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Phish 11/29/97
Worcester Centrum, Worcester, MA
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Set I
The Wedge, Foam, Simple, The Man Who Stepped into Yesterday > Avenu Malkenu > The Man Who Stepped into Yesterday, The Sloth, Ginseng Sullivan, I Saw It Again, Horn, Water in the Sky, David Bowie
Set II
Runaway Jim* -> Strange Design -> Harry Hood, Prince Caspian, Suzy Greenberg**, E: Buffalo Bill -> Moby Dick -> Fire
Set III
 
Comment
* 59 minutes
** intro botched due to communication error
Last Changed By System
Sources
(702) View Source   
Schoeps CMC6/mk41 > PSP-2 > SBM-1 @48kHz > DAP-1 (OE source); D8> Prodif32> Samplitude Master (48>44.1)> Panasonic CW-7502; buzz in d1t9 fixed 11/27/98; note md5s added to this site 4/00- d3,4 have different naming scheme than d1,2- the former might be a reextraction, maybe?
(17907) View Source   
Schoeps CMC6/mk41 > PSP-2 > SBM-1 @48kHz > DAP-1; Casio DA-R100 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3
(29111) View Source   
Neumann U89 > SX-M2 > SBM-1 > DA-P1
(32631) View Source   
flac16, 44kHz; (cardioid) Neumann u87's > Sonosax SX-M2 > Tascam DA-P1; Sony PCM-R500 > M-Audio MicroTrack > WaveLab > CDWave > FLAC; Source by Dave Flaschner and Gary Fox; Transfer by Jason Sobel
(32632) View Source   
flac16, 44kHz; (FOB) Neumann km184 > Beyer MV-100 > Tascam DA-P1 > Teac DAP-20; Sony PCM-R500 > M-Audio MicroTrack > WaveLab > CDWave > FLAC; Source by Felix Delguisemo (sic); Transfer by Jason Sobel
(116820) View Source   
flac16, 44kHz; Schoeps cmc6/mk41's > Sonosax SX-M2 > HHb PDR-1000; Sony PCM-R500 > Tascam HD-P2 > r8brain > CDWave > FLAC; DAT(c) provided by Craig Hillwig; Transfer by Terry Watts
(128764) View Source   
flac16, 48kHz; Sennheiser K6RD/ME66 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Source and Transfer by Greg Nash
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User (active/rating) Media / # Show Sound Details DB Source User Source
jason mantello (3/0) cdr / 3 View 702
Cale Thye (3/5) CD-R / 3 A+ A View 702 Schoeps CMC6/mk41 > PSP-2 > SBM-1 @48kHz > DAP-1 (OE source)D8> Prodif32> Samplitude Master...
Becca (3/5) SHN / 2 View 702 Schoeps CMC6/mk41> PSP-2> SBM-1 @48kHz> DAP-1 (OE source), D8> Prodif32> Samplitude Master...
Notes: TBG
Peter Tarsa (3/0) / 0 View 702
Conan Walter (3/0) shn / 4 View  
Notes: Schoeps CMC6/mk41 > PSP-2 > SBM-1 @48kHz > DAP-1 (OE source) D8> Prodif32> Samplitude Master (48>44.1)> Panasonic CW-7502
nate leskovic (3/0) cdr / 3 View  
funktion8 (3/0) CDR / 4 View   Schoeps CMC6/mk41 > PSP-2 > SBM-1 @48kHz > DAP-1
Chris Dudley (3/2) CDR / 3 A+ A View  
jeff brown (3/0) SHN, CDR / 3 A A View 702 Schoeps CMC6/mk41 > PSP-2 > SBM-1 @48khz > DAP-1
Rusty Harmon (3/0) / 0 View 702
Shawn Norris (3/5) CD / 1 View  
Notes: Set Two
Dylan (3/0) shn / 0 View  
Josh Werman (3/0) SHN / 2 View 17907
MATT (3/1) analog / 2 View  
Notes: all
Josh Milner (3/5) CD-R / 3 A A View  
Notes: TAO
Curt Casciato (3/0) .shn / 4 A A View 702
Brian Montgomery (3/0) CD / 3 A View  
Eric Valiaho (3/0) shn / 3 View   Schoeps CMC6/mk41 > PSP-2 > SBM-1 @48kHz > DAP-1 (OE source)
John (3/0) SHN / 2 A View   Schoeps CMC6/mk41 > PSP-2 > SBM-1 @48kHz > DAP-1 (OE source)
Jeff Cain (3/0) CD / 4 A+ A View  
Notes: 57 min. Runaway Jim on Disc III
Adam (3/0) / 4 View  
paul ebenkamp (3/0) analog / 2 A+ B- View  
Notes: however controversial this jim is, i still think it rules.
Kevin McCarthy (3/0) analog / 2 View  
Kevin McCarthy (3/0) analog / 2 View  
matthew (3/0) shn / 2 A A View 702
Peter Fishman (3/0) CD / 4 A A View   Schoeps
Notes: Schoeps
Ted Weiler (3/5) SHN / 0 View 702
Andrew Joyce (3/0) CDR / 3 A A View   Schoeps CMC6/mk41>PSP-2>SBM1>DAP1
Notes: an okay Runaway Jim :^)
chris haddock (3/0) cd / 4 a A View  
3 Phishin' Phriends (3/0) shn/cdr / 3 View   schoeps cmc6/mk41 > PS P-2 > SBM-1 @ 48kHz > DAP-1
Notes: This is a different grouping than the one in the master dbase. The person we got if from writes, "Sorry about disc 2, but the other opetion was to cut Bowie b/w the intro and the hook, and then cut the true jam out of Jim to Strange Design. Hood picks up w/out being fammed into, and for all cuts the music is exactly split, no fades, for simple reconstruction to different tracking, if you prefer. Two notes of interest, a spike in The Sloth was slightly dampened (-2dB) so the entire set was better normalized (both sets nomalized). I think this makes our copy slightly superior to the original DAT. Secondly, the audience was interrupted b/w the end of 2 to the E, so I used a fade in/out." So on this copy, D1 ends w/ Water in the Sky, D2 has nothing but David Bowie, and D3 starts w/ Runaway Jim.