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Grateful Dead 11/08/70
Capitol Theater, Port Chester, NY
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Source # 26975 Other Sources
Entered by dr.unclear
Checksums orig-shn-md5 , shn-md5 , st5
Disc Counts 0 / 4
Media Size
Date Circulated
Date Added
11/25/04
11/29/2004
Source Summary The Port Chester Resurrection Project #7 Taped by Ken and Judy Lee. See txt file for details. 
  Archive
Source Information - Download Text | Download Zip
Ken & Judy Lee Proudly Present:
The Port Chester Resurrection Project

PCRP#007NRPS-GD1970-11-8.shnf.torrent

New Riders of The Purple Sage
Grateful Dead
Capitol Thea., Port Chester NY
November 8th 1970

This is a very special release from Ken and Judy Lee. It serves as a
commemoration of Mark Cohens' 2nd anniversary in heaven.
Mark was a great friend, and a big part of the Dead community. And it
is to him that this project is dedicated, and to whom we owe a huge
debt of gratitude. If not for Marks love of music, and love of this
band in particular, we would never had known about the Lees' Port
Chester archive. Outside of a few other brave souls known to have taped
shows at this fantastic venue, Ken and Judys' work from the Capitol
Theatre stands as the ultimate body of documentation. And if not for
Marks insistance that these shows be "liberated", much of what has
previously circulated would never had been heard, and this show was one
of his favorites.
This show is a keystone of the Grateful Dead, one of those shows that
really makes you wonder, and gives you pause. A show of firsts and
lasts, and when it was all said and done, had laid to rest some old
lexicons, and created a whole new set of criteria by which the band
would be judged. Truly one of the legendary Grateful Dead shows. The
Dead had a way of continually redefining themselves, in terms of
performance, and this show buries the sixties and propels them into the
seventies. (Much like the benchmark show at Lewiston, Maine 9-6-80
redifined them for the Eighties)
This is the last official acoustic set of the 70's. Besides an improptu
set in 1978, most of the songs performed acoustically would not see the
light of day again untill the fall of 1980, when they were showcased at
the 10 night run at the Warfield in San Francisco, and 8 nights at NY's
Radio City Music Hall. The final "Operator", and "Wake Up Little
Suzie", Mystery Train> My Babe (only time played), New Orleans>
Searchin', Main Ten (last time played), all standout in this
performance, and then like a dream, are gone. Around and Around (first
time played), and a long stretch before you hear "Baby Blue" again.
This release also includes the complete New Riders set, known to
circulate only as a fragment.
Heres the complete setlist...

Disc One -  Acoustic Set  -  
01)Tuning
02) Dire Wolf
03) I Know You Rider
04) Dark Hollow
05) Rosalie McFall
06) El Paso
07) Operator (Final time played)
08) Ripple
09) Friend Of The Devil
10) Wake Up, Little Suzie  (Final time played)
11) Uncle John's Band

Disc Two - NRPS -  
01)Tuning
02) Six Days On The Road
03) Superman
04) Whatcha Gonna Do
05) Glendale Train
06) All I Ever Wanted
07) Fair Chance To Know
08) Portland Woman
09) Cecilia
10)Truck Drivin' Man
11) Last Lonely Eagle
12) Louisiana Lady
13) Honky Tonk Women

Disc Three - Electric Dead -
01)Tuning
02) Morning Dew
03) Me And My Uncle
04) Mystery Train  (Only time played)
05) >My Babe (Only time played)
06) Around And Around  (First time played)
07) New Orleans
08)>Searchin'
09)>It's All Over Now, Baby Blue
10) Casey Jones

Disc Four - Electric Dead  -  
01) Truckin'
02)>Dark Star (First verse only)
03)>The Main Ten  (Final time played)
04)>Dancin' In The Streets
05)>Not Fade Away
06)>Goin' Down The Road Feelin' Bad
07)>Not Fade Away
08)>Drums
09)>Good Lovin'
10)>Drums
11)>Good Lovin'


Technical Notes: The original audience master cassettes (4 Ampex
C361-90) were recorded on a Sony TC124 with unknown dynamic mics,
spread approx. 25-30 ft. across the balcony, by Ken & Judy Lee,. The
cassette tape was baked and re-shelled, then transfered via Tascam 122
MK-III > Lucid ADA1000 > Tascam DA30-II (DAT) > Tascam CDRW 700 (CDR)
by John Jay Hance. Editing By Peter G. via Soundforge. No noise
reduction was applied. Audio extraction and further editing via Peak
4.0, compressed to .shn with xACT 1.3, and seeded by BoldCaptain via
Azureus 2.1.
Tape flutter in Baby Blue, and in Truckin'. Tape flip in Dancin' In The
Streets was was seemlessly pieced together.
Yet another reMARKable recording by Ken & Judy Lee.
Enjoy!
.

