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User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
drew (5/0) | analog / 1 | View | ||||
Notes: | only set 2 | |||||
drew (5/0) | cd / 3 | View | ||||
M.BEAST (5/0) | CDR / 4 | A | View | CMC6(mk41)>PSP2>SBM1>DA-P1>D8 | ||
Notes: | 58 min. Runaway Jim | |||||
Kevin (5/0) | CD / 3 | View | ||||
Ryan Mann (5/0) | CD-R / 3 | A | B+ | View | ||
mark osleber (5/5) | analog / 3 | View | ||||
Alex McGrath (5/5) | analog / 1 | View | ||||
Notes: | set 2 | |||||
Natalie (5/0) | cd / 3 | View | ||||
Clayton (5/0) | shn / 2 | View | 702 | |||
Notes: | the runaway Runaway Jim (58 min) | |||||
matt harper (5/5) | / 3 | A | A- | View | ||
Mike Gent (5/3) | Sony / 4 | A++ | View | Nuemann KMR 83i>DAT>CDR | ||
Notes: | Nuemann KMR 83i>DAT>CDR | |||||
Chris Brand (5/5) | SHN / 2 | View | 702 | Schoeps CMC6/mk41 > PSP-2 > SBM-1 @48kHz > DAP-1 (OE source) | ||
Chris Supranowitz (5/5) | CDR / 4 | View | ||||
charles (5/5) | cd / 3 | View | schoeps cmc6/mk41>psp-2>sbm-1@48khz>da-p1 | |||
Joe Twomey (5/0) | CDR / 1 | A | View | |||
Notes: | 1st Set Disk 1 | |||||
mozambique (5/5) | shn / 2 | View | 702 | Schoeps CMC6/mk41 > PSP-2 > SBM-1 @48kHz > DAP-1 (OE source) | ||
Notes: | md5s match db. | |||||
Mike Fischer (5/4) | shn / 2 | View | 702 | |||
Notes: | CMC6/mk41 > PSP-2 > SBM-1 @48kHz > DAP-1 (OE source) | |||||
Adam Heckelsmiller (5/5) | .shn / 2 | View | 702 | Schoeps CMC6/mk41 > PSP-2 > SBM-1 @48kHz > DA-P1 | ||
andy (5/3) | cdr / 4 | View | Schoeps CMC6/mk41 > PSP-2 > SBM-1 @48kHz > DAP-1 (OE source) | |||
Notes: | ||||||
Todd Langevin (5/5) | SHN / 2 | A++ | A | View | 702 | CMC6/mk41 > PSP-2 > SBM-1 @48kHz > DAP-1 (OE source)D8> Prodif32> Samplitude... |
jim beezer (5/5) | CDR / 3 | A+ | View | PCP | ||
Notes: | Schoeps CMC6/mk41 > PSP-2 > SBM-1 @48kHz > DAP-1 (OE source) D8> Prodif32> Samplitude Master (48>44.1)> Panasonic CW-7502 Sorry about disc2, but the other option was to cut Bowie between the intro and the hook, and then cut the true jam out of Jim to Starnge Design. Hood picks up without being jammed into, and for all cuts the music is eactly split, no fades, for simple reconstruction to different tracking, if you prefer. Two notes of interest, a spike in The Sloth was slightly dampened (-2dB) so the entire set was better normalized (both sets normalized). I think this makes our copy slightly superior to the original DAT. Secondly, the audience was interrupted between the end of 2 to the E, so I used a fade in/out. | |||||
jb weir (5/0) | SHN / 4 | View | ||||
Notes: | TAO | |||||
chris molnar (5/0) | shn / 2 | View | ||||
B (5/4.7) | audio / 3 | A | View | |||
DAN Keating (5/0) | 60m DAT / 2 | View | Neumann U89i > Sonosax > SBM-1 | |||
Notes: | 60x2 | |||||
Stephen Rodgers (5/0) | SHN / 0 | View | 702 | Schoeps CMC6/mk41 > PSP-2 > SBM-1 @48kHz > DAP-1 (OE source) | ||
Notes: | Schoeps CMC6/mk41 > PSP-2 > SBM-1 @48kHz > DAP-1 (OE source) | |||||
Adam Redling (5/0) | shn / 2 | A | A | View | Schoeps CMC6/mk41 > PSP-2 > SBM-1 @48kHz > DAP-1 (OE source); D8> Prodif32>... | |
Steve (5/0) | CD / 3 | A | View | |||
Eric Thelen (5/0) | CD / 4 | A | A | View | ||
Nick Wonus (5/0) | CDR/TAO / 4 | B+ | View |