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Grateful Dead 04/26/71
Fillmore East, New York, NY
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Source # 4991 Other Sources
Entered by dr.unclear
Checksums shn-md5 , st5
Disc Counts 3 / 3
Media Size
Date Circulated
Date Added
8/13/01
08/30/2001
Source Summary GD: MR> CDR> SHN; NRPS material: MR> C> CDRx?> SHN, note NRPS is newly seeded, date-accurate; via Bill Gadsden, Jim Wise, John Oleynick et al; see info file for additional source and flaw details; to BUDD tree, nycheads; d1,3 tracked for 80 min; Tzuriel's covers 
  Archive
Source Information - Download Text | Download Zip
4/26/71  Fillmore East, New York, NY

Lineage:
        NRPS:  MR>C>CDRx?>SHN
        GD:    MR>CDR>SHN

GD SBD>MR : Shure line mixers > Sony reel to reel (middle of the line model, exact model unknown) at 7 1/2 ips onto BASF 90 minute reels
MR>CDR: Revox B77 reel to reel > Alesis Masterlink ML9600, sampling at 96k
CDR>SHN : PlexWriter 8/2/20 > Exact Audio Copy

Disc 1 (80 minute disc)
        --- NRPS ----
        1. Brown Eyed Handsome Man      [6:50]
        2. Watch Gonna Do               [5:07]
        3. Tonight the Bottle Let Me Down [5:12]
        4. I Don't Know You             [4:52]
        5. Cecilia     [5:04]
        6. Truck Drivin' Man            [3:35]
        7. All I Ever Wanted            [7:33]
        8. Sailin'     [3:39]
        9. Glendale Train               [5:30]
        10. Fair Chance to Know         [5:30]
        11. Portland Woman              [5:52]
        12. Last Lonely Eagle           [6:56]
        13. Lousiana Lady               [4:49]
        14. Honky Tonk Woman            [5:27]

Disc 2
        ---- GD Set 1 ----
           [ missing Bertha and Me & My Uncle ]
        1. // Big Boss Man              [3:31]
        2. Loser       [9:40]
        3. Playing in the Band          [7:45]
        4. Hard to Handle               [13:07]
        5. Dark Star > [12:33]
        6. Wharf Rat   [6:59]
        7. Casey Jones [5:32]

Disc 3 (80 minute disc)
        ---- GD Set 2 ----
        1. Sugar Magnolia (1)           [12:11]
        2. Hurts Me Too (1)             [10:42]
        3. Beat It On Down The Line (1) [4:18]
        4. China Cat Sunflower >        [5:13]
        5. I Know You Rider //          [3:16]
           [ missing Deal and Mama Tried ]
        6. Good Lovin' [19:38]
        7. Sing Me Back Home            [10:02]
        8. Not Fade Away >              [3:11]
        9. Goin' Down the Road          [7:26]
                Feelin' Bad >
        10. Not Fade Away               [3:06]

(1) with Duane Allman

Glitches:
d2t02 8:54-8:57 - patched because of tick (Loser) (between songs)
d2t04 8:06, 8:09 - click, static (not digi-noise, on master reel)
       (Hard to Handle) (between songs)
d2t05 6:51 - tick (not digi-noise, percussion?  on master reel)  (Dark Star)
d3t05 0:04 - static/crackle, does not sound like digi-noise (Rider)
d3t06 1:23-1:24 - patched because of crackle/tick (Good Lovin')
d3t06 16:04 - patched because of quiet tick

-*-*-*-*-*-*-*-*- The Story of the Tapes *-*-*-*-*-*-*-*-


"Who's the Dead freak?" With that innocuous question the story of these tapes
begins. It was the summer of 1973, between attending 6/10/73 at R.F.K.
Stadium and the Watkins Glen soundcheck. A friend of mine was listening to
Live/Dead at his parent's house. A local cabinetmaker was working at the
house and asked the question. He mentioned that he had a bunch of Dead tapes
from the Fillmore East back at his house. For about a year, three 90 minute
composites of the 4/71 shows had made their way around taping circles in the
Princeton, N.J. area, but not the complete shows.
Within hours, Peter Kafer and I were at the cabinet shop with our reel to
reel decks. What we found when we got there were 11 master reels of the 4/71
shows, along with a host of other 1st and 2nd generation tapes from the
Fillmore East of other bands, but also including 9/20/70. Also there were the
1st generation reels from 11/23/70 at the Anderson Theater.