A Special Thank You goes out to:
Peter G, Bold Captain, Lisa Biasi, Anne Cohen, Joe Jupille,
Torbjorn Olofsson, Jim Parzych,Rich Brunjes(yubah).
  
  

Show Checksums
orig-shn-md5
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shn-md5
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st5
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2835b7e700ea9dcd6819b38b92de4ee5 [shntool] PCRP-007NRPS-GD1970-11-8d1t02.aif.shn
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3f46816bd7ea749863d2cdef20d76b84 [shntool] PCRP-007NRPS-GD1970-11-8d1t10.aif.shn
408b3a076137ec08a5b0a59bd53313de [shntool] PCRP-007NRPS-GD1970-11-8d1t11.aif.shn
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ff5d8e609b8c3933b9ad1ef3c021a676 [shntool] PCRP-007NRPS-GD1970-11-8d2t09.aif.shn
37df2cc98676b9c45d9064f33cb8fdeb [shntool] PCRP-007NRPS-GD1970-11-8d2t10.aif.shn
452020e533b9399f64983f37278d14dc [shntool] PCRP-007NRPS-GD1970-11-8d2t11.aif.shn
26ab754eb9e31356a8716faec31fb323 [shntool] PCRP-007NRPS-GD1970-11-8d2t12.aif.shn
23e01ae8f1d9a3a3cd7809019b1fbb61 [shntool] PCRP-007NRPS-GD1970-11-8d2t13.aif.shn
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9b6ef2fdfd71839789e82a41ffa3dca8 [shntool] PCRP-007NRPS-GD1970-11-8d3t02.aif.shn
46bba5054c03d93bfd93ef7999b202e6 [shntool] PCRP-007NRPS-GD1970-11-8d3t03.aif.shn
834420c29ac6117382916f3a99a78e66 [shntool] PCRP-007NRPS-GD1970-11-8d3t04.aif.shn
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1a73422b7ce55f1f3caaf90ffac77945 [shntool] PCRP-007NRPS-GD1970-11-8d3t07.aif.shn
30e5433aa5e589b18563310a1f8e76bf [shntool] PCRP-007NRPS-GD1970-11-8d3t08.aif.shn
6a9793fd5422454e55eb81338c949333 [shntool] PCRP-007NRPS-GD1970-11-8d3t09.aif.shn
8579181c547d7378b1869f5432b60487 [shntool] PCRP-007NRPS-GD1970-11-8d3t10.aif.shn
b540418e28f3b5e463b18c51a8a6ed6d [shntool] PCRP-007NRPS-GD1970-11-8d4t01.aif.shn
66250b2b385e7ca352ac8f07e5820af2 [shntool] PCRP-007NRPS-GD1970-11-8d4t02.aif.shn
2911c7ebc4a38cd65507644c4401044d [shntool] PCRP-007NRPS-GD1970-11-8d4t03.aif.shn
2df7c11e11b9a7e993c5c6a54a340dcb [shntool] PCRP-007NRPS-GD1970-11-8d4t04.aif.shn
c3e77aaeed73ab2e88cab7576de062c6 [shntool] PCRP-007NRPS-GD1970-11-8d4t05.aif.shn
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8adc2f097193c779ef88945697f041a1 [shntool] PCRP-007NRPS-GD1970-11-8d4t07.aif.shn
3d4ec5d06d697462920f531114c252ad [shntool] PCRP-007NRPS-GD1970-11-8d4t08.aif.shn
bdfd82c91b2e31a42f860f5680f3db3e [shntool] PCRP-007NRPS-GD1970-11-8d4t09.aif.shn
ff2e7e36db9ca2d32cc81599528b2da0 [shntool] PCRP-007NRPS-GD1970-11-8d4t10.aif.shn
210ccaf548e9d7d4df3af8da4beb618d [shntool] PCRP-007NRPS-GD1970-11-8d4t11.aif.shn

Comments
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Other Sources (comments)
mixed sources (see info... (1) Multiple audience sources... (1) Source: MAR>C>D>WAV>SHN;... (0) THE OWEN BROTHERS VAULT ;... (4) AudMC > DAT > CD > EAC >... (1) flac16; Partial... (0) flac16; aud 1st gen... (0) flac16; source: aud... (0)
Date User Comment
12/01/2004 Albix Thank you for the huge effort this required. Has anyone noticed a heavy bass distortion on some of these tracks? Not a criticism, but an observation.
12/02/2004 Paul McFadyen Sadly, yes - from about Dancin' onwards, to the end of the show (though it appears to lessen slightly towards the end of Good Lovin')

When it was eventually tracked down & digitised, didn't Marty Weinberg's reel of the final quarter of the show exhibit similar characteristics? (I'll need to check my copy, however).

This makes me think that, whatever technical gremlins affected both Ken Lee's and Marty Weinberg's recordings of the show, the bass saturation in this portion of the show was primarily caused by p.a. &/or amp overload - both recordists simply picked up the sound as it appeared in the room.