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Phish 04/29/90
Woodbury Ski & Racquet Club, Woodbury, CT
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Source # 126086 Other Sources
Entered by Jason Sobel
Checksums FFP
Disc Counts 0 / 0
Media Size Compressed: 491.31 MB (515176543 bytes)
Date Circulated
Date Added
Source Summary flac16; SBD > Video > DAT; Sony PCM-R500 > Tascam SS-R1 > Samplitude Pro X (fades, edits, 48k > 44.1k) > TLH (flac Level 8); Transferred by Jeff Mitchell 
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Woodbury Ski & Racquet Club
Woodbury, CT

Source:  SBD > Video > DAT
Transfer:  DAT(c) @ 48k > Sony PCM-R500 > Tascam SS-R1 > Samplitude Pro X (fades, edits, 48k > 44.1k (Ultra High Setting)) > TLH(SBE fixed; flac 8)

Thanks to Steve Mortlock for the DAT
Transfer & edits by Jeff Mitchell ([email protected])
Seeded to etree 2013-11-08

Set 1:
s1t01 - Carolina
s1t02 - Possum
s1t03 - Ya Mar
s1t04 - You Enjoy Myself
s1t05 - Dinner & A Movie >
s1t06 - Bouncing Around The Room
s1t07 - Uncle Pen
s1t08 - Divided Sky
s1t09 - Fluffhead >
s1t10 - Walk Away
s1t11 - Love You
s1t12 - The Lizards//
s1t13 - Fire//

Notes: Fluffhead was a birthday dedication to "Sarah." Walk Away featured Trey and Mike on the trampolines. HYHU was played for the first time since March 1, 1989 (165 shows).

Tech Notes:
- The tuning before Carolina was missing from the DAT, #20611 was used as a patch source
- drop out during the crowd noise at the end of Divided Sky
- Lizards is cut
- Fire is cut

Patch Source Info:
Taper: John Redmond
Source: Unknown mics > Nak CR-1A

AUD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth") > Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes) > SHNv3
(transfer>24bit FLAC files by Weave - [email protected] on 09/28/2003)

Mastering info: both FLAC files were converted to .WAV with FLAC v1.1.0 and loaded into Wavelab.  X-Noise was used to remove the noise floor.  This cassette sounded great, there was'nt much to deal with in terms of noise.  The 2-band EQ was used first in the chain to roll-off below 55Hz (this helped reduce some of the impact of those boomy bursts of wind), the BBE Sonic Maximizer was used to "brighten" the top end, I had Process set to just below 3, Lo Contour at halfway to 1.  The Blue Tubes LM2S topped it all off with final limiting and gain.  The stereo 192KHz resampler was used for the sample rate conversion and UV22 HR was used for the dither when the files were rendered from 24-bit to 16-bits.

All edits and mastering performed in WaveLab on Doomtooth by shakedown 10/31/03
- [email protected]
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AUD > Nak CR-1A > Cass/0... (2)
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