The 4/26-29/71 master reels were recorded by an individual named Buddy
Miller, a local N. J. area musician. Buddy has become a very well respected,
and recorded, Nashville guitarist. He is currently touring with Emmy Lou
Harris, and can be heard on her current CD, Red Dirt Girl. Buddy was a friend
of the cabinetmaker and, since he travelled a great deal, the tapes resided
at the cabinet shop. Buddy was set up to record these shows by a friend who
was a member of the Fillmore East soundcrew.

These shows were NOT recorded in the same manner as the February '70,the
May 15, '70 show, and  the material from the September 18, 19, and 20,
'70 shows. For the April '71 shows, a feed was run off the soundboard,
which was upstairs in a balcony box, stageleft. There is a good picture
of the soundbooth in Amalie Rothchild's book, Live at the Fillmore
East. The feed went from the soundboard into a broomcloset nearby,
literally a broomcloset. Buddy remembers a bucket and mop! The feed was
mixed down on two little Shure line mixers and recorded on a middle of the
line Sony deck onto BASF 90 minute reels at 7 1/2 ips. There was also a
little consumer Dolby B unit used, which is why these recordings seem so
'bright'.

We taped everything that summer of 1973 onto BASF reels. The following fall,
Peter took his reels with him to California to begin his freshman year at
U.C., Berkeley. From here he met various West coast tapers such as Bob Menke
and Rob Bertrando, and the tapes began their circulation on the West coast. I
took mine to Trinity College in Connecticut and began to circulate them out
East.

Two years later, we wanted to retape the original masters, since we now had
somewhat better decks and Maxell reel to reel tape had come on the market. We
recopied everything. At this time, Buddy Miller simply gave us many of the
Fillmore and Anderson Theater reels for essentially the cost of blank tape.
His own musical interests had moved on. Of the 4/71 masters, we were given 6
of the 11 reels and Buddy retained the other 5. I've had these reels in my
possession since then.

Why has it taken so long for these reels to enter the digital world?
Basically because I dropped out of the whole tape collecting scene about 1980
due to family, career, etc.

However, two of my old taping buddies, Bernie Tenenbaum and Chris Zingg,
implored me to get my reels digitized before the analog reels degraded.
Fortunately they had been safely stored in cardboard boxes, away from heat
and light, in the back of a closet. I knew nothing of the digital world,
didn't have a DAT or CD machine, had no idea what a tree or a 'B and P' was,
and was absolutely amazed at how big the community of collectors had become.
When I effectively left it at the end of the '70s, it was really only a
handful of people.

This past Spring I reconnected with Buddy Miller for the first time in over
20 years. He actually was able to dig up 2 of the 5 original BASF masters
that he had hung onto, and mailed them up to me. With 8 of the original 11
now in hand, and my complete set of Maxell 1st gen. copies  to fill in the
blanks for the still missing 3 masters, I digitized the shows. The missing
reels, #'s 4, 5, and 6,  run from 4/27 Hard to Handle through the pre-break
portion of Bird Song on 4/28. For this I used the Maxells. Along the way, I
was directed to Jim Wise for advice and assistance in digitizing and getting
the shows out into the community.

I transferred the shows to CD incorporating the New Riders sets, instead of
treating them discreetly. I really believe that the performances should be
considered in their entirety. Back in the '70s when these shows got
circulated, the Riders sets got ignored after awhile, which was a shame. They
are a lot of fun to listen to, and a great warmup for the Dead show to follow.

The reels were played on a Revox A77 and digitized directly onto an Alesis
Masterlink ML9600, sampling at 16 bit, 44.1 k. The Alesis was a wonderful
solution for someone in my position, sitting on a bunch of reels. It removed
the intermediate step of re-recording everything onto DAT. For those who are
curious about the Masterlink, check it out at www.alesis.com.

One final bit of information that makes this whole 27 year story all the more
fascinating is that these 2 track masters were used for the recent 16 track
release, Ladies and Gentlemen....The Grateful Dead. While the 16 track
recordings had Bill Graham's introduction and his tribute/tirade speech
before In the Midnight Hour on 4/29, it was not nearly as strong and present
as it was on the 2 tracks for some reason.Through an introduction facilitated
by Jim Wise, Jeffrey Norman and David Lemieux asked if I could send out the 2
tracks to be used on the release. With 5 days to go before the production CDs
were due at the printing plant, I FedEx'ed them out and they were used for
those two Bill Graham pieces. A wonderful chapter after all these years.

