Set I
Acoustic:, Deep Elem Blues, I'm Troubled, Spike Driver Blues, Short Life Of Trouble, Two Soldiers, Gone Home*, Diamond Joe, Been All Around This World, Drifting Too Far From The Shore, Ripple, I'm Ragged But I'm Right
Set II
Electric:, Get Out Of My Life Woman, Knockin' On Heaven's Door, Dear Prudence, Crazy Love, Evangeline, The Night They Drove Old Dixie Down, My Sisters And Brothers, Midnight Moonlight, E: That Lucky Old Sun
Sources
(6350) View Source
Jerry Garca Band: Acoustic and Electric:SBD Master Cass>Sony D5>Cool Edit>CD Wave>SHN
(80043) View Source
JGB, Late Show, Electric Set: Nakamichi CM-300's > Sony WM-D6; Second generation cassette w/Dolby B used for transfer (MAC > C > C) Transfer: 2nd-Gen tape (Maxell XL-II) > Sony TC-D5M (Dolby On) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC, November 2006 by Andrew F.
(138578) View Source
JGAB; flac1644, Late Show Acoustic (partial) SBD repaired, Source: SBD > ID-6350 > SHN > TLH > Wavelab > TLH > FLAC 1644 tagged. See http://db.etree.org/shn/6350 for full details on original source.
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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User (active/rating) |
Media / # |
Show |
Sound |
Details |
DB Source |
User Source |
sean hite (5/0) |
FLAC / 0 |
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View |
80043 |
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Notes: |
80043 JGB, Late Show, Electric Set: Nakamichi CM-300's > Sony WM-D6; Second generation cassette w/Dolby B used for transfer (MAC > C > C) Transfer: 2nd-Gen tape (Maxell XL-II) > Sony TC-D5M (Dolby On) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC, November 2006 by Andrew F. |
Rick Martin (5/5) |
Flac / 1 |
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A |
View |
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Nakamichi CM-300's > Sony WM-D6; Second generation cassette w/Dolby B used for transfer (MAC... |
Notes: |
Late Show, Electric Set |
Gary (5/4.3) |
CDR / 2 |
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View |
6350 |
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Notes: |
PA line feed>D5>CM>CD Early show Acoustic & Electric. Late show Acoustic |
Jason (5/4.8) |
CDR / 1 |
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View |
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SBD Master Cass > Sony D5 > Cool Edit > WAV |
Notes: |
late acoustic set |
niccolo mugnaioni (5/5) |
cdr / 1 |
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View |
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aud>dat>cdr |
Notes: |
disc1/set1:how sweet it is to be loved by you(7:27),i shall be released(8:17),run for the roses(6:03),like a road(8:33),the harder they come(10:41),gomorrah(6:24),tangled up in blue(9:56).
Early Show. |
Tim Durand (5/5) |
CD-R / 2 |
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View |
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Michael Drayer (5/5) |
SHN / 2 |
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View |
6350 |
SBD Master Cass>Sony D5>Cool Edit>CD Wave>SHN |
Timothy Henningsen (5/5) |
wav / 2 |
A |
A |
View |
6350 |
SBD Master Cass > Sony D5 > Cool Edit > CD Wave |
gottrade (5/5) |
/ 1 |
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A |
View |
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chris p (5/5) |
/ 2 |
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View |
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Notes: |
acoustic/electric
early show w/ late show acoustic set as filler
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Jay Thomson (5/4.9) |
SHN / 2 |
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View |
6350 |
SBD Master Cass>Sony D5>Cool Edit>CD Wave>SHN |
martin rordam (5/5) |
SHN / 2 |
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View |
6350 |
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Notes: |
Acoustic and Electric:SBD Master Cass>Sony D5>Cool Edit>CD Wave>SHN |
Steven Wein (5/5) |
CDR / 2 |
A |
A |
View |
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SBD |
Notes: |
MY DISCS CONTAIN BOTH SETS OF THE EARLY SHOW AND PART OF THE ACOUSTIC SET OF THE LATE SHOW/AWESOME SHOW/SETLIST/PERFORMANCE/GREAT SOUND |
Collins Nance (5/2) |
CDR / 2 |
A |
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View |
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Mike (Fillinfriend) (5/5) |
CDR / 2 |
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View |
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katy miller (5/5) |
shn / 2 |
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View |
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Jared (5/0) |
SHN / 0 |
A |
A+ |
View |
6350 |
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Jimmy Cronk (5/5) |
cdr/shn / 2 |
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View |
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Notes: |
2 SHNs, SBD Master Cass>Sony D5>Cool Edit>CD Wave>SHN |
Saint Steven (5/0) |
Analog / 0 |
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View |
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Notes: |
All of the Early
Acoustic Set |
jeff mcdearmon (5/5) |
CDR / 2 |
A |
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View |
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SBD |
IAN (5/0) |
CD-R / 3 |
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View |
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Notes: |
HAVE DISC 2 AND 3 ONLY |
Colin Williams (5/4.8) |
/ 2 |
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View |
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SBD Master Cass>Sony D5>Cool Edit>CD Wave>SHN |
Notes: |
Both Sets Early show and partial Accustic Set Late Show (abruptly cut) |
clint (5/5) |
Audio / 2 |
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View |
6350 |
SBD Master Cass>Sony D5>Cool Edit>CD Wave>SHN |
Notes: |
SBD Master Cass>Sony D5>Cool Edit>CD Wave>SHN
Acoustic and Electric...
