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Set I
Cats Under The Stars
They Love Each Other
Let It Rock
I Shall Be Released
Someday Baby
Dear Prudence
Let's Spend The Night Together
They Love Each Other
Let It Rock
I Shall Be Released
Someday Baby
Dear Prudence
Let's Spend The Night Together
Set II
How Sweet It Is To Be Loved By You
Knockin' On Heaven's Door
Think
Waiting For A Miracle
Evangeline
The Night They Drove Old Dixie Down
Tangled Up In Blue
Knockin' On Heaven's Door
Think
Waiting For A Miracle
Evangeline
The Night They Drove Old Dixie Down
Tangled Up In Blue
Set III
Comment
Jerry Garcia Band. Show with Clarence Clemons. Bob Weir & Rob Wasserman opened.
Last Changed By
Brett Heald
Sources
(7325) View Source
Jerry Garcia Band: Entire show with Clerence Clemons. Source:soundboard->analog->pioneer PDR-509->CDRW->audio catalyst 2.1-> wav->cool edit 2000->mkw audio compression tool->shn
(11163) View Source
Jerry Garcia Band: FOB MAC > DAT > CD > EAC > SHN. Taped by Brian O'Connell (5th row, left side in front of Melvin), hand-held Nak 100's > Sony D6. EAC > SHN by Todd Norman.
(25627) View Source
Jerry Garcia Band: Realistic Stereo Mic on stand > Realistic Mixer > Sony Recorder; Master cassettes were transfered to Hi-Fi VHS circa 1990; Transfer: VHS > M-Audio Delta Audiophile/Audacity > Wav > shn32
(84360) View Source
JGB: 2 Nakamichi CM-100 Mics, CP-1 capsules>Sony D-6 analog tape recorder (FOB inside Pavilion - Stage Right); Transfer/mastering: Nak MR-1 -> Behringer Ultra-DI Pro DI800 -> Behringer Ultramizer Pro DSP-1424P -> (2) Presonus EQ3B Parametric EQ's -> Behringer Composer Pro-XL: side chain loop Behringer Ultragraph Pro FBQ1502: -> Behringer Ultraflex Pro EX3200 -> Presonus Blue Tube Pre-amp -> BBE 882i -> dbx 231 EQ -> Behringer Ultramatch Pro SRC2496 -> Apogee SPDIF -> M-Audio 1010LT -> Wavelab @ 24/96 (fixed pops, dropouts, fades at flips, limited noise reduction, L3 to 16/44). Compression / checks: Flac Frontend L8 -> Traders Little Helper (sbe check, ffp, md5's) taped by Greg Holtz
(99149) View Source
Greg Holtz's Nak CM-100s with CP-1 cardiod caps > Sony WMD-6C; Transfer: By JAZ, Master Cassettes (Maxell MX90) Tascam 112 > Korg MR-1, 1bit 2.8MHz > USB > Korg Audio Gate Software 24bit 48KHz > Mastered in Wave Lab 5.0 using UAD Technology > R8brainPro for SRC 16/44.1KHz > Traders Little Helper flac8.
(117514) View Source
JGB; flac24/48kHz Master Audience Recorded By Mr. Darby; AKG C451E/ck1s(PAS/DFC/Handheld Halfway Up Lawn)> AKG9V Phantoms>Sony TC-D5M; Transfer Information: Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/Flac8) Renamed Tracks/Metadata Tagging With AudioGate Software By Keo
(117515) View Source
JGB; flac16 Master Audience Recorded By Mr. Darby; AKG C451E/ck1s(PAS/DFC/Handheld Halfway Up Lawn)> AKG9V Phantoms>Sony TC-D5M; Transfer Information: Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/Flac8) Renamed Tracks/Dithered/Flacked With AudioGate Software And Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
(118331) View Source
JGB; flac1644; Master audience recording by SJ. 2x Audio Technica ATR-35 mics > Sony PC-39 > Sony WM-D6C (2x Maxell MX-90); Transfer: Master tapes > Harmon Kardon TD-302, heads aligned to tape > Zoom H2 wav recorder @16/44.1 > SDHD > tracking and editing w/wavepad > flac and checksums w/traderslittlehelper Analog > digital transfer by arfarf.
