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Grateful Dead 06/04/70
Fillmore West, San Francisco, CA
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Source # 123798 Other Sources
Entered by Matt Vernon
Checksums flac-md5 , ffp
Disc Counts 0 / 0
Media Size Compressed: 1.2 GB (1292313274 bytes)
Uncompressed: 2.08 GB (2233517584 bytes)
Date Circulated
Date Added
02/10/2013
02/10/2013
Source Summary flac16; Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape. Lineage via Dan McDonald (droncit@yahoo.com): Master Audience Cassette->Nakamichi BX-1 (modified for flat transfer)-> Tascam DR-07MK2 (24-bit, 96kHz); DC8Forensics was used to apply the NAB curve for normal bias cassettes. Converted to 16-bit, 44.1kHz using 32-bit interpolation and a triangular high pass dither. After the NAB curve in a multifilter I applied a virtual vale and overtone generator for lost harmonics and used a channel blender to blend below 150 Hz to mono to minimize mic handling noise. 
  Archive
Source Information - Download Text | Download Zip
The Grateful Dead with the New Riders of the Purple Sage
Fillmore West
San Francisco, Ca
June 4, 1970

Audience Recording by Gerry Olsen.

Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW
(hand-held).  120 minute BASF normal bias tape.

Lineage via Dan McDonald (droncit@yahoo.com):
Master Audience Cassette->Nakamichi BX-1 (modified for flat transfer)-> Tascam DR-07MK2 (24-bit, 96kHz);
DC8Forensics was used to apply the NAB curve for normal bias cassettes.  Converted to 16-bit, 44.1kHz
using 32-bit interpolation and a triangular high pass dither.

After the NAB curve in a multifilter I applied a virtual vale and overtone generator for lost
harmonics and used a channel blender to blend below 150 Hz to mono to minimize mic handling noise.


Set list:
Grateful Dead acoustic:
101-s1t01 - intro/a few million adjustments/while we're waiting for Pigpen
102-s1t02 - (song that needs no introduction) Monkey and the Engineer
103-s1t03 - Deep Elem Blues
104-s1t04 - Candyman
105-s1t05 - Silver Threads and Golden Needles
106-s1t06 - Friend of the Devil
107-s1t07 - Black Peter
108-s1t08 - Cumberland Blues*
109-s1t09 - Wake Up Little Suzie*
110-s1t10 - Swing Low Sweet Chariot*
111-s1t11 - Uncle John's Band
*with David Nelson and John Dawson

Set II - NRPS (Jerry Garcia on pedal steel)
NRPS:
201-s2t01 - Tuning/Introduction
202-s2t02 - Working Man's Blues
203-s2t03 - If You Hear Me When I'm Leaving
204-s2t04 - Whatcha Gonna Do
205-s2t05 - I Don't Know You
206-s2t06 - Portland Woman
207-s2t07 - Truck Drivin' Man
208-s2t08 - Superman
209-s2t09 - Louisiana Lady
210-s2t10 - All I Ever Wanted
211-s2t11 - Henry
212-s2t12 - Last Lonely Eagle
213-s2t13 - Fair Chance To Know //
214-s2t14 - tuning
215-s2t15 - The Race is On+
216-s2t16 - Mama Tried+
217-s2t17 - Honky Tonk Women
With Bob Weir


Set III - Southern Comfort (not available)

Set IV - Grateful Dead electric:
401-s4t01 - Electrical Difficulty > Intro >
402-s4t02 - Casey Jones
403-s4t03 - Me and My Uncle
404-s4t04 - Hard to Handle
405-s4t05 - My dog has no nose/ 999,999 Bottles of Beer
406-s4t06 - //It's a Sin
407-s4t07 - //China Cat Sunflower >
408-s4t08 - I Know You Rider
409-s4t09 - Attics of My Life
410-s4t10 - It's a Man's World
411-s4t11 - New, New Minglewood Blues
412-s4t12 - Good Lovin'
413-s4t13 - St. Stephen >
414-s4t14 - Not Fade Away >
415-s4t15 - Midnight Hour
416-s4t16 - It's All Over Now Baby Blue//


Notes from Gerry:  "No encore that night, as "Baby Blue" calmed things down nicely and the "in for $3 Thursday night"
home audience was completely satisfied, plus the Dead still had three more nights to play that weekend...."
also, in regards to the question as to whether that was potato chips that you hear occasionally:
"My then 14 year old brother was on one side and a friend, ..., was on the other.  Although my hands were otherwise
occupied, I probably snacked some too, plus my brother had a cough to boot."

Notes from Dan:  This is a tape I can only call "charming."  Just a totally enjoyable experience.  Very nicely done, the
band is in fine form, and the tapers are having a great time.  There are some cuts where the tape broke and where Gerry was
unable to get the whole song.  There is also some distortion on certain songs - it's not in
the tape or the wav file, it's from the stage.  There are comments from the audience and the band occasionally.  It's most
noticeable during Attics of My Life, but also when Garcia hits certain notes with his vocals.  I tried to minimize it but
it was too difficult to work with, so I left it as it is.  I lowered coughing and potato chip bag noises when it distracted
from the music.  Otherwise, I left it in.  Sit back and relax, and spend an evening back in 1970.  Many thanks to Gerry for
trusting me with the tapes.   They were a pleasure to work with.

-----------------------------------------------------------------------------------------

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dusborne 02-08-2013
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