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Phish 11/02/96
Coral Sky Amphitheater, West Palm Beach, FL
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Source # 79981 Other Sources
Entered by Jason Sobel
Checksums all_md5 , all_ffp
Disc Counts 1 / 1
Media Size
Date Circulated
Date Added
Source Summary SBD + AUD Matrix Mix (60%-SBD/40%-AUD)  
Source Information - Download Text | Download Zip
Coral Sky Amphitheater
West Palm Beach, FL
November 2, 1996

SBD + AUD Matrix Mix (60%-SBD/40%-AUD)

01 [09:38] Yamar
02 [23:50] Crosseyed and Painless >
03 [13:45] Run Like an Antelope
04 [05:59] Waste
05 [14:19] Harry Hood >
06 [04:53] A Day in the Life
TT [72:26]

*All songs feature Santana percussionist Karl Perazzo


Source Info


Microtech Geffel M300 > DAP1 > D(1)
transfer: Casio DA-R100 > M-Audio 24/96 via Coax SPDIF >
Wavelab (fades/sample rate/rendered w/ UV22HR) > SHN


Tech Notes
SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch both of the sources.  CEP2.0 used to adjust the volume
for the SBD & AUD. This is a 60% SBD, 40% AUD mix  
- Mixed by [email protected]
- FLAC conversion done 29-SEP-2005  
- Artwork by [email protected] 300dpi - For best results print
at the highest resolution onto glossy photo paper.  Design for
use with a clear slim double jewel case.  



Incomplete show.

Version #4 - SBD+AUD DTS-Audio-CD 5.1 Surround Sound

The AUD recording punches at zero consistently throughout the
recording.  Or it did and then someone dropped the levels by
1 or 2db.  This recording tiptoes along the edge of distortion
but I don't think it really becomes a problem.  However, the
extreme levels (or post production hard limiting) on this
recording has really reduced the dynamic range.  On the plus
side it does have a really "in-your-face" sound quality.

There were between song edits after Yamar, Antelope and
Waste on the SBD source.  The AUD recording was trimmed to
match and a variety of edits (fades, crossfades and level
adjustments) were performed to make this transitions as
smooth as possible.  They were a bit too quick to make this
completely inaudible.

There were several pops throughout the SBD recording.  The
kind that may have slipped by unnoticed unless you were knee
deep into the recoding on an editing program like I was.  I
did my best to locate and remove most or all of these.


Additional Formats

This show is available in the following formats:

1. The straight Pre-FM SBD and Microtech Geffel M300 AUD
2. SBD + AUD Matrix Mix at 16/44 CD-Audio
3. SBD + AUD Matrix Mix at 24/96 DVD-Audio
4. SBD + AUD DTS-Audio-CD 5.1 Surround Sound
5. SBD + AUD DVD-Audio 5.1 Surround Sound


Show Checksums
731546917db2d886f8c6124bf59d18e6 *phish1996-11-02-mtx-t01.flac
2da8af716ef58d294fd06b48294bd324 *phish1996-11-02-mtx-t02.flac
6d33f9bd8594da38275235c1d63ef53c *phish1996-11-02-mtx-t03.flac
e53a24eebd9ae7e78e1c234e3a0bb7d1 *phish1996-11-02-mtx-t04.flac
b470fe6795d3fddb7ddb8949cabdb853 *phish1996-11-02-mtx-t05.flac
aaba1ca67e18eb8299a78c2f9205f55b *phish1996-11-02-mtx-t06.flac

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Other Sources (comments)
DSBD (0) pre-FM SBD> DAT> CD-R;... (0) Pre-FM > DAT > CDR > EAC > SHN (2) unknown source; via gdlive (3) Microtech Gefell m300 >... (0) Microtech Geffel m300 >... (2) DTS-Audio-CD 5.1 Mix (see... (0) flac16; AKG... (0)
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