set 2