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Set I
How Sweet It Is To Be Loved By You, Stop That Train, Forever Young, Run For The Roses, Like A Road, My Sisters And Brothers, Deal
Set II
The Harder They Come, Mission In The Rain, That's What Love Will Make You Do, I Second That Emotion, Waiting For A Miracle, Don't Let Go-> Lonesome And A Long Way From Home
Set III
Comment
Jerry Garcia Band. Bob Weir & Rob Wasserman opened.
Last Changed By
Joe Jupille
Sources
(8295) View Source
MAC > DAT > CDR > EAC > SHN
(25626) View Source
Jerry Garcia Band: Realistic Stereo Mic on stand > Realistic Mixer > Sony Recorder; Master cassettes were transfered to Hi-Fi VHS circa 1990; Transfer: VHS > M-Audio Delta Audiophile/Audacity > Wav > shn32.
(84359) View Source
JGB: 2 Nakamichi CM-100 Mics, CP-1 capsules>Sony D-6 analog tape recorder (FOB inside Pavilion - Alpine Valley Dead Center); Transfer/mastering: Nak MR-1 -> Behringer Ultra-DI Pro DI800 -> Behringer Ultramizer Pro DSP-1424P -> (2) Presonus EQ3B Parametric EQ's -> Behringer Composer Pro-XL: side chain loop Behringer Ultragraph Pro FBQ1502: -> Behringer Ultraflex Pro EX3200 -> Presonus Blue Tube Pre-amp -> BBE 882i -> dbx 231 EQ -> Behringer Ultramatch Pro SRC2496 -> Apogee SPDIF -> M-Audio 1010LT -> Wavelab @ 24/96 (fixed pops, dropouts, fades at flips, limited noise reduction, L3 to 16/44). Compression/checks: Flac Frontend L8 -> Traders Little Helper (sbe check, ffp, md5's) taped by Greg Holtz
(99084) View Source
JGB: Greg Holtz, Nak CM-100s with CP-1 cardiod caps > Sony WMD-6C; Transfer: By JAZ, Master Cassettes (Maxell MX90) Tascam 112 > Korg MR-1, 1bit 2.8MHz > USB > Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD Technology > R8brainPro for SRC 16/44.1KHz -> Traders Little Helper flac8.
(118330) View Source
JGB; flac1644; Master audience recording by SJ. 2x Audio Technica ATR-35 mics > Sony PC-39 > Sony WM-D6C (2x Maxell MX-90); Transfer: Master tapes > Harmon Kardon TD-302, heads aligned to tape > Zoom H2 wav recorder @16/44.1 > SDHD > tracking and editing w/wavepad > flac and checksums w/traderslittlehelper Analog > digital transfer by arfarf.
(141680) View Source
JGB; flac24; s2; Tom Markson's Sony ECM-909-> Sony D6C-> XLII Master Cassette; Mastered: XLII Master Cassette-> Nakamichi 7a-> Denon ADC 24bit@48khz-> Wavelab-> WAV-> FLAC24
(141874) View Source
JGB; flac16; s2; Tom Markson's Sony ECM-909-> Sony D6C-> XLII Master Cassette; Mastered: XLII Master Cassette-> Nakamichi 7a-> Denon ADC 24bit@48khz-> Wavelab-> WAV-> FLAC24
(142021) View Source
JGB; flac16; Source: Crown PZM180’s (Hemispherical Omni’s) > Marantz PMD430; Location: 1/3 Up Lawn, In-Line w/ Meyer Sound MSL-3 Right Side Pavilion Delay Array; Conversion: PMD430 > Foster D5 > Canare AES > Motu Traveler > FW > MacBook Pro; Processing/Edits: Peak Pro (ID’s & Fades) > XACT (flac Level 8); Recorded By: Ted C. & Nat F. Upped: By Ted C.
(8295) View Source
MAC > DAT > CDR > EAC > SHN
(25626) View Source
Jerry Garcia Band: Realistic Stereo Mic on stand > Realistic Mixer > Sony Recorder; Master cassettes were transfered to Hi-Fi VHS circa 1990; Transfer: VHS > M-Audio Delta Audiophile/Audacity > Wav > shn32.
(84359) View Source
JGB: 2 Nakamichi CM-100 Mics, CP-1 capsules>Sony D-6 analog tape recorder (FOB inside Pavilion - Alpine Valley Dead Center); Transfer/mastering: Nak MR-1 -> Behringer Ultra-DI Pro DI800 -> Behringer Ultramizer Pro DSP-1424P -> (2) Presonus EQ3B Parametric EQ's -> Behringer Composer Pro-XL: side chain loop Behringer Ultragraph Pro FBQ1502: -> Behringer Ultraflex Pro EX3200 -> Presonus Blue Tube Pre-amp -> BBE 882i -> dbx 231 EQ -> Behringer Ultramatch Pro SRC2496 -> Apogee SPDIF -> M-Audio 1010LT -> Wavelab @ 24/96 (fixed pops, dropouts, fades at flips, limited noise reduction, L3 to 16/44). Compression/checks: Flac Frontend L8 -> Traders Little Helper (sbe check, ffp, md5's) taped by Greg Holtz
(99084) View Source
JGB: Greg Holtz, Nak CM-100s with CP-1 cardiod caps > Sony WMD-6C; Transfer: By JAZ, Master Cassettes (Maxell MX90) Tascam 112 > Korg MR-1, 1bit 2.8MHz > USB > Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD Technology > R8brainPro for SRC 16/44.1KHz -> Traders Little Helper flac8.
