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Set I
Cold and Ugly
Intolerance
Undertow
Sober
Prison Sex
Swamp Song
Sweat
4?
Opiate
Flood
Bottom
Intolerance
Undertow
Sober
Prison Sex
Swamp Song
Sweat
4?
Opiate
Flood
Bottom
Set II
Set III
Comment
Last Changed By
Dave M [db.etree admin]
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| chris hather (2/5) | FLAC / 1 | View | Unknown model portable DAT recorder | |||
| Notes: | This is an excellent audience recording, however the venue itself sounds... like a hockey arena. Sourced from a cassette which was copied directly from the DAT(m). This transfer made 2006-03-20. The only circulating version I've found is from the same taper but with reversed channels, inverted phase, some delay & attenuation on the left channel and to top it all off suffers from audible lossy artifacts. This release is far superior. The DAT(m) is in the posession of a friend who has lost contact. If you are this person and happen to be reading this, please contact [email protected] to get back in touch. "There's certain people in the world called architects and when they build buildings - they make them for certain things. I don't think this thing was made for music; it was made for hockey. That's why they call those other places concert halls and theatres. But we will do the best we can. All right?" -MJK | |||||
| chris hather (2/5) | FLAC / 1 | View | Unknown | |||
| Notes: | A bit of bass in the recording. Not to the posint of saturation at all. Seems more like the dynamic of the venue itself than any technical issues. It sounds like a big gymnasium & as a result there is an echo. Maynardism: "We were just here a while ago -- nevermind" "There's certain people in the world called architects & when they build buildings - they make them for certain things. I don't think this thing was made for music; it was made for hockey. That's why they call those other places concert halls & theatres. But we will do the best we can. Allright? | |||||
| Karyn (2/5) | shn / 1 | View | ||||
| Notes: | *awesome 4?* | |||||
| James (2/5) | FLAC / 1 | T1 | B | View | ECM909 > Unknown DAT > DAT(M) > ANA(1) > WAV > FLAC | |
| Notes: | New transfer 2006 | |||||
| eggofsatan (2/0) | CD / 1 | View | unknown | |||
| Andrew (1/5) | Flac CDR / 1 | A | B+ | View | ECM909 > Unknown model portable DAT recorder > DAT(m) > Scotch XS II-S 90 CASS(1) >... | |
| Stuart Ferguson (1/4.3) | CDR / 1 | View | Audience | |||
| Notes: | lineage: source: Sony ECM-909a > D7 @ 48kHz (Last song recorded at LP 32kHz) > DAT Master > Tascam DA-20 > Audiophile 2496 > WAV > Audacity > CDWave > FLAC | |||||
| Greg Johnson (1/0) | FLAC / 1 | View | Sony ECM-909a > Sony TCD-D7 | |||
| Notes: | Generation: DAT(M) [16bit/48KHz] + [16bit/32KHz] > WAV [16bit/48KHz] + [16bit/32KHz] > WAV [16bit/44.1KHz] > FLAC Transfer: Tascam DA-20 > M-Audio Audiophile 2496 > Audacity > CD Wave > Trader's Little Helper Length: 1:13:04 Size: 343 MB Notes: Last song was recorded at 32KHz due to lack of space on tape. | |||||
| Mike Ezell (1/0) | .flac / 1 | View | ||||
| cc (1/2.8) | CDR / 1 | View | uk/CS | |||
| Henry Dera (1/4) | CDR / 1 | View | Unknown Analog | |||
| DonSalvatore (0/5) | / 0 | View | Sony ECM-909 | |||
| Notes: | Tool - 1994.05.18 University of Toronto - Toronto, Ontario, Canada media type: FLAC source: Sony ECM-909 > Unknown model portable DAT recorder > DAT Master > Scotch XS II-S 90 CASS(1) > Yamaha KX-650 3-Motor/3-Head Closed Loop Dual Capstan Cassette Deck > Hosa Cables > EMU0404 > CEP2.1 (recording, cutting, no fx) > FLAC trade status: can trade disc 1 - 12 tracks - 75:01 Notes: This is an excellent audience recording, however the venue itself sounds... like a hockey arena. Sourced from a cassette which was copied directly from the DAT(m). This transfer made 2006-03-20. The only circulating version I've found is from the same taper but with reversed channels, inverted phase, some delay & attenuation on the left channel and to top it all off suffers from audible lossy artifacts. This release is far superior. The DAT(m) is in the posession of a friend who has lost contact. If you are this person and happen to be reading this, please contact [email protected] to get back in touch. | |||||
| Adam Lancaster (0/5) | / 1 | View | ||||
| Notes: | ||||||
| Ricardo (0/0) | FLAC / 1 | A | A- | View | (AUD) ECM909 > Unknown model portable DAT recorder > DAT(m) > Scotch XS II-S 90 CASS(1) | |
| Notes: | GEN: Yamaha KX-650 3-Motor/3-Head Closed Loop Dual Capstan Cassette Deck > Hosa Cables > EMU0404 > CEP2.1 (recording, cutting, no fx) > FLAC (level 8, verify enabled) | |||||
| Dave (0/3) | SHN / 1 | A | B | View | ||
| Notes: | A bit of bass in the recording. Not to the posint of saturation at all. Seems more like the dynamic of the venue itself than any technical issues. It sounds like a big gymnasium & as a result there is an echo. | |||||