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Set I
How Sweet It Is To Be Loved By You
Stop That Train
Forever Young
Run For The Roses
Like A Road
My Sisters And Brothers
Deal
Stop That Train
Forever Young
Run For The Roses
Like A Road
My Sisters And Brothers
Deal
Set II
The Harder They Come
Mission In The Rain
That's What Love Will Make You Do
Second That Emotion
Waiting For A Miracle
Don't Let Go >
Lonesome And A Long Way From Home
Mission In The Rain
That's What Love Will Make You Do
Second That Emotion
Waiting For A Miracle
Don't Let Go >
Lonesome And A Long Way From Home
Set III
Comment
Jerry Garcia Band, with Clarence Clemons.
Last Changed By
Joe Jupille
Sources
(8295) View Source
MAC > DAT > CDR > EAC > SHN
(25626) View Source
Jerry Garcia Band: Realistic Stereo Mic on stand > Realistic Mixer > Sony Recorder; Master cassettes were transfered to Hi-Fi VHS circa 1990; Transfer: VHS > M-Audio Delta Audiophile/Audacity > Wav > shn32.
(84359) View Source
JGB: 2 Nakamichi CM-100 Mics, CP-1 capsules>Sony D-6 analog tape recorder (FOB inside Pavilion - Alpine Valley Dead Center); Transfer/mastering: Nak MR-1 -> Behringer Ultra-DI Pro DI800 -> Behringer Ultramizer Pro DSP-1424P -> (2) Presonus EQ3B Parametric EQ's -> Behringer Composer Pro-XL: side chain loop Behringer Ultragraph Pro FBQ1502: -> Behringer Ultraflex Pro EX3200 -> Presonus Blue Tube Pre-amp -> BBE 882i -> dbx 231 EQ -> Behringer Ultramatch Pro SRC2496 -> Apogee SPDIF -> M-Audio 1010LT -> Wavelab @ 24/96 (fixed pops, dropouts, fades at flips, limited noise reduction, L3 to 16/44). Compression/checks: Flac Frontend L8 -> Traders Little Helper (sbe check, ffp, md5's) taped by Greg Holtz
(99084) View Source
JGB: Greg Holtz, Nak CM-100s with CP-1 cardiod caps > Sony WMD-6C; Transfer: By JAZ, Master Cassettes (Maxell MX90) Tascam 112 > Korg MR-1, 1bit 2.8MHz > USB > Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD Technology > R8brainPro for SRC 16/44.1KHz -> Traders Little Helper flac8.
(118330) View Source
JGB; flac1644; Master audience recording by SJ. 2x Audio Technica ATR-35 mics > Sony PC-39 > Sony WM-D6C (2x Maxell MX-90); Transfer: Master tapes > Harmon Kardon TD-302, heads aligned to tape > Zoom H2 wav recorder @16/44.1 > SDHD > tracking and editing w/wavepad > flac and checksums w/traderslittlehelper Analog > digital transfer by arfarf.
(141680) View Source
JGB; flac24; s2; Tom Markson's Sony ECM-909-> Sony D6C-> XLII Master Cassette; Mastered: XLII Master Cassette-> Nakamichi 7a-> Denon ADC 24bit@48khz-> Wavelab-> WAV-> FLAC24
(141874) View Source
JGB; flac16; s2; Tom Markson's Sony ECM-909-> Sony D6C-> XLII Master Cassette; Mastered: XLII Master Cassette-> Nakamichi 7a-> Denon ADC 24bit@48khz-> Wavelab-> WAV-> FLAC24
(142021) View Source
JGB; flac16; Source: Crown PZM180’s (Hemispherical Omni’s) > Marantz PMD430; Location: 1/3 Up Lawn, In-Line w/ Meyer Sound MSL-3 Right Side Pavilion Delay Array; Conversion: PMD430 > Foster D5 > Canare AES > Motu Traveler > FW > MacBook Pro; Processing/Edits: Peak Pro (ID’s & Fades) > XACT (flac Level 8); Recorded By: Ted C. & Nat F. Upped: By Ted C.
