Disc One / Set One:
01. [07:22] - Ten Dollar High >
02. [06:00] - Open Improv > First Time Long Time [@1:32] >
03. [12:41] - Open Improv > Creole Love Call (w/ Snake Anthony bass line) [@1:59] >
04. [09:58] - Big Time > Drum Solo [@7:25] >
05. [10:20] - Lifeblood >
06. [05:14] - Lifeblood cont'd > Bass Solo [@2:48] >
07. [08:06] - Bemsha Swing/Lively Up Yourself
Disc Two / Set Two:
01. [06:35] - Blue Pepper
02. [06:33] - Wiggly's Way
03. [06:31] - Hey-Hee-Hi-Ho > Drum Outro
04. [07:38] - The Dropper >
05. [04:24] - Fire >
06. [04:34] - Smoke
07. [06:47] - Uninvisible
08. [03:43] - Pappy Check >
09. [11:56] - Pappy Check cont'd > Think [@1:23]
10. [11:36] - Bass Solo > Shacklyn Knights
Encore
11. [08:33] - I Wanna Ride You
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ID3 TAGGED FILESET INCLUDES THESE NOTES:
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[This fileset is a FLAC encoded and ID3 tagged version of http://db.etree.org/shn/11689]
Traders Little Helper used for FLAC encoding & creating checksums:
- SHN ST5 generated
- SHN > FLAC Level 8
- FLAC ST5 generated and matched to SHN ST5
MP3Tag (current version) used for all ID3 tagging:
- The metadata ID3 tags can be read by any player that plays FLAC files.
- ID3 tags will be stripped if converted to WAV, however audio data will be unaffected
Use FLAC ST5 to validate audio integrity.
(Alternatively, the FLAC FFP shows the same checksum values.)
FLAC MD5 values will change if ID3 tags are altered.
SHN MD5 & ST5 included for reference
T-FLAC16TAG.HTML uses FOLDER.JPG to display album art
T-FLAC16TAG.TXT provides a track-by-track breakdown of the fileset's ID3 tags
- by dug [crookedbirds AT gmail DOT com] 2012-02-17
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PLEASE NOTE:
shn-st5 will verify pre-tagged files
shn-md5 will verify pre-tagged files
t-flac-md5 will verify post-tagged files
t-flac-st5 will verify post-tagged files
t-flac-ffp will verify post-tagged files
The st5s contain the same checksum values for both SHN & FLAC
(the only difference being the file extension of .shn or .flac)
I recorded the show at Stubb's, and I wanted to ask anyone out there to comment on the highend "swishing" that seems to be prevalent on audience recordings from Stubb's outside? I have 4-5 shows recorded here, and all have a weird swishing sound in the high end of the frequency spectrum (very obvious in the high hat). Does anyone else notice these things on audience recordings from Stubb's? I may try mono mic source for the next show and compare. Any comments would be appreciated because MMW LOVE TO PLAY IN AUSTIN.