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Set I
Chalk Dust Torture, Bathtub Gin, Ya Mar, AC/DC Bag > Esther, The Divided Sky, Halley's Comet > David Bowie
Set II
Split Open And Melt, Sparkle > Free, The Squirming Coil, Waste*, Talk*, Train Song*, Strange Design*, Hello My Baby^, Mike's Song > Simple > Contact > Weekapaug Groove
Set III
Makisupa Policeman > Also Sprach Zarathustra > Down With Disease > NICU, Life On Mars > Harry Hood#
E: Amazing Grace^
E: Amazing Grace^
Comment
The Clifford Ball
* - Page On A Smaller Piano, Trey On Acoustic Guitar, Mike On Electric Bass & Fishman On A Smaller Drum Set
^ - A cappella
# - w/ Fireworks
* - Page On A Smaller Piano, Trey On Acoustic Guitar, Mike On Electric Bass & Fishman On A Smaller Drum Set
^ - A cappella
# - w/ Fireworks
Last Changed By
STLBlues
Sources
(636) View Source
DSBD -> CD-R except for SOAMelt (DAUD), which was cut from the original? DSBD; includes flatbed jam [not sure if same source]; [AUD also circ by itself?]
(3283) View Source
SBD > DAT > CDR > EAC > SHN
(12457) View Source
SBD > DAT; (SOAM Sources: AUD SHN); Tascam DA40 @48kHz > REBA > Wavelab 4.0e > WAV > CDWav > SHNv3
(27002) View Source
AKG C568 EB > Aerco preamp; SONY PCM-500 > Tascam CDRW700 > CDR (master) > EAC > FLAC
(32540) View Source
FOB AKG 460B/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz; Sony PCM-R500 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Tapeded by Dave Flaschner; Transferred by Jason Sobel
(34812) View Source
SBD + AUD Matrix Mix (65%-SBD/35%-AUD) - (NOTE: both 16 bit / 44.1 kHz & 24 bit / 48 kHz versions are available)
(76994) View Source
DTS 5.1 Audio CD (DSBD + AKG 460B/ck61 mix)
(95358) View Source
(FOB) Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Sony TCD-D10 pro II (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > Samplitude SE v9.1.1 (fades, patch, volume adjustments, resample to 44.1 kHz, track splits) > FLAC v1.2.1 (Level 8); Taped by Eliot Byron; Transferred by Jason Sobel
(101557) View Source
B&K 4021 > EAA PSP-2 > Tascam DA-P1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.98 > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8); Taped by Eric Vandercar; Patch-taped by Lenny Stubbe; Transferred by Jason Sobel
(113413) View Source
B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro (48 kHz); Tascam DA-20mkII > Tascam HD-P2 > r8brain (16/48 > 16/44) > CD Wave > FLAC; Taped by Mark Lamke; Transferred by Terry Watts
(130461) View Source
flac16 48kHz Set 1 & 3; Nakamichi CM700 shotguns > D6; Cass/1(from Master) > Yamamha KX530 > Tascam DR-100 MKII @ 16/48; 16/48 wav > Audacity > xACT (FLAC/TAG); Taped by Steve Baker; Transferred by DiGiHoArDeRs
(132387) View Source
flac16, 48kHz; B&K 4021 > EAA PSP-2 > Tascam DA-P1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > SDHC card > usb 2.0 > pc > CD Wave v1.98 (track splits) > Samplitude SE v9.1.1 (fades) > FLAC v1.3.1 (Level 8); Taped by Eric Vandercar; Patch-taped by Lenny Stubbe; Transferred by Jason Sobel
(138734) View Source
flac16 48khz source: (FOB) Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Sony TCD-D10 pro II (@ 48 kHz) (mics were ORTF) transfer: Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > Samplitude SE v9.1.1 (fades, patch, volume adjustments, track splits) > FLAC v1.2.1 (Level 8) FLAC tags added with metaflac v1.2.1 recorded by Eliot Byron, transferred by Jason Sobel ([email protected]). These 48 kHz files are identical copies of the original DAT recording (except where patched). A 44.1 kHz version for CD listening is also available.
(636) View Source
DSBD -> CD-R except for SOAMelt (DAUD), which was cut from the original? DSBD; includes flatbed jam [not sure if same source]; [AUD also circ by itself?]