From Etree shns |
Tom Buder (5/5) |
shn / 2 |
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View |
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SBD Master Cass>Sony D5>Cool Edit>CD Wave>SHN |
Notes: |
Both Sets Early show and partial Accustic Set Late Show
Have all of early show and most of late show accustic.
Only mono recording because Dano and friend were able
to tap into a line feed until caught during late accustic
set where they had to stop abrubtly. |
ALAN DOUGLAS (5/3.9) |
/ 1 |
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View |
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Matt (5/0) |
CDR / 2 |
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A- |
View |
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SBD Master Cass>Sony D5>Cool Edit>CD Wave>SHN |
Notes: |
10/21/87 Both Sets Early show and partial Accustic Set Late Show
cd1 (Requires 80 minute cd)
(Early show - Acoustic Set 9 songs)
Blue Yodel No. 9 (Standing On The Corner) 05:43
Spike Driver Blues 06:45
I've Been All Around This World 05:39
I'm Troubled 04:49
Drifting Too Far 04:11
If I Lose 02:33
Troubled In Mind 05:37
Gone Home 04:59
Ragged But Right 04:18
(Late show - Partial Acoustic Set 7 songs)
Deep Elem Blues 06:42
I'm Troubled 04:28
Spike Driver Blues 06:57
Short Life Of Trouble 04:08
Two Soldiers 04:31
Gone Home 04:02
Band Introduction 01:03
Diamond Joe// 01:35
cd2 (Early show - Electric set)
How Sweet It Is To Be Loved By You 07:27
I Shall Be Released 08:17
Run For The Roses 06:03
Like A Road 08:33
The Harder They Come 10:41
Gomorrah > 06:24
Tangled Up In Blue 10:02
SBD Master Cass>Sony D5>Cool Edit>CD Wave>SHN
Have all of early show and most of late show acoustic. Only mono recording because Dano and friend were able to tap into a line feed until caught during late acoustic set where they had to stop abruptly.
From Dan Cole's collection of JGB cassettes. He was using a Sony D5 recorder at the time to record his Master Cassette from the line feed. I recorded directly from his master tape to my computer using Cool Edit, divided the tracks using CD Wave and then converted to SHN before recording my copy onto cd.
Dan had this to say about recording this show:
"JGB Lunt-Fontanne Once again I headed to New York City without any tickets. I was waiting online for tickets opening night when I noticed a rather attractive lady walking out of the venue. (starting to sound a bit like a penthouse letter all of a sudden, yeah? not that i've ever read those of course... mike) I approached her and asked her if she knew if there were going to be any tickets on sale. She told me that she was a friend of Jerry's and that she would be coming out with Jerry's unclaimed comp tickets before each show. I told her that I was in town for the duration and needed tickets for each show. She said she this wasn't a problem and that she would give me first crack at any extras. This was really cool because every seat she had was either a box seat or in the first 3 rows. The first nights stealth taping went real well, we had enough people around us to conceal everything. Jerry and the venue had a no tolerance taping policy for these shows anticipating a future album release. We did notice about a dozen tapers get kicked out the first night.
The Board Tapes
The theater had a sitting room downstairs that had speakers set up.
I had noticed some tapers hanging out downstairs who had spliced into the speaker wires. They were sending the amplified signals straight into their decks. It was from these guys that the 10-17-87 tapes came from. On the afternoon of the 21st I tried this method myself and walked away with a pretty good tape. The evening of the 21st we met up with the guys who made the tapes from the 17th and we all patched together into the speaker wires. About 3/4 of the way through the first set we noticed Bill Graham checking out the speaker wires and headed directly for us. I have never seen so many tapers scramble so fast. I grabbed my deck and headed upstairs and started dancing with the crowd hanging out in the back. Meanwhile, the Goon Squad had grabbed my buddy Rob and were dragging him upstairs towards the door to be kicked out. This was rather sad because it was Rob's Birthday. I didn't see Rob again until the second song of the second set. He returned with an incredible story about how had climbed up to a ventilation chute, slid down an air shaft into the underground tunnels that connect the Broadway theaters. He went through a door into a hallway that led to Jerry's dressing room. They accidentally woke up a security guard who thought they had snuck in from the show and he proceeded to escort them back into the theater. Needless to say, the speakers downstairs were shut off for the
remainder of the Lunt-Fontanne run.."
Early show. Jerry Garcia Acoustic Band. Jerry Garcia, John Kahn, David
Kemper, David Nelson, Sandy Rothman
|
Super Freak (5/0) |
CDR(DAO) / 2 |
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A+ |
View |
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sbdmaster cass>Sony D5>CoolEdit>cdwav>shn |
Super Freak (5/0) |
CDR(DAO) / 2 |
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A+ |
View |
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sbdmaster cass>Sony D5>CoolEdit>cdwav>shn |
Chris Masciangelo (4/4) |
CDR / 2 |
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View |
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Notes: |
early show & partial late show |
Brad Foster (4/4.9) |
FLAC / 1 |
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|
View |
|
Nakamichi CM-300's > Sony WM-D6 > MAC > C > C |
Notes: |
Late show, electric set |