(118330) View Source
JGB; flac1644; Master audience recording by SJ. 2x Audio Technica ATR-35 mics > Sony PC-39 > Sony WM-D6C (2x Maxell MX-90); Transfer: Master tapes > Harmon Kardon TD-302, heads aligned to tape > Zoom H2 wav recorder @16/44.1 > SDHD > tracking and editing w/wavepad > flac and checksums w/traderslittlehelper Analog > digital transfer by arfarf.
(141680) View Source
JGB; flac24; s2; Tom Markson's Sony ECM-909-> Sony D6C-> XLII Master Cassette; Mastered: XLII Master Cassette-> Nakamichi 7a-> Denon ADC 24bit@48khz-> Wavelab-> WAV-> FLAC24
(141874) View Source
JGB; flac16; s2; Tom Markson's Sony ECM-909-> Sony D6C-> XLII Master Cassette; Mastered: XLII Master Cassette-> Nakamichi 7a-> Denon ADC 24bit@48khz-> Wavelab-> WAV-> FLAC24
(142021) View Source
JGB; flac16; Source: Crown PZM180’s (Hemispherical Omni’s) > Marantz PMD430; Location: 1/3 Up Lawn, In-Line w/ Meyer Sound MSL-3 Right Side Pavilion Delay Array; Conversion: PMD430 > Foster D5 > Canare AES > Motu Traveler > FW > MacBook Pro; Processing/Edits: Peak Pro (ID’s & Fades) > XACT (flac Level 8); Recorded By: Ted C. & Nat F. Upped: By Ted C.
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| JoeC (4/0) | / 2 | View | ||||
| Notes: | w/Clarence Clemmons | |||||
| joe m (3/5) | FLAC / 1 | View | Source: Crown PZM180’s (Hemispherical Omni’s) > Marantz PMD430 Location: 1/3 Up Lawn,... | |||
| zowie (3/5) | cd / 2 | a- | View | 8295 | aud | |
| cbass (3/5) | FLAC / 0 | View | 99084 | |||
| Mike Pageau (3/0) | AUD 15 / 2 | View | 99084 | |||
| Brad Knapp (3/5) | CDR / 2 | A | A- | View | Audience | |
| Josh Cooperman (3/3.8) | CDR / 2 | A | View | |||
| Jim Van Houten (2/5) | CD / 2 | View | AUD: Cm > DAT > CD | |||
| Notes: | TWLWMYD / Don't Let Go | |||||
| Lost Sailor (2/0) | Cdr 99084 / 2 | Aud | View | 99084 | ||
| Marshall (2/5) | Flac / 2 | View | ||||
| Michael McMullan (2/5) | CDR/FLAC / 2 | A- | View | 84359 | Aud | |
| Lew (2/5) | cdr / 2 | A | A | View | AUD | |
| Jason Moleton (2/0) | cdr / 2 | View | 25626 | |||
| Notes: | Realistic Stereo Mic on stand | |||||
| Gdeadman (2/0) | cass / 0 | View | ||||
| alicia (2/2.5) | Wave / 3 | View | ||||
| Dan Goorsky (2/5) | flac / 2 | View | ||||
| Notes: | 2 Nakamichi CM-100 Mics, CP-1 capsules>Sony D-6 analog tape recorder | |||||
| William Ferdinandsen (2/5) | CDR / 2 | View | ||||
| thejerman02 (2/5) | CDR / 2 | View | ||||
| jeff p (2/0) | CDR / 2 | A | C | View | AUD | |
| Lee Ascher (2/5) | SHN / 2 | View | 8295 | MAC > DAT > CDR > EAC > SHN | ||
| Tom Mackey (2/5) | / 2 | A | A | View | 8295 | |
| Lee Ascher (2/0) | SHN / 2 | View | 8295 | MAC > DAT > CDR > EAC > SHN | ||
| Carter (1/5) | CDR / 2 | View | ||||
| forgottenspace (1/4.5) | CD / 2 | View | Nak CM-100s with CP-1 cardiod caps -> Sony WMD-6C | |||
| J Parzych (1/5) | FLAC / 0 | View | 141680 | |||
| J Parzych (1/5) | FLAC / 0 | View | 99084 | Nak CM-100s with CP-1 cardiod caps -> Sony WMD-6C | ||
| J Parzych (1/5) | FLAC / 0 | View | 118330 | 2x Audio Technica ATR-35 mics > Sony PC-39 > Sony WM-D6C (2x Maxell MX-90) | ||
| J Parzych (1/5) | FLAC / 0 | View | 84359 | 2 Nakamichi CM-100 Mics, CP-1 capsules>Sony D-6 analog tape recorder | ||
| SpiralLightofVenus (1/5) | FLAC / 0 | AUD | View | 99084 | ||
| Notes: | AUD TB3 | |||||
| SpiralLightofVenus (1/5) | FLAC / 0 | AUD | View | |||
| Notes: | AUD TB18 | |||||