(3283) View Source
SBD > DAT > CDR > EAC > SHN
(12457) View Source
SBD > DAT; (SOAM Sources: AUD SHN); Tascam DA40 @48kHz > REBA > Wavelab 4.0e > WAV > CDWav > SHNv3
(27002) View Source
AKG C568 EB > Aerco preamp; SONY PCM-500 > Tascam CDRW700 > CDR (master) > EAC > FLAC
(32540) View Source
FOB AKG 460B/ck61 > Sonosax SX-M2 > Tascam DA-P1 @48kHz; Sony PCM-R500 > M-Audio MicroTrack > CF Card > WaveLab 5.01b (48>44.1kHz) > CDWav > FLAC; Tapeded by Dave Flaschner; Transferred by Jason Sobel
(34812) View Source
SBD + AUD Matrix Mix (65%-SBD/35%-AUD) - (NOTE: both 16 bit / 44.1 kHz & 24 bit / 48 kHz versions are available)
(76994) View Source
DTS 5.1 Audio CD (DSBD + AKG 460B/ck61 mix)
(95358) View Source
(FOB) Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Sony TCD-D10 pro II (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > Samplitude SE v9.1.1 (fades, patch, volume adjustments, resample to 44.1 kHz, track splits) > FLAC v1.2.1 (Level 8); Taped by Eliot Byron; Transferred by Jason Sobel
(101557) View Source
B&K 4021 > EAA PSP-2 > Tascam DA-P1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.98 > Samplitude SE v9.1.1 (fades) > FLAC v1.2.1 (Level 8); Taped by Eric Vandercar; Patch-taped by Lenny Stubbe; Transferred by Jason Sobel
(113413) View Source
B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro (48 kHz); Tascam DA-20mkII > Tascam HD-P2 > r8brain (16/48 > 16/44) > CD Wave > FLAC; Taped by Mark Lamke; Transferred by Terry Watts
(130461) View Source
flac16 48kHz Set 1 & 3; Nakamichi CM700 shotguns > D6; Cass/1(from Master) > Yamamha KX530 > Tascam DR-100 MKII @ 16/48; 16/48 wav > Audacity > xACT (FLAC/TAG); Taped by Steve Baker; Transferred by DiGiHoArDeRs
(132387) View Source
flac16, 48kHz; B&K 4021 > EAA PSP-2 > Tascam DA-P1 > Tascam DA-P1 (@ 48 kHz); Tascam DA-20mkII > Marantz PMD-661 > SDHC card > usb 2.0 > pc > CD Wave v1.98 (track splits) > Samplitude SE v9.1.1 (fades) > FLAC v1.3.1 (Level 8); Taped by Eric Vandercar; Patch-taped by Lenny Stubbe; Transferred by Jason Sobel
(138734) View Source
flac16 48khz source: (FOB) Schoeps mk4 > kc5 > cmc5 > Sonosax SX-M2 > Sony TCD-D10 pro II (@ 48 kHz) (mics were ORTF) transfer: Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > Samplitude SE v9.1.1 (fades, patch, volume adjustments, track splits) > FLAC v1.2.1 (Level 8) FLAC tags added with metaflac v1.2.1 recorded by Eliot Byron, transferred by Jason Sobel ([email protected]). These 48 kHz files are identical copies of the original DAT recording (except where patched). A 44.1 kHz version for CD listening is also available.
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| John Farnsworth (2/0) | CDR / 3 | B+ | A | View | 636 | DSBD>DAT>CD-R>EAC>SHN (Digital Clone) |
| Notes: | DSBD>DAT>CD-R>EAC>SHN (Digital Clone) | |||||
| RYAN BUSHEY (2/0) | TAPE / 3 | A | View | |||
| Notes: | CLIFFORD BALL DAY 1 | |||||
| Keenan (2/0) | / 4 | A | View | 3283 | SBD>DAT>CD-R>EAC>SHN (Digital Clone) | |
| Notes: | SHN's Also Available | |||||
| Chris Chandler (2/0) | shn / 3 | View | SBD>DAT>CD-R>EAC>SHN (Digital Clone) | |||
