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Phish 10/01/00
Desert Sky Pavilion, Phoenix, AZ
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Set I
First Tube > Wolfman's Brother, Back On The Train, Beauty Of My Dreams, Vultures, The Inlaw Josie Wales, Billy Breathes, Llama*, Lawn Boy, Runaway Jim
Set II
Roses Are Free, Piper** > Guy Forget*** > When The Circus Comes To Town > Camel Walk, Driver, David Bowie****

E: Waste
Set III
 
Comment
* - Before Llama Trey introduces the band, including Jon as "Bob Weaver", Mike as "Michael Jordan" and himself as the "skinny guinea" and pulls up his shirt to show how skinny he is; he then encouraged people to start clapping along while he clapped in an offbeat rhythm before slapping himself on the cheek and then the forehead and encouraging people to slap the face of the person next to them, but no one did. He then encouraged people to get naked and make passionate love, but again no one did. After the song he told that the passionate lovemaking portion of the show was over and that he apologized for not giving them more time
** - unfinished
*** - first time played; pronounced "Gee-For-Jay"; Trey on keyboards; similar to recent versions of "Catapult";
**** - Trey sets up delay loop and swings his guitar around so Page plays the ascending riff
Last Changed By Randy Vogel
Sources
(1923) View Source   
Schoeps cmc64v > Lunatec V2 > Apogee AD-1000 @48kHz; Sony 59ES > Audio Magic Presto II > ZA2 > Soundforge 4.5(48->44.1) > CDWav > .shn Recorded by Chad Shaw; DA-P1 patch by Frank McRoberts; Transfer and encoding by Eric McRoberts
(2117) View Source   
AKG481 > Beyer MV100 > SBM1 > D100; DTC700>ZA2>PC(via optical); Retracking by glenesis
(16675) View Source   
AKG 481 > Beyer MV100 > SBM-1 > D100; DTC700 > ZA2 > PC > SHN; Note: this is a fixed (SBE) version of this source; Admin Note: the .afp file is the same as a flac fingerprint, so that if this fileset was converted to FLAC the ffp would match this afp ensuring that the conversion hadn't removed any data
(34667) View Source   
flac16, 44kHz; B&K 4011's > Lunatec V2 > Apogee AD-500e > Tascam DA-P1 > DAT(m); DAT(m) > Fostex D5 > Sound Devices 722 > WaveLab > CDWave > FLAC; Source by Ned Struzziero; Transfer by Ned Struzziero & Jason Sobel
(81043) View Source   
Neumann KM140s > Sound Devices MP2 > Sony SBM1 > Sony D8; master > HHb CDR 830 Standalone > EAC/wavlab > FLAC
(87637) View Source   
AKG 460b/ck61 > V2 > SBM1 > D8 > D7; DAT > cd(1) > eac > CD Wave > flac; Taped by JK (John M. patch); Transferred by John M.
(95884) View Source   
flac16, 44kHz; Schoeps cmc6/mk41v's > Lunatec V2 > Sonic AD2K+ > Sony TCD-D100 > DAT(m); DAT(m) > Tascam DA-20mkII > Tascam HD-P2 > r8brain > CDWave > Samplitude > FLAC; Source by Dave Flaschner; Transfer by Jason Sobel
(122295) View Source   
flac16, 44kHz; B&K 4011's > EAA PSP-2 > Apogee AD-1000 > DAT(c); DAT(c) > Sony PCM-R500 > Tascam HD-P2 > r8brain (16/48 > 16/44.1) > CDWave > FLAC; Source by Rannan Smith; DAT(c) provided by Steve Mortlock; Transfer by Terry Watts
(135202) View Source   
flac16, 48kHz; AKG c480b/ck63's > Sound Devices MP-2 > Graham-Patten ADC-20 > Tascam DA-P1 > DAT(m); DAT(m) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC; Source by Marc Natelsky; Transfer by Terry Watts
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
Matthew H. Wier (1/5) CDR / 2 B View 1923 Source: Schoeps cmc64v->Lnatec V2->Apogee AD-1000 @48kHz; Sony 59ES->Audio Magic Presto...
Notes: (2 SHN)
Jarod (1/4.7) CDR / 2 View  
Matt (1/0) SHN / 2 View   AKG481>BeyerMV100>SBM1>DAP1
keith lindner (1/0) CD-R / 3 A View   Schoeps cmc64v->Lnatec V2->Apogee AD-1000 @48kHz
Kyle Wallace (1/5) CDR / 2 View  
bwdst3 (1/0) / 0 View 16675
BillBo (1/0) CDR / 2 View 1923 Schoeps cmc64v->Lnatec V2->Apogee AD-1000
Notes: Source: Schoeps cmc64v->Lnatec V2->Apogee AD-1000 @48kHz; Transfer:Sony 59ES->Audio Magic Presto II->ZA2->Soundforge 4.5(48->44.1)->CDWav->.shn; Recorded by: Chad Shaw; DA-p1 patch by: Frank McRoberts; Transfer and encoding by: Eric McRoberts; Uploaded by: Mike Fischer
Len (1/0) / 0 View 16675
J Dawg (1/0) shn / 2 A View   Schoeps cmc64v > Lunatec V2 > Apogee AD-1000 @48kHz
Notes: track 4 disc one has 1 sec. where another song is cut in. end of beauty of my dreams. no biggie
Marnie (1/3) SHN / 2 View 2117 Source: AKG481>BeyerMV100>SBM1>DAP1
Nathan Lawson (1/5) SHN / 2 View 1923
MikesSongs (1/3.5) SHN / 2 View 2117
Brian Smyth (1/0) CDR / 2 A- View   Schoeps cmc64v > Lunatec V2 > Apogee AD-1000 @48kHz > Sony 59ES > Audio Magic Presto...
