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Phish 11/02/96
Coral Sky Amphitheater, West Palm Beach, FL
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Source # 77454 Other Sources
Entered by Matt Vernon
Checksums ffp
Disc Counts 1 / 1
Media Size
Date Circulated
Date Added
03/15/06
09/16/2006
Source Summary DTS-Audio-CD 5.1 Mix (see info file for details) 
Source Information - Download Text | Download Zip
Phish
Coral Sky Amphitheater
West Palm Beach, FL
November 2, 1996

DTS-Audio-CD 5.1 Mix

01 [09:38] Yamar
02 [23:50] Crosseyed and Painless >
03 [13:45] Run Like an Antelope
04 [05:59] Waste
05 [14:19] Harry Hood >
06 [04:53] A Day in the Life
TT [72:26]

*All songs feature Santana percussionist Karl Perazzo

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Source Info

SBD
Pre-FM SBD > DAT> CD-R > SHN

AUD
Microtech Geffel M300 > DAP1 > D(1)
transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF >
Wavelab (fades/sample rate/rendered w/ UV22HR) > SHN

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Tech Notes
SHNs were decoded to wave and SF 8.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch both sources.  Soundforge 8.0 was used to remove many
pops that ran throughout the SBD source.  CEP2.0 used to
adjust the volume for the center, LFE and surround channels.
Surcode CD Pro DTS was used to encode to DTS.
- Mixed by [email protected]
- FLAC conversion done 29-SEP-2005
- Artwork by [email protected] 300dpi - For best results print
at the highest resolution onto glossy photo paper.  Design for
use with a clear slim double jewel case.

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DTS-Audio-CD Info

Front
Left Channel +2db Pre-FM SBD
Right Channel +2db Pre-FM SBD

Center
Mixed to Mono -6db Pre-FM SBD

Surround
Left Channel -1.5db Geffel M300
Right Channel -1.5db Geffel M300

Sub/LFE
Mixed to Mono -5db Pre-FM SBD

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Notes

Incomplete show.

Version #4 - SBD+AUD DTS-Audio-CD 5.1 Surround Sound

The AUD recording punches at zero consistently throughout the
recording.  Or it did and then someone dropped the levels by
1 or 2db.  This recording tiptoes along the edge of distortion
but I don\'t think it really becomes a problem.  However, the
extreme levels (or post production hard limiting) on this
recording has really reduced the dynamic range.  On the plus
side it does have a really \"in-your-face\" sound quality.

There were between song edits after Yamar, Antelope and
Waste on the SBD source.  The AUD recording was trimmed to
match and a variety of edits (fades, crossfades and level
adjustments) were performed to make this transitions as
smooth as possible.  They were a bit too quick to make this
completely inaudible.

There were several pops throughout the SBD recording.  The
kind that may have slipped by unnoticed unless you were knee
deep into the recoding on an editing program like I was.  I
did my best to locate and remove most or all of these.

SBD source was a bit low, I raised the levels approx +2db.

AUD source was a bit high, I lowered the levels approx -1.5db.
In my experience consistently louder levels in the rear
channels is an undesirable effect.

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Additional Formats

This show is available in the following formats:

1. The straight Pre-FM SBD and Microtech Geffel M300 AUD
2. SBD + AUD Matrix Mix at 16/44 CD-Audio
3. SBD + AUD Matrix Mix at 24/96 DVD-Audio
4. SBD + AUD DTS-Audio-CD 5.1 Surround Sound
5. SBD + AUD DVD-Audio 5.1 Surround Sound

---------------------------------------------------------

More On DTS

Today\'s audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital.  While the Audio-CD
standard (Red Book) hasn\'t changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD.  To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you\'re trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.

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FLAC fingerprint

phish1996-11-02-dts-t01.flac:95b943debef66b1b1659a428fc278346
phish1996-11-02-dts-t02.flac:ba3c124c308c2d05e463d3745a535226
phish1996-11-02-dts-t03.flac:6f88c9f690a9d60eb90a76fa4bb1ee64
phish1996-11-02-dts-t04.flac:3dec082ac107eb07920679ecf6e81c97
phish1996-11-02-dts-t05.flac:3d550d494d613f3740711041d5966fcd
phish1996-11-02-dts-t06.flac:71205b20b03478e7ca233f88e0fad039

Show Checksums
ffp
phish1996-11-02-dts-t01.flac:95b943debef66b1b1659a428fc278346
phish1996-11-02-dts-t02.flac:ba3c124c308c2d05e463d3745a535226
phish1996-11-02-dts-t03.flac:6f88c9f690a9d60eb90a76fa4bb1ee64
phish1996-11-02-dts-t04.flac:3dec082ac107eb07920679ecf6e81c97
phish1996-11-02-dts-t05.flac:3d550d494d613f3740711041d5966fcd
phish1996-11-02-dts-t06.flac:71205b20b03478e7ca233f88e0fad039

Comments
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Other Sources (comments)
DSBD (0) pre-FM SBD> DAT> CD-R;... (0) Pre-FM > DAT > CDR > EAC > SHN (2) unknown source; via gdlive (3) Microtech Gefell m300 >... (0) Microtech Geffel m300 >... (2) SBD + AUD Matrix Mix... (0) flac16; AKG... (0)
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