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Set I
Acoustic:, Deep Elem Blues, I'm Troubled, Spike Driver Blues, Blue Yodel No. 9 (Standing On The Corner), Short Life Of Trouble, If I Los
Set II
Electric:, How Sweet It Is To Be Loved By You, Forever Young, Stop That Train, Think, Mission In The Rain, The Harder They Come*, When I Paint My Masterpiece**-> Deal*, E: All Along The Watchtower** *** ****
Set III
Comment
Late show. Jerry Garcia Acoustic Band/Jerry Garcia Band: Jerry Garcia, John Kahn, David Kemper, David Nelson, Sandy Rothman. *=w/Bob Weir. **=w/Bob Weir vocals, ***=first time played, ****=only time played. "Ain't No Lie" dedicated to Elizabeth Cotton, who wrote it.
Last Changed By
System
Sources
(15616) View Source
JGAB: MISLABEL OF 10/28/87 matinee acoustic set (sbd), should not be further propagated.
(25751) View Source
JGB & JGAB, Early Show: Sony ECM-939LT stereo mic (center orchestra, ca. 15th row) > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette tape, Dolby Off for recording and playback; Transfer playback on Nakamichi MR-2 > Tascam CDRW-700 > EAC > SHN.
(80295) View Source
JGB, Early Show: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.
(80337) View Source
JGB-JGAB, late show: Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC (level 8). Electric set: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Acoustic recording remastered version of previously circulating shnid=15616. Electric band analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.
(15616) View Source
JGAB: MISLABEL OF 10/28/87 matinee acoustic set (sbd), should not be further propagated.
(25751) View Source
JGB & JGAB, Early Show: Sony ECM-939LT stereo mic (center orchestra, ca. 15th row) > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette tape, Dolby Off for recording and playback; Transfer playback on Nakamichi MR-2 > Tascam CDRW-700 > EAC > SHN.
(80295) View Source
JGB, Early Show: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.
(80337) View Source
JGB-JGAB, late show: Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC (level 8). Electric set: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Acoustic recording remastered version of previously circulating shnid=15616. Electric band analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.
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Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Nick (3/5) | CD-R / 2 | A | View | |||
| bob (3/5) | flac / 2 | A | View | 80337 | ||
| spencer (3/0) | / 0 | View | ||||
| PrideofCucamonga (3/0) | FLAC / 1 | View | 80295 | |||
| Newk1402 (3/0) | CDR / 2 | View | ||||
| roseybubble (3/0) | cdr / 2 | View | ||||
| hornsby23 (3/4.5) | CDR / 1 | A/A | View | SBD, see notes for set | ||
| Jim Van Houten (2/5) | CD / 1 | View | AUD Cm > CD / Transfer Playback On Nakamichi MR-2 > Tascam CDRW-700 (Early Show) | |||
| Notes: | Notes: Security was very difficult at this show and they were on the lookout for tapers. The tough security situation led to various problems with this tape (see below), plus you get to hear a whole lot of audience chatter etc. During the acoustic set, in which the audience sat down, the mic was placed on the armrest between seats. This placement resulted in major distortion during the applause between songs. Soundforge was used to cut down the levels during the distorted parts, and to make the tape sound less jarring for those passages. During the electric set when the audience stood up, the mic was hand-held at approx chest-level. Soundforge was not used on the electric set, which is presented exactly as recorded, audience and all. CDWave was used for tracking. Enjoy this show - we miss you Jerry. (1) Most of "Blue Yodel" is missing; cuts in at the last solo before the final chorus. (2) Most of "Cats" is missing; cuts in at the last verse after Jerry's solo. (3) The tape was flipped after "Think". The deck was hidden under a coat, and the mic-input volume knob was accidentally turned up. Consequently, the remainder of the show (last four songs) has a lot more gain. This results in some barely noticeable distortion in a few spots. When transferring from the master, the input gain to CD was lowered to account for this, and to make it generally match side-A of the electric set tape. (4) Tape cuts at the very last note | |||||
| Joe Breault (2/0) | cdr / 2 | View | ||||
| Ryan Hostetler (2/5) | MP3 / 3 | View | ||||
| Notes: | ? | |||||
| William Ferdinandsen (2/5) | CDR / 2 | View | ||||
| Michael Goff (2/5) | / 0 | View | 15616 | |||
| Notes: | garcia dvd#21 | |||||
| woodenalligator (1/5) | CDR / 2 | A | A | View | SB | |
| Kaz (1/5) | flac / 0 | View | ||||
| oldsk8r1962 (1/5) | FLAC / 2 | A- | View | Sony ECM-939LT stero mic > Sony WM-D6C Pro-Walkman > Nakamichi MR-2 > Rascam CDRW-700... | ||
| Notes: | Missing D1T1 -"Blue Yodel No. 9" and D2T1 - "Cats Under The Stars" | |||||
| taperBWeed (1/5) | / 2 | View | 25751 | Sony ECM-939LT stereo mic > Sony WM-D6C Pro-Walkman | ||
| Notes: | Early show | |||||
| Dennis Lausier (1/4.8) | CD / 1 | A | A | View | ||
| Dennis Lausier (1/4.8) | CD / 1 | A | A | View | Stealth Nak300s, orchestra > D5> MAC > C1 > C2> analog out > Presonus Firebox> firewire > PC, XP... | |
| Notes: | Electric Only | |||||
| Brian S (1/0) | Audio / 2 | View | ||||
| MGA (1/5) | CDR / 2 | View | 25751 | |||
| Notes: | Early show | |||||
| brently (1/0) | cdr / 1 | View | ||||
| Notes: | acoustic set only | |||||
| Dan Carr (1/5) | shn / 1 | A | View | 15616 | Audience(mics unknown)>DAT>CDR>WAV>SHN | |
| Notes: | Acoustic | |||||
| blackcrowes92 (1/0) | FLAC / 2 | View | 80337 | |||
| Notes: | early show (all) (Shn): 25751 early show (electric) (Flac): 80337 | |||||
| LK (0/0) | SHN / 1 | View | AUD | |||
| Notes: | Acst | |||||
| johnniemal (0/0) | / 0 | View | ||||
| Skip Jenkins (0/5) | shn, CD-R / 2 | View | 25751 | Sony ECM-939LT stereo mic | ||
| Notes: | Early Show | |||||
| Bob Abrams (0/5) | FLAC / 2 | View | 80337 | |||
| Anthony (0/0) | / 1 | View | ||||
| Notes: | Bobby sits in | |||||
| al (0/0) | / 0 | View | ||||
| Notes: | 12/76,77 | |||||
| Ben (0/0) | / 0 | View | ||||
| Notes: | Book 8 | |||||