elkhartadam (1/0) SHN / 2 View 1923 Schoeps cmc64v->Lnatec V2->Apogee AD-1000 @48kHz
Brian Kilpatrick (1/4) CDR / 2 A View   unknown
BJ (1/5) CDR / 2 View  
George Boyer (1/0) CD / 2 A A View   AKG481>BeyerMV1000>SBM1>DAP1
Jeremy Mandell (1/1) CDR / 2 View 1923
Jody Bugabear (1/5) cdr / 2 View  
Alan (1/0) CD-R / 2 View 1923 Upon Request
Jody Bugabear (1/5) SHN / 2 View 1923 Schoeps cmc64v->Lnatec V2->Apogee AD-1000 @48kHz
Jason (1/0) SHN / 2 A View  
Notes: 2x74 = SHN 2x74 = Audio 1: First Tube > Wolfman's Brother, Back on the Train, Beauty of My Dreams, Vultures, The Inlaw Josie Wales, Billy Breathes*, Llama, Lawn Boy, Runaway Jim (1:12) 2: Roses are Free, Piper** -> Guy Forget*** > When the Circus Comes > Camel Walk, Driver, David Bowie**** (0:58) E: Waste (0:06) *Followed by Trey introducing the band, including Jon as "Bob Weaver", Mike as "Michael Jordan" and himself as the "Skinny Guinea" (pulls up his shirt to show how skinny he is); he then encouraged people to start clapping along while he clapped in an offbeat rhythm before slapping himself on the cheek and then the forehead and encouraging people to slap the face of the person next to them, but no one did. He then encouraged people to get naked and make passionate love, but again no one did. After the song he told that the passionate lovemaking portion of the show was over and that he apologized for not giving them more time. **Unfinished. ***First time played; pronounced "Gee-For-Jay" (a tennis player's name); Trey on keyboards; similar to recent versions of "Catapult"; included lyrics something to the effect of "I never met a man I could not forget except for Guy Forget"; soundchecked back as far as February 1993. ****Trey set up a feedback loop, took off his guitar and began swinging it around while manipulating the pitch using his foot pedals; as a result Page played the ascending riff at the end because Trey hadn't put his guitar back on in time.
Sam Lincoln (1/4.5) SHN / 2 View 1923 Schoeps cmc64c->Lunatec V2->Apogee AD-1000
Gabe (1/1) cdr / 2 A A View   DAUD
Gilberto Walker (1/5) SHN / 2 A View  
Matt (1/0) cdr / 2 View   B&K 4011's>DAT>CD
Matt (1/0) cdr / 2 A- View   B&K 4011's>DAT>CD
Notes: Set 1: First Tube > Wolfman's Brother, Back on the Train, Beauty of my Dreams, Vultures, The Inlaw Josey Wales, Prince Caspian, Llama*, Lawn Boy, Runaway Jim Set 2: Roses are Free, Piper** > Guy Forget*** > When the Circus Comes > Camel Walk, Driver, David Bowie****, E: Waste Comment: * - Trey introduces the band, including Jon as "Bob Weaver" and himself as ?; he then encouraged people to start clapping along while he clapped in an off rhythm before slapping himself on the forehead; he then encouraged people to slap the forehead of the person next to them, but no one did. ** - unfinished. *** - first time played; pronounced "Gee-For-Jay"; Trey on keyboards; similar to recent versions of "Catapult"; included lyrics something to the effect of "I never met a man I could not forget as much as Guy Forget"; soundchecked back as far as February 1993; a Mockingbird Foundation interview with Dave Abrahams includes a question asking who Guy Forge is, to which Dave answers that he's "Some tennis player guy". **** - Trey set up a feedback loop, took off his guitar and began swinging it around while manipulating the pitch using his foot pedals; as a result Page played the ascending riff at the end bcause Trey hadn't put his guitar back on in time
Jesse (1/5) 2 shn/2 CD / 2 00 View   AKG481>BeyerMV100>SBM1>DAP1
captain23 (1/5) shn / 2 View 1923 Schoeps cmc64v->Lnatec V2->Apogee AD-1000 @48kHz
Chris (1/5) CDR / 2 A View