There has always been a question about 4/25/71. The BASF master labelled #1
begins with Big Boss Man from 4/26. Back in 1973 we saw nothing of any taping
of 4/25's show. I have asked Buddy about it and, after 29 years, he doesn't
believe he recorded it, which would be consistent with 4/26 being #1. Just a
guess: since the record company was there to record the run, our
surrepticious broomcloset tapers just lay low the first night to make sure it
was clear to try to tape. I know there has been a high-gen fragment of 4/25
that has circulated for years that supposedly came from cassette masters that
were also made of these shows. While anything is possible, if this were true
one would have to wonder why no material from cassette has ever surfaced of
any of the other 4 nights. The mystery remains, but one day I am gonna have
to put this mystery to rest.

I hope everyone enjoys these new and improved versions of the 4/71 Fillmore
East shows.  They have always been the heart of my Dead collection and many
others as well, I suspect.

Bill Gadsden, 11/23/00


About three months ago I discovered that the New Riders' sets, just the
Riders, from all five nights had been taped on a reel to reel, separately and
distinctly from Buddy Miller's taping effort.  With this alternative source I
can now supply the missing first half of the NRPS set from 4/27, and the
complete sets from 4/25 and 4/26.

Bill Gadsden, 2/20/01
Show Checksums
shn-md5
d0ac6715ca429a780af72c82129eff26 *gd71-04-26d1t01.shn
e2fe792287bd647348637a38c91bbdd2 *gd71-04-26d1t02.shn
ba53fe5d8fbd089b3d81eaa5f7716a8a *gd71-04-26d1t03.shn
dc9550cc034b860632e6e4b6f6507eeb *gd71-04-26d1t04.shn
e4cd54912d8993df221ee93d019a77cf *gd71-04-26d1t05.shn
7e99769b07e27418cccdd84d3c79a33d *gd71-04-26d1t06.shn
7ef2a4397898a6365baff0c935a20467 *gd71-04-26d1t07.shn
31613e587c32604ade1a6b8be9bc4e07 *gd71-04-26d1t08.shn
a11a3feb0488ef8d03387a9f597b1d26 *gd71-04-26d1t09.shn
2f215f14e2e8c531b65a863b854e4e0e *gd71-04-26d1t10.shn
11fa3f78266007f013e4d3c34c13539d *gd71-04-26d1t11.shn
de521d968e7daa5b82fabd190abc7982 *gd71-04-26d1t12.shn
7419b6f3a4c73b937a1c161a789d0cbe *gd71-04-26d1t13.shn
2f47510b7f7386ddfc3bd0c7fe767439 *gd71-04-26d1t14.shn
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32cd5e422dee935ac026175d8087064c *gd71-04-26d2t03.shn
ed4ac95774e10d301a853918d22110f7 *gd71-04-26d2t04.shn
2cd7b566d2ee19b60a7bff1ca39b8663 *gd71-04-26d2t05.shn
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687eb56a2b9104852bc501a76542bfa6 *gd71-04-26d2t07.shn
d6cc39badc06f5219a72bc52be7133f6 *gd71-04-26d3t01.shn
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649a9b5dcf8d827243ccddedadc24719 *gd71-04-26d3t05.shn
d66821fc2467a775744c36c239edbdd5 *gd71-04-26d3t06.shn
b4f4d94d79e8e5d5250ce0f5aa3eb838 *gd71-04-26d3t07.shn
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de6c91408364d5a8fe19f7d74d07dd55 *gd71-04-26d3t10.shn
st5
4f0fba9bc3fa98df8a8aa25de953a78b [shntool] gd71-04-26d1t01.shn
4781c199d95fbb1f0a714cabcfd48fef [shntool] gd71-04-26d1t02.shn
3d11d7f56683e89bd2d06656603e8a45 [shntool] gd71-04-26d1t03.shn
deead1a38720abcde811606a8a3a4613 [shntool] gd71-04-26d1t04.shn
f29e8bdef94b13e6b13126cc8c912dad [shntool] gd71-04-26d1t05.shn
7402eaa82693c54804d9bb89d0dfe226 [shntool] gd71-04-26d1t06.shn
1d7fd4ffab7a8eb5b18ca12c5df88cb0 [shntool] gd71-04-26d1t07.shn
41383803b4e8075d0dd1b62db93ad2be [shntool] gd71-04-26d1t08.shn
cd9b6e4d6c61a317bac4e530dabd24b7 [shntool] gd71-04-26d1t09.shn
bb6c14fc46306c59a0b82d16402f91b0 [shntool] gd71-04-26d1t10.shn
9f5763736b407dfa2843635e9f96e241 [shntool] gd71-04-26d1t11.shn
8ca0b0fd7fe4d419e6814834bac9f253 [shntool] gd71-04-26d1t12.shn
e9cfaf4017f8f675dc3eb52242c27199 [shntool] gd71-04-26d1t13.shn
091baf8616f40758d7af2126b31e6a99 [shntool] gd71-04-26d1t14.shn
5caaf327445bb27c67bac38d75995c89 [shntool] gd71-04-26d2t01.shn
e99ce461a905df49dfbf92718873883c [shntool] gd71-04-26d2t02.shn
4f087b487b2c97671a9b7fc402b8d5ea [shntool] gd71-04-26d2t03.shn
f6620c014c0c146ff9c4dbc23566949e [shntool] gd71-04-26d2t04.shn
010b9d0e05870602daff6bf87e69df89 [shntool] gd71-04-26d2t05.shn
a70dd6200c6fdc182a4b8cd0743bcc25 [shntool] gd71-04-26d2t06.shn
111197b6f9f74dbafe648f24cdd8440a [shntool] gd71-04-26d2t07.shn
12d10dc9ea452de836514d57124e516e [shntool] gd71-04-26d3t01.shn
b0f78fb337c554cc0992fec1a0e0dd0b [shntool] gd71-04-26d3t02.shn
c7854c0f262b49cafb6ba716541ad713 [shntool] gd71-04-26d3t03.shn
e93819a37305d9fdb0f5ae72bec9cb43 [shntool] gd71-04-26d3t04.shn
23994b3cdefa86e8f5f1c6c16769105e [shntool] gd71-04-26d3t05.shn
158a81ffb6972a671116459b5999a80b [shntool] gd71-04-26d3t06.shn
e766bb327140876743c165c98b834d11 [shntool] gd71-04-26d3t07.shn
b0b56dd9419c0b6b125f227a639eb2ff [shntool] gd71-04-26d3t08.shn
d618cf0ebd10e981e62bfe598d4812fd [shntool] gd71-04-26d3t09.shn
a00877f526cabc0f46f297a8f481b786 [shntool] gd71-04-26d3t10.shn

