(7323) View Source   
Garcia & Grisman: AUD > DAT > CDR > WAV > SHN

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(11168) View Source   
Garcia & Grisman, complete show: DSBD > DATs > CDs > EAC > SHN.

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(30812) View Source   
JGJK: Team-taped (Rob Darroch, Sara Paul, John Ammons, Rick Katzeff, Marcus Buick and others) B&K 4011s (110 ORTF from "The Spot," 2nd tier, 2nd row from drink rail) > Neumann 48V power supply > Panasonic SV255 master DAT; Transfer: Panasonic SV3500 playback > Sony PCM601 DSP > Sony SL 360 Betamax master Beta > Sony SL360 playback > Sony PCM701 DSP > ProTools 442 (on Mac Quadra 650, captured in ProTools 3.1, mastered with MasterList 1.1) > CD/0. No EQ or dynamics added; master gain level for the CD was performed in Masterlist and was done completely in the digital domain. CD mastering by Marcus Buick. Level 8 FLAC encoding from the master CDs by jjoops.

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(81804) View Source   
Garcia & Grisman, rehearsals: unknown gen proshot video > editing > WAV 48 kHz > FLAC, via Teddy Goodbear.

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(134412) View Source   
flac1644; Recorded and transferred by fobaud. Source: Aud-> B&K 4011 -> Oade Power Supply -> Prolink Cables -> Panasonic SV-255; mics at 110 degrees ORTF on Schoeps t-bar hand held at about 5' 10" 2nd person behind the "drink rail", center. New transfer June, 2015: Playback on Tascam DA20 -> Roland SRC-2 -> Mac Mini -> Audacity 2.1 -> WAV. Droncit lowered audience noise between songs and occasional clapping. Some minor mic adjustment noise lowered. Slight equalization to account for distance from the stacks, light de-essing to counter the sibilance from the mics, then gain normalized using Diamond Cut Forensics 8.5, July, 2015.

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(139696) View Source   
JGDG; flac1648; s2; Unknown Taper (FOB): Schoeps MK4 > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/48.