(8295) View Source
MAC > DAT > CDR > EAC > SHN
(25626) View Source
Jerry Garcia Band: Realistic Stereo Mic on stand > Realistic Mixer > Sony Recorder; Master cassettes were transfered to Hi-Fi VHS circa 1990; Transfer: VHS > M-Audio Delta Audiophile/Audacity > Wav > shn32.
(84359) View Source
JGB: 2 Nakamichi CM-100 Mics, CP-1 capsules>Sony D-6 analog tape recorder (FOB inside Pavilion - Alpine Valley Dead Center); Transfer/mastering: Nak MR-1 -> Behringer Ultra-DI Pro DI800 -> Behringer Ultramizer Pro DSP-1424P -> (2) Presonus EQ3B Parametric EQ's -> Behringer Composer Pro-XL: side chain loop Behringer Ultragraph Pro FBQ1502: -> Behringer Ultraflex Pro EX3200 -> Presonus Blue Tube Pre-amp -> BBE 882i -> dbx 231 EQ -> Behringer Ultramatch Pro SRC2496 -> Apogee SPDIF -> M-Audio 1010LT -> Wavelab @ 24/96 (fixed pops, dropouts, fades at flips, limited noise reduction, L3 to 16/44). Compression/checks: Flac Frontend L8 -> Traders Little Helper (sbe check, ffp, md5's) taped by Greg Holtz
(99084) View Source
JGB: Greg Holtz, Nak CM-100s with CP-1 cardiod caps > Sony WMD-6C; Transfer: By JAZ, Master Cassettes (Maxell MX90) Tascam 112 > Korg MR-1, 1bit 2.8MHz > USB > Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD Technology > R8brainPro for SRC 16/44.1KHz -> Traders Little Helper flac8.
(118330) View Source
JGB; flac1644; Master audience recording by SJ. 2x Audio Technica ATR-35 mics > Sony PC-39 > Sony WM-D6C (2x Maxell MX-90); Transfer: Master tapes > Harmon Kardon TD-302, heads aligned to tape > Zoom H2 wav recorder @16/44.1 > SDHD > tracking and editing w/wavepad > flac and checksums w/traderslittlehelper Analog > digital transfer by arfarf.
(141680) View Source
JGB; flac24; s2; Tom Markson's Sony ECM-909-> Sony D6C-> XLII Master Cassette; Mastered: XLII Master Cassette-> Nakamichi 7a-> Denon ADC 24bit@48khz-> Wavelab-> WAV-> FLAC24
(141874) View Source
JGB; flac16; s2; Tom Markson's Sony ECM-909-> Sony D6C-> XLII Master Cassette; Mastered: XLII Master Cassette-> Nakamichi 7a-> Denon ADC 24bit@48khz-> Wavelab-> WAV-> FLAC24
(142021) View Source
JGB; flac16; Source: Crown PZM180’s (Hemispherical Omni’s) > Marantz PMD430; Location: 1/3 Up Lawn, In-Line w/ Meyer Sound MSL-3 Right Side Pavilion Delay Array; Conversion: PMD430 > Foster D5 > Canare AES > Motu Traveler > FW > MacBook Pro; Processing/Edits: Peak Pro (ID’s & Fades) > XACT (flac Level 8); Recorded By: Ted C. & Nat F. Upped: By Ted C.
