db.etree.org - Source Detail for Grateful Dead 06/10/73

Grateful Dead

RFK Stadium

Washington, DC

June 10, 1973

Composite Audience

Set 1:

d1t01 - Morning Dew

d1t02 - Beat It On Down The Line

d1t03 - Ramble On Rose

d1t04 - Jack Straw

d1t05 - Wave That Flag

d1t06 - Looks Like Rain

d1t07 - Box Of Rain

d1t08 - They Love Each Other

d1t09 - The Race Is On

d1t10 - Row Jimmy

d1t11 - El Paso

d2t01 - Bird Song

d2t02 - Playing In The Band

Set 2:

d2t03 - Eyes Of The World ->

d2t04 - Stella Blue

d2t05 - Big River

d2t06 - Here Comes Sunshine

d3t01 - Around And Around

d3t02 - Dark Star ->

d3t03 - He's Gone ->

d3t04 - Wharf Rat ->

d3t05 - Truckin'

d3t06 - Sugar Magnolia

Set 3:

d4t01 - It Takes A Lot To Laugh It Takes A Train To Cry

d4t02 - That's All Right, Mama

d4t03 - The Promised Land

d4t04 - Not Fade Away ->

d4t05 - Goin' Down The Road Feeling Bad ->

d4t06 - Drums ->

d4t07 - Not Fade Away

d4t08 - Johnny B. Goode

Audio Source Information

AUD1 (shnid = 90351)

Source:

-- Sony TC 110 cassette deck

-- single-point stereo mic, hand-held on mic-stand shaft

-- FOB center infield, between sbd platform and stage platform

Lineage:

-- MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16

-- Taping, transferring, and remastering done by Monte Barry

Notes:

-- This show is complete

-- Most track changes are seemless

-- Patches are cross-faded

-- SBD patches have "concert hall" echo/delay effects applied

-- Playing in the Band --------- tape change dropout at 5:22, Gadsden-Miller patched until 6:23

-- Eyes of the World ----------- missing content until 14:35, Gadsden-Miller AUD patched

-- It Takes A Train to To Cry -- SBD patched due to tape damage, 1:42 to 1:47, 3:03 to 3:16

-- That's Alright Mama --------- SBD patched due to tape damage, 3:35 to 3:50,  5:56 to 8:58

-- GDTRFB ---------------------- tape change dropout at 4:37, SBD patched until 5:01

This AUD recording epitomizes the very best of the Grateful Dead "live sound" for the time. The Wall of Sound is nailed by the sound crew and the Dead for this show. Set within an outdoor Stadium, this close-up infield FOB spatially captures sound from the two Aux PA towers on the infield, behind the taper. The sound delay from the Wall of Sound to the Aux PA towers adds a touch of ear candy as it rolls around the stadium. This was by far the best sound fidelity experience I ever heard come out of a PA System, period. It was a sensational orgy of sound. -- Monte

AUD2 (shnid = 89681)

Recording Info:

(FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips)

Transfer Info:

Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC

(2 Discs Audio / 1 Disc FLAC)

All Transfers and Mastering By Charlie Miller and Neil Sturtevant

charliemiller87@earthlink.net

January 26, 2008

Notes:

-- Disc change is seamless

-- Recorded by Bill Gadsden

Patched using:

SBD (shnid = 89730)

Recording Info:

SBD -> Master Reel -> Dat -> CD

Transfer Info:

CD -> Samplitude Professional v10.01 -> FLAC

(4 Discs Audio / 3 Discs FLAC)

All Transfers and Mastering By Charlie Miller

charliemiller87@earthlink.net

January 29, 2008

Patch Info:

(FOB) Unknown Mics -> Master Cassette -> Reel -> Korg MR-1000 supplies:

Eyes Of The World (6:54 - 6:56)

Notes:

-- All disc changes are seamless

-- This is a fixed version of shnid=89640

-- Cleaned up many flaws and fixed the levels

-- It may not be perfect, but it's a lot better

-- Patch source recorded by Bill Gadsden

-- Patch source transferred by Charlie Miller and Neil Sturtevant

-- Set 3 is with Merl Saunders, Dickey Betts and Butch Trucks

-- Beginning of Beat It On Down The Line is cut

-- There are some flaws in The Race Is On that still remain

-- Reel flip in GDTRFB patched with alternate SBD source

-- Thanks to Jeremy Humphreys for the GDTRFB patch

---------------------------------------------------------

Brokedown House Production

    length     expanded size    cdr  WAVE problems  fmt   ratio  filename

    11:45.53      124486700 B   ---   --   -----    wav  1.0000  gd1973-06-10d1t01.wav

     3:31.60       37361564 B   ---   --   -----    wav  1.0000  gd1973-06-10d1t02.wav

     7:44.68       82009580 B   ---   --   -----    wav  1.0000  gd1973-06-10d1t03.wav

     5:00.02       52924748 B   ---   --   -----    wav  1.0000  gd1973-06-10d1t04.wav

     6:01.54       63807452 B   ---   --   -----    wav  1.0000  gd1973-06-10d1t05.wav

