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Phish 08/16/96
Plattsburgh Air Force Base, Plattsburgh, NY
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Source # 76994 Other Sources
Entered by Jason Sobel
Checksums all_md5
Disc Counts 4 / 4
Media Size
Date Circulated
Date Added
Source Summary DTS 5.1 Audio CD (DSBD + AKG 460B/ck61 mix) 
Source Information - Download Text | Download Zip
Clifford Ball Day 1
Plattsburgh Air Force Base
Plattsburgh, NY
August 16, 1996

DTS-Audio-CD 5.1 Mix

Disc 1

01 [03:20] Captain Sanity Intro
02 [06:21] Chalkdust Torture
03 [10:30] Bathtub Gin
04 [08:51] Ya Mar
05 [06:25] AC/DC Bag
06 [09:09] Esther >
07 [13:08] Divided Sky
TT [64:08]

Disc 2

01 [07:16] Halley's Comet >
02 [14:04] David Bowie
03 [13:29] Split Open & Melt
04 [03:49] Sparkle
05 [08:47] Free
06 [10:45] The Squirming Coil  
07 [05:05] Waste *
08 [03:51] Talk *
09 [03:11] Train Song *
10 [03:54] Strange Design *
11 [01:29] Hello My Baby *
TT [75:48]

Disc 3

01 [15:59] Mike's Song >
02 [06:00] Simple >
03 [06:12] Contact >
04 [09:48] Weekapaug Groove
TT [38:02]

Disc 4

01 [07:55] Makisupa Policeman >
02 [06:26] Also Sprach Zarathustra >
03 [15:20] Down With Disease >
04 [05:20] NICU
05 [03:20] Life On Mars
06 [20:17] Harry Hood
07 [01:55] Amazing Grace
TT [60:36]

* acoustic, mini-stage


Source Info

Source: SBD > DAT (99% of the show)
Transfer: Tascam DA40 [email protected] > REBA > Wavelab 4.0e >
44.1kHz Wav > CD Wave > SHNv3 **NO DAE WAS INVOLVED**
Via: The immortal, unstoppable Marmar

Source: FOB: AKG 460B/ck61 > Sonosax SX-M2 > DA-P1 (@ 48kHz)
recorded FOB on a stand

Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc >
WaveLab 5.01b (fades, resample to 44.1 kHz) > CD Wave > FLAC
Recorded by Dave Flaschner
Transferred by Jason Sobel


Tech Notes

FLAC/SHNs were decoded to wave.  Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch both of the sources.  CEP2.0 used to adjust the volume for
the center and LFE channels.  Surcode CD Pro DTS was used
to encode to DTS.      
- Mixed by [email protected]
- FLAC conversion done 01-JAN-2006  
- Artwork at 300dpi by [email protected]
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear quad jewel case.  


DTS-Audio-CD Info

Left Channel SBD
Right Channel SBD  

Mixed to Mono & D'EQed -6db SBD

Left Channel AKG 460B/ck61
Right Channel AKG 460B/ck61

Mixed to Mono -5db SBD


Notes (new approach)

The SBD source had some sector boundary issues.  At every track
change there was approx. 0.025 seconds of music dropped.  This
although completely inaudible, made things difficult to synch.  
I had the option to either trim the exact same amount from the
AUD or "add" the missing portion with a patch from either the SBD
or the AUD.  In the end I did a combination of all 3.  Because
this is only a fraction of a second edit the patches are smooth
and completely undetectable.

This is interesting, check your SBD copies.  This SBD source
was mysteriously missing approx 1min 56sec of Davied Bowie.  This
was done with a very clever splice.  I went ahead and patched
this missing portion with a DAT SBD copy I have had for years.  
I applied 6 second crossfades at each end. This patch is smooth
and most likely undetectable.

Besides the missing material in the middle of the jam in David
Bowie the is a source change at approx 10min 35sec. This source
is sitill SBD but much more "narrow" although still stereo. I went
ahead and patched this with my DAT SBD copy.  Under very close
scrutiny this source switch may be detectible.

Split Open and Melt uses 3 diffent sources, all in the very
first minute.  It starts off with approx 37 seconds from an FM
DAT source some kind unknown person sent me a year or so ago.  
Then switches to approx 25 seconds of a 2 AUD source matrix mix.  
This AKG source plus the AUD source that originally patch the
whole first minute.  Then at approx 1min 3sec it switches to the
FM DAT source to complete the song.  These source switches are
obvious to the listener but is not in jarring or disruptive.  
Several second crossfades were used btwn sources to make the
transitions as smooth as possible

I applied a gradual step up increase of +8db to the SBD and
the AUD sources on the acoustic numbers in set 2.  Then a
gradual step down to the original recording levels.  This is
so you can enjoy the acoustic numbers without increasing the
volume and then blowing your speakers when Mike's Song starts.

This entire show can be rejoined seamlessly on longer media.


Additional Formats

This show is available in the following formats:

1. The straight DSBD and FOB: AKG 460B/ck61
2. SBD + AUD Matrix Mix at 16/44 CD-Audio
3. SBD + AUD Matrix Mix at 24/48 DVD-Audio
4. SBD + AUD DTS-Audio-CD 5.1 Surro
Show Checksums
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ccb72245f214e2c791bbf1701ac03edc *phish1996-08-16-DTS.txt

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Other Sources (comments)
DSBD -> CD-R except for... (5) SBD > DAT > CDR > EAC > SHN (6) SBD > DAT; (SOAM Sources:... (1) AKG C568 EB > Aerco preamp;... (0) FOB AKG 460B/ck61 > Sonosax... (0) SBD + AUD Matrix Mix... (0) (FOB) Schoeps mk4 > kc5 >... (0) B&K 4021 > EAA PSP-2 >... (0) B&K 4011s > Neumann BS48i-2... (0) flac16 48kHz Set 1 &... (0) flac16, 48kHz; B&K... (0) flac16 48khz... (0)
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