Comments
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Other Sources (comments)
MSR 7 inch (7.5 ips) Revox... (9) source not specified;... (1) flac16; Recording... (1) flac24; Recording... (1) Lineage:[email protected] 7.5 ips>R @ 7.5... (0) flac16; MR 7.5 ips >... (0)
Date User Comment
08/18/2001 Diana Hamilton On 8/8/01, seeder Bill Gadsden reported the following to BUDD:

Buddy Miller, who taped the 1/4 track SBDs of the 4/71 NRPS and
Grateful Dead run at the Fillmore East, did no taping the first
night, the 25th. He began taping on the 26th with Big Boss Man, in
the Dead's first set. He didn't tape the 26th NRPS set. The following
night, the 27th, he started taping with the second part of the NRPS
set, beginning with Lodi. On the 28th and 29th, he taped complete
NRPS sets. What has circulated heretofore is 2nd half 27th NRPS,
complete 28th & 29th NRPS, and an erroneous 2nd half 26th NRPS. The
erroneous 26th piece was my error. Unlabelled reel box that I assumed
to be from the 26th was actually a bunch of songs from the 28th &
29th. I had not originally (28 years ago) asked Miller specific
questions about what he had taped and not taped. Only did so a year
ago.

This was made clear when I recently discovered that a second tape
deck was running for all FIVE nights of the NRPS shows, just the NRPS
as it turns out. When I listened to 4/26, it did not match up with
the earlier piece that I believed to be from 4/26. Upon closer
examination, the earlier 4/26 was shown to be bogus.

08/22/2001 Mike Urban These shns were put up at nycheads by John Oleynick, as an easy way of getting them out to the top branches of tree he set up for this show over on the BUDD list.
08/30/2001 Hamilton, Diana OK, the txt file here is now the most current one for the shn set as of 8/21/01, including history, "credits", flaw notes, and notations of missing songs. Thanks to all for the effort in getting this music out there!
09/20/2002 Note the missing Mama Tried appears on Skullfuck
06/10/2003 p.g. Great story, great shows!Lets make sure we keep em ALL alive!
01/16/2005 Joe Just downloaded this show from usenet...

I'm totally blown away! AWESOME!

Thanks!