     7:39.69       81129932 B   ---   --   -----    wav  1.0000  gd1973-06-10d1t06.wav

     5:26.35       57588764 B   ---   --   -----    wav  1.0000  gd1973-06-10d1t07.wav

     4:55.73       52209740 B   ---   --   -----    wav  1.0000  gd1973-06-10d1t08.wav

     3:11.64       33842972 B   ---   --   -----    wav  1.0000  gd1973-06-10d1t09.wav

     9:17.13       98285420 B   ---   --   -----    wav  1.0000  gd1973-06-10d1t10.wav

     4:27.66       47254076 B   ---   --   -----    wav  1.0000  gd1973-06-10d1t11.wav

    12:02.55      127490204 B   ---   --   -----    wav  1.0000  gd1973-06-10d2t01.wav

    17:42.14      187369772 B   ---   --   -----    wav  1.0000  gd1973-06-10d2t02.wav

    22:09.44      234539132 B   ---   --   -----    wav  1.0000  gd1973-06-10d2t03.wav

     8:04.24       85434092 B   ---   --   -----    wav  1.0000  gd1973-06-10d2t04.wav

     5:10.04       54693452 B   ---   --   -----    wav  1.0000  gd1973-06-10d2t05.wav

    11:48.24      124947692 B   ---   --   -----    wav  1.0000  gd1973-06-10d2t06.wav

     6:11.28       65510300 B   ---   --   -----    wav  1.0000  gd1973-06-10d3t01.wav

    26:21.64      279038972 B   ---   --   -----    wav  1.0000  gd1973-06-10d3t02.wav

    14:28.60      153256364 B   ---   --   -----    wav  1.0000  gd1973-06-10d3t03.wav

     8:04.06       85391756 B   ---   --   -----    wav  1.0000  gd1973-06-10d3t04.wav

     7:41.56       81452156 B   ---   --   -----    wav  1.0000  gd1973-06-10d3t05.wav

     9:44.14      103050572 B   ---   --   -----    wav  1.0000  gd1973-06-10d3t06.wav

     9:03.40       95879324 B   ---   --   -----    wav  1.0000  gd1973-06-10d4t01.wav

    13:24.49      141940892 B   ---   --   -----    wav  1.0000  gd1973-06-10d4t02.wav

     4:44.15       50132924 B   ---   --   -----    wav  1.0000  gd1973-06-10d4t03.wav

    11:27.03      121193900 B   ---   --   -----    wav  1.0000  gd1973-06-10d4t04.wav

    10:40.56      113027756 B   ---   --   -----    wav  1.0000  gd1973-06-10d4t05.wav

     6:01.51       63800396 B   ---   --   -----    wav  1.0000  gd1973-06-10d4t06.wav

     3:33.18       37615580 B   ---   --   -----    wav  1.0000  gd1973-06-10d4t07.wav

     3:11.66       33847676 B   ---   --   -----    wav  1.0000  gd1973-06-10d4t08.wav

   280:39.48     2970513860 B                            1.0000  (31 files)

Date	User	Comment
Other Sources (comments) DTS Audio 5.1; SBD... (0) flac16; Matrix 3... (0) flac16; Original SBD... (0) flac16; partial Set... (1) flac16; Recording... (1) flac16; Recording... (0) flac16; Source: Sony... (0) SBD MR (10'' reels)> DAT >... (0) Unknown lineage ("typical"... (0)
03/26/2008	dead-head_Monte	I hope you enjoy my tapes. I never taped a show before this weekend. Sat, June 9 was my 1st time. I must confess. With somewhere bet 60,000 and 100,000 music-lovers at these 2 shows with the Allman Bros and the Grateful Dead, I was having second thoughts about getting out of my comfy stadium seating with my taping gear. It was muggy, hot, easily 100 degrees on Saturday. My friend Jay D'elia picked up on my anxiety. He came over and gently pulled on my arm, prompting me to get up from my seat. He led the way and guided me along, as he parted the infield crowd of thousands of dead-heads - just like Moses did in the biblical story. Once we found our FOB sweet spot, I was good-to-go from there. Same FOB on Sunday. All I can tell you is, this weekend was all about THE SOUND SYSTEM. Everything came together for all of us. The vibes were just right. The boys and the sound crew made history. The sound fidelity was the Grateful Dead and Sound Crew's equivalent of landing on the Moon. I thought the boys played well. GD was 8 hour show on Sunday. -- Monte

Entered by	Matt Vernon	Other Sources DTS Audio 5.1; SBD (shn id 89730)... flac16; Matrix 3 Source Mix - SBD (shn... flac16; Original SBD (shnid = 89730)... flac16; partial Set 1 & 2: Recording... flac16; Recording Info: SBD -> Master... flac16; Recording Info: SBD -> Master... flac16; Source: Sony TC 110 cassette... SBD MR (10'' reels)> DAT > CD > EAC > SHN; via... Unknown lineage ("typical" but not necessarily...
Checksums	- ffp - flac-md5 -
Disc Counts	2 / 4
Circ - Added Dates	03/14/2008 - 03/14/2008
Source Summary	flac16; Composite Audience - AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - mixing\speed correction by Kevin Tobin


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