(133609) View Source
flac24/96: 2x Nakamichi CM-100 mics with CP-1 capsules (worn in hat) > Sony WM-D6C analog cassette recorder; transfer: MAC > Tascam 112 analog cassette deck > Edirol Audio Capture UA-5 USB Audio Interface > 24/96 > WAV PC > Audacity > Trader's Little Helper > FLAC level 8 > 24/96 file set, taped and transferred by Greg Holtz.
(141928) View Source
KGB; flac2448; s2; Tom Markson's Sony ECM909 -> Sony D6C -> Master Cassette -> Nak 7a -> Tascam DA3000 @24 bit / 48khz-> Wavelab -> Flac
(7325) View Source
Jerry Garcia Band: Entire show with Clerence Clemons. Source:soundboard->analog->pioneer PDR-509->CDRW->audio catalyst 2.1-> wav->cool edit 2000->mkw audio compression tool->shn
(11163) View Source
Jerry Garcia Band: FOB MAC > DAT > CD > EAC > SHN. Taped by Brian O'Connell (5th row, left side in front of Melvin), hand-held Nak 100's > Sony D6. EAC > SHN by Todd Norman.
(25627) View Source
Jerry Garcia Band: Realistic Stereo Mic on stand > Realistic Mixer > Sony Recorder; Master cassettes were transfered to Hi-Fi VHS circa 1990; Transfer: VHS > M-Audio Delta Audiophile/Audacity > Wav > shn32
(84360) View Source
JGB: 2 Nakamichi CM-100 Mics, CP-1 capsules>Sony D-6 analog tape recorder (FOB inside Pavilion - Stage Right); Transfer/mastering: Nak MR-1 -> Behringer Ultra-DI Pro DI800 -> Behringer Ultramizer Pro DSP-1424P -> (2) Presonus EQ3B Parametric EQ's -> Behringer Composer Pro-XL: side chain loop Behringer Ultragraph Pro FBQ1502: -> Behringer Ultraflex Pro EX3200 -> Presonus Blue Tube Pre-amp -> BBE 882i -> dbx 231 EQ -> Behringer Ultramatch Pro SRC2496 -> Apogee SPDIF -> M-Audio 1010LT -> Wavelab @ 24/96 (fixed pops, dropouts, fades at flips, limited noise reduction, L3 to 16/44). Compression / checks: Flac Frontend L8 -> Traders Little Helper (sbe check, ffp, md5's) taped by Greg Holtz
(99149) View Source
Greg Holtz's Nak CM-100s with CP-1 cardiod caps > Sony WMD-6C; Transfer: By JAZ, Master Cassettes (Maxell MX90) Tascam 112 > Korg MR-1, 1bit 2.8MHz > USB > Korg Audio Gate Software 24bit 48KHz > Mastered in Wave Lab 5.0 using UAD Technology > R8brainPro for SRC 16/44.1KHz > Traders Little Helper flac8.
(117514) View Source
JGB; flac24/48kHz Master Audience Recorded By Mr. Darby; AKG C451E/ck1s(PAS/DFC/Handheld Halfway Up Lawn)> AKG9V Phantoms>Sony TC-D5M; Transfer Information: Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/Flac8) Renamed Tracks/Metadata Tagging With AudioGate Software By Keo
(117515) View Source
JGB; flac16 Master Audience Recorded By Mr. Darby; AKG C451E/ck1s(PAS/DFC/Handheld Halfway Up Lawn)> AKG9V Phantoms>Sony TC-D5M; Transfer Information: Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/Flac8) Renamed Tracks/Dithered/Flacked With AudioGate Software And Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
(118331) View Source
JGB; flac1644; Master audience recording by SJ. 2x Audio Technica ATR-35 mics > Sony PC-39 > Sony WM-D6C (2x Maxell MX-90); Transfer: Master tapes > Harmon Kardon TD-302, heads aligned to tape > Zoom H2 wav recorder @16/44.1 > SDHD > tracking and editing w/wavepad > flac and checksums w/traderslittlehelper Analog > digital transfer by arfarf.
(133609) View Source
flac24/96: 2x Nakamichi CM-100 mics with CP-1 capsules (worn in hat) > Sony WM-D6C analog cassette recorder; transfer: MAC > Tascam 112 analog cassette deck > Edirol Audio Capture UA-5 USB Audio Interface > 24/96 > WAV PC > Audacity > Trader's Little Helper > FLAC level 8 > 24/96 file set, taped and transferred by Greg Holtz.
