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Set I
Acoustic:, Deep Elem Blues, I'm Troubled, Spike Driver Blues, Blue Yodel No. 9 (Standing On The Corner), Short Life Of Trouble, If I Los
Set II
Electric:, How Sweet It Is To Be Loved By You, Forever Young, Stop That Train, Think, Mission In The Rain, The Harder They Come*, When I Paint My Masterpiece**-> Deal*, E: All Along The Watchtower** *** ****
Set III
Comment
Late show. Jerry Garcia Acoustic Band/Jerry Garcia Band: Jerry Garcia, John Kahn, David Kemper, David Nelson, Sandy Rothman. *=w/Bob Weir. **=w/Bob Weir vocals, ***=first time played, ****=only time played. "Ain't No Lie" dedicated to Elizabeth Cotton, who wrote it.
Last Changed By
System
Sources
(15616) View Source
JGAB: MISLABEL OF 10/28/87 matinee acoustic set (sbd), should not be further propagated.
(25751) View Source
JGB & JGAB, Early Show: Sony ECM-939LT stereo mic (center orchestra, ca. 15th row) > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette tape, Dolby Off for recording and playback; Transfer playback on Nakamichi MR-2 > Tascam CDRW-700 > EAC > SHN.
(80295) View Source
JGB, Early Show: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.
(80337) View Source
JGB-JGAB, late show: Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC (level 8). Electric set: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Acoustic recording remastered version of previously circulating shnid=15616. Electric band analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.
(15616) View Source
JGAB: MISLABEL OF 10/28/87 matinee acoustic set (sbd), should not be further propagated.
(25751) View Source
JGB & JGAB, Early Show: Sony ECM-939LT stereo mic (center orchestra, ca. 15th row) > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette tape, Dolby Off for recording and playback; Transfer playback on Nakamichi MR-2 > Tascam CDRW-700 > EAC > SHN.
(80295) View Source
JGB, Early Show: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.
(80337) View Source
JGB-JGAB, late show: Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC (level 8). Electric set: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Acoustic recording remastered version of previously circulating shnid=15616. Electric band analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| MyLibbyDog (5/4.8) | / 1 | A+ | A+ | View | ||
| Notes: | Nice Soundboard | |||||
| sean hite (5/0) | SHN / 0 | View | 15616 | |||
| Notes: | 15616 JGAB: MISLABEL OF 10/28/87 matinee acoustic set (sbd), should not be further propagated. | |||||
| Rick Martin (5/5) | Flac / 2 | A- | View | Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC... | ||
| Notes: | Complete Late Show | |||||
| Jason (5/4.8) | CDR / 2 | View | Set I: SBD > DAT > CDR, Set II: Stealth Nak300s, orchestra > D5 > MAC > C1 >... | |||
| Notes: | with bob weir(only watchtower) | |||||
| molexn (5/5) | audio cdr / 4 | View | ||||
| Jeff Schlingbaum (5/5) | CDR / 2 | B+ | View | SBD/AUD | ||
| John Sherwood (5/0) | CD-R / 1 | View | AUD | |||
| Notes: | ACOUSTIC/LATE | |||||
| Ptcrpt (5/0) | SHN / 2 | View | 25751 | |||
| Steve Sears (5/0) | SHN / 1 | View | 15616 | |||
| Jared Rosoff (5/1.5) | cdr / 1 | A | View | 15616 | Audience(mics unknown)>DAT>CDR>WAV>SHN | |
| Notes: | Audience(mics unknown)>DAT>CDR>WAV>SHN | |||||
| Tony Handmaker (5/5) | SHN / 1 | View | 15616 | |||
| Notes: | Audience(mics unknown)>DAT>CDR>WAV>SHN | |||||
| Turk (5/5) | CDR / 1 | B | View | |||
| Notes: | * | |||||
| Mike Stocks (5/0) | / 1 | A+ | View | SBD | ||
| Mike Stocks (5/0) | / 1 | A+ | View | SBD | ||
| Brad Foster (4/4.9) | FLAC / 2 | View | (Acoustic) SBD > DAT > CDR > EAC > WAV > Wavelab > WAV > FLAC (Electric)... | |||
| Notes: | Late show; Acousic and Electric sets. | |||||
| Bruce O'Neil (4/0) | shn / 0 | View | 25751 | aud | ||
| Notes: | jgb87-10-25early.25751.sbeok.shnf | |||||
| Bruce O'Neil (4/0) | shn / 0 | View | 15616 | aud | ||
| Notes: | jgb1987-10-25.daud.unk.15616.shnf | |||||
| Bruce O'Neil (4/0) | flac / 0 | View | 80295 | aud | ||
| Notes: | jgb1987-10-25.early.nak300.green_mtn_bros.80295.flac16 | |||||
| Bruce O'Neil (4/0) | flac / 0 | View | 80337 | aud | ||
| Notes: | jgab&jgb1987-10-25_late.sbd-nak300.green_mtn_bros.80337.flac16 | |||||
| mike west (4/5) | SHN / 1 | View | 15616 | |||
| Notes: | AUD / SBD ? | |||||
| chris (4/5) | cdr / 2 | A | View | |||
| blake (4/0) | cdr / 2 | View | ||||
| Scott M (4/0) | cdr / 1 | View | ||||
| Rob Heros (4/0) | CDR / 1 | A+ | View | SBD | ||
| Jeff Hyman (3/5) | cdr / 2 | A | View | aud | ||
| Notes: | Late show | |||||
| timmy b (3/5) | cdr / 1 | View | 80295 | |||
| Carl (3/0) | CD-R / 2 | View | 80337 | Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC... | ||
| zowie (3/5) | cd / 2 | View | 80337 | sdb/aud | ||
| Michael Wilkins (3/0) | CDR / 1 | View | ||||
| Notes: | Early Show | |||||
| Pierluigi Tomaselli (3/5) | cd / 1 | View | ||||
| Notes: | Late show | |||||