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| BudChief (5/5) | cdr / 2 | View | ||||
| Jack Warner (5/5) | FLAC2448 / 0 | View | 141680 | MAC>FLAC | ||
| Notes: | Jerry Garcia Band. Set 2 | |||||
| Brian Donohue (5/5) | / 0 | View | 141680 | JGB; flac24; s2; Tom Markson's Sony ECM-909-> Sony D6C-> XLII Master Cassette | ||
| Notes: | 24 bit | |||||
| Mat Brewster (5/5) | FLAC / 2 | View | Source: Crown PZM180’s (Hemispherical Omni’s) > Marantz PMD430 Location: 1/3 Up Lawn,... | |||
| Mat Brewster (5/5) | FLAC / 2 | View | 8295 | |||
| Born Cross Eyed (5/5) | FLAC / 1 | View | 8295 | |||
| Notes: | Aud - Unknown | |||||
| Born Cross Eyed (5/5) | FLAC / 1 | View | 84359 | |||
| Notes: | Aud - Holtz | |||||
| Born Cross Eyed (5/5) | FLAC / 1 | View | 118330 | |||
| Notes: | Aud - SJ | |||||
| Jeff Mitchell (5/0) | / 0 | View | 84359 | |||
| Jeff Mitchell (5/0) | / 0 | View | 8295 | |||
| Jeff Mitchell (5/0) | / 0 | View | 25626 | |||
| Jeff Mitchell (5/0) | / 0 | View | 118330 | |||
| Jon Pavuk (5/4.3) | FLAC / 2 | A | B+ | View | 84359 | 2 Nakamichi CM-100 Mics, CP-1 capsules>Sony D-6 analog tape recorder (FOB inside Pavilion -... |
| thrak (5/5) | shn / 2 | View | 8295 | MAC > DAT > CDR > EAC > SHN | ||
| thrak (5/5) | flac / 2 | View | 84359 | JGB: 2 Nakamichi CM-100 Mics, CP-1 capsules>Sony D-6 analog tape recorder (FOB inside Pavilion... | ||
| thrak (5/5) | shn / 2 | View | 25626 | Jerry Garcia Band: Realistic Stereo Mic on stand > Realistic Mixer > Sony Recorder; Master... | ||
| Murphy (5/5) | .shn / 2 | View | 8295 | |||
| wrs2lig (5/0) | / 0 | View | 8295 | |||
| wrs2lig (5/0) | / 0 | View | 25626 | |||
| wrs2lig (5/0) | / 0 | View | 84359 | |||
| dann (5/5) | shn / 0 | View | 8295 | |||
| Notes: | 901 mb | |||||
| dann (5/5) | shn / 0 | View | 25626 | |||
| Notes: | 959 mb | |||||
| dann (5/5) | flac / 0 | View | 84359 | |||
| Notes: | 929 mb | |||||
| Jason Westerfeld (5/4.9) | shn / 2 | View | 8295 | MAC > DAT > CDR | ||
| captain_trip_420 (5/0) | / 2 | View | 8295 | AUD | ||
| Notes: | MAC > DAT > CDR > EAC > SHN | |||||
| captain_trip_420 (5/0) | / 2 | View | 84359 | FOB | ||
| Notes: | 2 Nakamichi CM-100 Mics, CP-1 capsules>Sony D-6 analog tape recorder (FOB inside Pavilion - Alpine Valley Dead Center) | |||||
| captain_trip_420 (5/0) | / 2 | View | 25626 | AUD | ||
| Notes: | Realistic Stereo Mic on stand > Realistic Mixer > Sony Recorder; Master cassettes were transfered to Hi-Fi VHS circa 1990; Transfer: VHS > M-Audio Delta Audiophile/Audacity > Wav > shn32. | |||||
| captain_trip_420 (5/0) | / 2 | View | 84359 | FOB | ||
| Notes: | 2 Nakamichi CM-100 Mics, CP-1 capsules>Sony D-6 analog tape recorder (FOB inside Pavilion - Alpine Valley Dead Center); Transfer/mastering: Nak MR-1 -> Behringer Ultra-DI Pro DI800 -> Behringer Ultramizer Pro DSP-1424P -> (2) Presonus EQ3B Parametric EQ's -> Behringer Composer Pro-XL: side chain loop Behringer Ultragraph Pro FBQ1502: -> Behringer Ultraflex Pro EX3200 -> Presonus Blue Tube Pre-amp -> BBE 882i -> dbx 231 EQ -> Behringer Ultramatch Pro SRC2496 -> Apogee SPDIF -> M-Audio 1010LT -> Wavelab @ 24/96 (fixed pops, dropouts, fades at flips, limited noise reduction, L3 to 16/44). Compression/checks: Flac Frontend L8 -> Traders Little Helper (sbe check, ffp, md5's) taped by Greg Holtz | |||||
| RamblinBear (5/0) | DVD / 1 | View | 25626 | Jerry Garcia Band: Realistic Stereo Mic on stand > Realistic Mixer > Sony Recorder; Master... | ||
| Notes: | .25626. | |||||
| RamblinBear (5/0) | DVD / 1 | View | 8295 | MAC > DAT > CDR > EAC > SHN | ||
| Notes: | .8295. | |||||