Phish
5-11-90
The Living Room - Providence, RI
Source: AUD > Cass/1 > DAT (master)
A>D Transfer: Denon 3-head deck > Fostex
[email protected]
SHN Transfer: CTD8000H-S > DAT2WAV > SHN > CDWav > SF 5.0 > SHN
A>D Transfer by Jon Epstein
DAT>SHN Transfer by Robert Brown
Tracking and Fixes by Ben Mohr (
[email protected])
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Disc 1: (56:07)
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-Set 1-
1. Mike's Song > (06:18)
2. I am Hydrogen > (02:19)
3. Weekapaug Groove (06:58)
4. Uncle Pen (04:16)
5. Foam (07:52)
6. Bouncing Around the Room (03:54)
7. Possum (09:04)
8. Reba (11:49)
9. Highway to Hell (03:37)
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Disc 2: (51:02)
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-Set 2-
1. crowd noise (00:22)
2. Oh Kee Pah Ceremony > (01:40)
3. AC/DC Bag > (06:01)
4. The Lizards (10:05)
5. Tweezer (11:31)
6. Ya Mar (06:56)
7. Henrietta intro (02:16)
8. Love You (04:04)
9. Good Times Bad Times (05:48)
-Encore-
10. Take the A-Train// * (02:19)
* The Phish Companion does not list this track as part of the show and there is a cut
between GTBT and A-Train. Instead, BBFCFM is listed as the encore, which was not
included on the cassette nor the master DAT. However, I decided to leave this track
with the show eventhough there is the possibility that this was originally intended
as filler. The hiss levels and dB levels coincide with those from the show so I have
no idea where this track comes from.
Notes:
-This is the first time this show is known to exist digitally!!!
-R channel is louder than L channel (approx 2dB) but I choose to leave it that way as
the hiss level in the L channel would be much greater with any amplitude increase.
-Tape flip:
d1t07 9:03 (40:44)
d2t08 3:42 (42:33)
-Skip d1t09 1:06.610
-Very small dropout or skip d2t08 2:44
-Low levels from d2t08 3:42-0:15
Fixes:
-Removed R channel static d1t09 1:13.211-1:13.240 with SF5.0 pencil tool
-Removed L channel static d1t09 2:25.537-2:25.571 with SF5.0 pencil tool
-Added 3 sec fade out in d1t09 3:34.672-3:37.672 with SF5.0
-Removed diginoise d2t03 3:23.538 (0.047s) with SF5.0
-Removed L channel pop d2t08 2.44.446 with SF5.0 pencil tool
-Applied hiss reduction based on floor sample taken during crowd noise at
beginning of Set 2.