Cleveland Music Hall
SBD #1: SBD> ??> CAS> CD> EAC> WAV. A/D conversion by Steve Milewski via Nak BX300> Tascam CDRW700 standalone audio unit. Extraction by Conley Knott via EAC (logs report peak levels 100%, track quality 100% and no errors). This source is new to etree with this seed. Supplies set one.
SBD #2: MSR> CAS> LYNXONE 24 Bit A/D Converter> CD> SHN> WAV. First seeded by Marshall Mcleod [etree shn id 301]. Supplies most of set two.
SBD #3: MSC> CAS> DAT> CD-R> EAC> SHN> WAV. This seems to derive from the same orginal source as SBD #2 but have a different lineage (some distinctive cuts are identical while other cuts appear in different places; also SBD #3 has slightly higher hiss). First seeded by Art Cohen? [etree shn id 12947]. Supplies one set two patch.
AUD: MAC (believed to be via Nak 300s)> R1> R2> (possibly R3>) DATs> CDRs> EAC> SHN> WAV. A/D conversion by Rob Bertrando, and first seeded by Darrin Sacks [etree shn id 302]. Probably derives from the tape originally recorded by Hugh Barroll. Supplies several set two patches.
DISC 1 [52:34.240]
1 Mississippi Half-Step > 8:47
2 Franklin's Tower 14:02
3 Mama Tried > 2:25
4 Mexicali Blues 5:06
5 It Must Have Been The Roses 7:36
6 Looks Like Rain 6:57
7 Stagger Lee 7:05
DISC 2 [44:10.533]
1 tuning 0:32
2 Passenger 4:34
3 Peggy-O 9:15
4 Lazy Lightnin' > 7:12
5 Supplication 1:58
6 tuning 1:30
7 Jam > 8:13
8 Drums > 3:02
9 Jam > 3:19
10 Jack-A-Roe 4:32
DISC 3 [43:20.453]
1 Playing In The Band > 9:19
2 Shakedown Street > 11:05
3 If I Had The World To Give > 7:58
4 Playing In The Band > 6:15
5 Around And Around 8:41
All timings are rounded down to the nearest full second.
TRACKING NOTE: Above tracking accommodates 74 minute CDs. Each set clocks in well under 80 minutes, so those who choose can use two 80 minute CDs, with each set on its own CD. File names include "s1" and "s2" extensions (set 1 and set 2) to simplify burning to 80 CDs.
EDITING NOTES: Sound Forge XP 4.5 was used for edits as noted below, and to recompile the wavs into a single wav file in preparation for final retracking. CDWav was used to cut tracks along sector boundaries. shntool was used to confirm all wav files were cut on sector boundaries. mkwACT was used to convert shn>wav, wav>shn, and create the md5.
1. Entire first set: reduced pitch by -.566 semitones throughout set one to bring the pitch of SBD #1 within 0.03% of SBD #2 (using the Peggy-O on each source for direct comparison)
2. Half Step: attenuated severe mixing problems by significantly raising amplitude of first ~4.5 secs (which was inaudible on source CD); and lowering amplitude less drastically for the next ~1.5 secs
3. LL Rain: attenuated cassette tape flip @4:55 by splicing the two segments almost flush (no cross fade or overlap). The segment before the splice was unaltered, and the segment after the splice was softened with a short fade-in.
4. tuning: entire track supplied by AUD
5. Jam #1: first ~50 secs patched by AUD
6. Jam #1: 1:26 to 1:52 patched by SBD #3
7. Jam #1: last 0:11 patched by AUD (patch starts @8:02)
8. Drums: entire track supplied by AUD
9. Jam #2: first 0:05 patched by AUD
10. Playin (reprise): last 4:29 patched by AUD (patch starts @1:46)
11. Around: entire track supplied by AUD
KNOWN FLAWS REMAINING: (1) The first 3 notes of Half Step are missing; (2) Distortion is present in first ~4.5 seconds of Half Step, where amplitude was raised as much as possible; (3) Most mix problems were left untouched, and persist through the first two songs of set one [Half Step> Franklin's]. The levels are re-adjusted several times before settling on a satisfactory mix partway through Franklin's; (4) A cut in LL Rain remains at the cassette tape flip. Probably ~2 seconds are missing.
ACKNOWLEDGEMENTS: Mahalo to Steve Milewski for answering a stranger's e-mail and supplying SBD #1. Thanks also to Torbj?rn Olofsson [http://tol.etree.org:8888/], to whom an immeasurable debt of gratitude is owed by many. He provided the shn sets of the SBD #2, SBD #3, and AUD sources. Finally, thanks to all of the unnamed (and unknown) people who contributed in getting these sources to this point.
Compiled, edited, shn'd and seeded to etree by Conley Knott.
January 11, 2004
9f1971c57d44d4b45a29d121c97170b6 [shntool] gd78-11-20-d1t01.s1.shn
edf295e5ab353508a50af17deea2b3a0 [shntool] gd78-11-20-d1t02.s1.shn
19f235ae1126b08ad124271239731017 [shntool] gd78-11-20-d1t03.s1.shn
7150d7acf5931fb4ca00dddf551af30b [shntool] gd78-11-20-d1t04.s1.shn
9665217af459f2183f0b0566ffb9e930 [shntool] gd78-11-20-d1t05.s1.shn
a17f1760ac2f051ec6d3a820a2ffebac [shntool] gd78-11-20-d1t06.s1.shn
b7e09fa04b06d80c3a7502da646f3d72 [shntool] gd78-11-20-d1t07.s1.shn
81fd5f1db9525fac4cf6aacd39940c08 [shntool] gd78-11-20-d2t01.s1.shn
fc3be17da91c43adadff3b925a322a99 [shntool] gd78-11-20-d2t02.s1.shn
43e0d5762c1cfd190eef1252d4572354 [shntool] gd78-11-20-d2t03.s1.shn
0cd08666d38613328bf7a314553c6e6c [shntool] gd78-11-20-d2t04.s1.shn
4d3d523afa331246eba7bde272e80759 [shntool] gd78-11-20-d2t05.s1.shn
f1d5e7e4c4014dd7e9fa798ad0582ca8 [shntool] gd78-11-20-d2t06.s2.shn
7308668732669279598a970294285351 [shntool] gd78-11-20-d2t07.s2.shn
942f5790c87964c2e76da17d754c41ca [shntool] gd78-11-20-d2t08.s2.shn
2c139d5f4690641110a51364b23adcde [shntool] gd78-11-20-d2t09.s2.shn
8e1da69d60b3694b7f788ad4d0048265 [shntool] gd78-11-20-d2t10.s2.shn
cf3fa9747c7c9f4deaebe1ecbcb816dd [shntool] gd78-11-20-d3t01.s2.shn
c425c72a7e7e80c3260dd71c481eed7b [shntool] gd78-11-20-d3t02.s2.shn
47427fe00ad50c2d70218511ed070797 [shntool] gd78-11-20-d3t03.s2.shn
1fe55d6f67eb130e60c60238224370eb [shntool] gd78-11-20-d3t04.s2.shn
6f5991cc2325deacf76cdef30c4bdbe8 [shntool] gd78-11-20-d3t05.s2.shn