| Notes: | Phish 8-16-96 Clifford Ball Plattsburgh AFB Plattsburgh, NY Source SBD>DAT>CD-R>EAC>SHN (Digital Clone) Discs:4 Disc 1: Set 1: 1. Chalkdust Torture (7:05) 2. Bathtub Gin (10:29) 3. Ya Mar (8:51) 4. AC/DC Bag (9:11) 5. Esther (9:07) 6. Divided Sky (16:37) Disc 2: 1. Halley's Comet (7:36) 2. David Bowie (12:05) Set 2: 3. Split Open & Melt (13:52) 4. Sparkle (3:50) 5. Free (8:45) 6. The Squirming Coil (10:46) 7. Waste (4:41) Disc 3: 1. Talk* (4:13) 2. Train Song* (3:14) 3. Strange Design* (4:01) 4. Ragtime Gal* (1:33) 5. Mike's Song> (15:56) 6. Simple> (6:01) 7. Contact> (6:10) 8. Weekapaug Groove (9:53) *=acoustic mini-stage setup Disc 4: Set 3: 1. Makisupa Policeman> (8:06) 2. Also Sprach Zarathustra> (6:28) 3. Down With Disease> (15:19) 4. NICU (5:19) 5. Life On Mars (3:21) 6. Harry Hood (13:33) 7. Fireworks Jam (6:44) 8. E: Amazing Grace (1:58) | |||||
| Iain Gray (2/0) | CDR / 4 | View | DSBD | |||
| D.J. (2/0) | Audio / 4 | A+ | View | 636 | ||
| Dave Miller (2/0) | shn / 4 | View | 3283 | |||
| Barry Strudwick (2/0) | / 0 | View | ||||
| Burl Carter (2/0) | cd-r / 4 | A+ | View | |||
| Notes: | Clifford Ball-SBD | |||||
| pedritonaz (2/0) | CDR/SHN / 4 | A+ | A | View | 3283 | |
| Jason Brantley (2/5) | CDR / 4 | A | View | Source SBD>DAT>CD-R>EAC>SHN (Digital Clone) | ||
| pat bergschneider (2/5) | SHN / 3 | View | 3283 | SBD>DAT>CD-R>EAC>SHN (Digital Clone) | ||
| Notes: | SBD>DAT>CD-R>EAC>SHN (Digital Clone) | |||||
| Lucas Lorenz (2/5) | shn / 3 | View | 3283 | |||
| Mark Maras (2/5) | SHN / 3 | View | ||||
| Luann Rudolph (2/0) | shn / 3 | View | SBD>DAT>CD-R>EAC>SHN (Digital Clone) | |||
| Mike Niven (2/5) | SHN / 3 | A | View | 3283 | DSBD (see SHN link for details) | |
| Notes: | Billed as SBD > DAT, but has to be an FM | |||||
| Jeff Martin (2/0) | CD / 4 | A+ | A- | View | DSBD -> CD-R | |
| Notes: | - DSBD -> CD-R except for SOAMelt (DAUD), which was cut from the original DSBD. | |||||
| t. slabach (2/5) | shn / 4 | View | ||||
| RicK (2/5) | SHN / 3 | A+ | View | 3283 | ||
| C. Wimpelmann (2/5) | CDR / 4 | A+ | View | SBD>DAT>CD-R>EAC>SHN (Digital Clone) | ||
| Notes: | 3rd set is unreal. | |||||
| MIKE CUTTONE (2/0) | CDR / 4 | A | A | View | CDR | |
| Notes: | tao NOT TRADEABLE | |||||
| Sloan Ozanne (2/0) | shn / 3 | A | View | SBD>DAT>CD-R>EAC>SHN (Digital Clone) | ||
| will reed (2/4) | CD-R SHN format / 3 | View | SBD>DAT>CD-R>EAC>SHN (Digital Clone) Discs:4 | |||
| Notes: | 8-16-96 Clifford Ball Plattsburgh AFB Plattsburgh NY Source SBD>DAT>CD-R>EAC>SHN (Digital Clone) Discs:4 Disc 1: Set 1: 1. Chalkdust Torture (7:05) 2. Bathtub Gin (10:29) 3. Ya Mar (8:51) 4. AC/DC Bag (9:11) 5. Esther (9:07) 6. Divided Sky (16:37) Disc 2: 1. Halley's Comet (7:36) 2. David Bowie (12:05) Set 2: 3. Split Open & Melt (13:52) 4. Sparkle (3:50) 5. Free (8:45) 6. The Squirming Coil (10:46) 7. Waste (4:41) Disc 3: 1. Talk* (4:13) 2. Train Song* (3:14) 3. Strange Design* (4:01) 4. Ragtime Gal* (1:33) 5. Mike's Song> (15:56) 6. Simple> (6:01) 7. Contact> (6:10) 8. Weekapaug Groove (9:53) *=acoustic mini-stage setup Disc 4: Set 3: 1. Makisupa Policeman> (8:06) 2. Also Sprach Zarathustra> (6:28) 3. Down With Disease> (15:19) 4. NICU (5:19) 5. Life On Mars (3:21) 6. Harry Hood (13:33) 7. Fireworks Jam (6:44) 8. E: Amazing Grace (1:58) | |||||
| Jamie (2/5) | CDR / 4 | A | A | View | ||
| Elliott Eggleston (2/0) | SHN / 3 | View | 3283 | SBD>DAT>CD-R>EAC>SHN (Digital Clone) | ||
| Curt Richardson (2/0) | cdr / 4 | A+ | View | sbd>dat>cdr | ||
| SuperJam (2/0) | cdr / 4 | A+ | A+ | View | 636 | DSBD>DAT>CD |
| Notes: | Clifford Ball Day 1 | |||||
| Craig Verron (2/1) | / 0 | View | 3283 | |||
| John Dennison (2/0) | Shn / 3 | View | 3283 | SBD>DAT>CD-R>EAC>SHN (Digital Clone) | ||
| Notes: | Clifford Ball, Day 1 | |||||
| Zak Walker (2/0) | / 2 | View | 3283 | |||
| Notes: | sbd | |||||