(141928) View Source
KGB; flac2448; s2; Tom Markson's Sony ECM909 -> Sony D6C -> Master Cassette -> Nak 7a -> Tascam DA3000 @24 bit / 48khz-> Wavelab -> Flac
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Lost Sailor (2/0) | Flac 24 / 0 | View | 118331 | |||
| Lost Sailor (2/0) | Shn / 0 | View | 25627 | Jerry Garcia Band: Realistic Stereo Mic on stand > Realistic Mixer > Sony Recorder; Master... | ||
| Lost Sailor (2/0) | Shn / 0 | View | 11163 | Jerry Garcia Band: FOB MAC > DAT > CD > EAC > SHN. Taped by Brian O'Connell (5th row, left side... | ||
| Lost Sailor (2/0) | Flac 24/48 / 0 | View | 141928 | KGB; flac2448; s2; Tom Markson's Sony ECM909 -> Sony D6C -> Master Cassette -> Nak 7a -> Tascam... | ||
| Michael McMullan (2/5) | CDR/SHN / 2 | A | View | 7325 | SBD | |
| Notes: | JGB | |||||
| Chris_G (2/0) | CD / 2 | View | ||||
| Jonathan Hatgis (2/0) | flac / 2 | View | 117515 | |||
| Notes: | Master Audience Recorded By Mr. Darby; AKG C451E/ck1s(PAS/DFC/Handheld Halfway Up Lawn)> AKG9V Phantoms>Sony TC-D5M | |||||
| Jonathan Hatgis (2/0) | flac / 2 | View | 117514 | |||
| Notes: | Master Audience Recorded By Mr. Darby; AKG C451E/ck1s(PAS/DFC/Handheld Halfway Up Lawn)> AKG9V Phantoms>Sony TC-D5M 24/48 | |||||
| Matt Craddock (2/0) | shn / 2 | View | 7325 | |||
| dupree1977 (2/5) | / 0 | View | 7325 | Jerry Garcia Band: Entire show with Clerence Clemons. Source:soundboard->analog->pioneer... | ||
| Luke Bailey (2/0) | SHN / 2 | View | 7325 | Jerry Garcia Band: soundboard->analog->pioneer PDR-509->CDRW->audio catalyst... | ||
| Notes: | Jerry Garcia Band: soundboard->analog->pioneer PDR-509->CDRW->audio catalyst 2.1-> wav->cool edit 2000->mkw audio compression tool->shn | |||||
| Terrapanda (2/0) | / 2 | View | 25627 | |||
| Terrapanda (2/0) | / 2 | View | 7325 | |||
| Eddie Dunn (2/0) | / 0 | View | 25627 | |||
| Eddie Dunn (2/0) | / 0 | View | 84360 | |||
| Eddie Dunn (2/0) | / 0 | View | 11163 | |||
| Eddie Dunn (2/0) | / 0 | View | 7325 | |||
| Uncle Jabba (2/0) | / 0 | View | 7325 | |||
| Bill Burton (2/5) | SHN / 2 | A+ | A | View | 7325 | |
| Notes: | with Clarence Clemons (sax); killer "Let It Rock" and "Dear Prudence" in first set; very sweet "Dixie Down", wicked "Tangled Up" in second set; lots more... | |||||
| Adam O. (2/5) | SHN / 2 | View | 7325 | SBD | ||
| B Max (2/5) | shn / 2 | View | ||||
| Notes: | soundboard->analog->pioneer PDR-509->CDRW->audio catalyst 2.1-> wav->cool edit 2000->mkw audio compression tool->shn | |||||
| Wick (2/4) | SHN / 2 | View | soundboard->analog->pioneer PDR-509->CDRW->audio catalyst 2.1->wav->cool edit... | |||
| D. Metz (1/5) | SHN / 2 | View | 7325 | |||
| Notes: | Jerry Garcia Band | |||||
| D. Metz (1/5) | SHN / 2 | View | 25627 | |||
| Notes: | Jerry Garcia Band | |||||
| Gary Field (1/5) | SHN / 2 | View | 7325 | SBD | ||
| Notes: | soundboard->analog->pioneer PDR-509->CDRW->audio catalyst 2.1->wav->cool edit 2000->mkw audio compression tool->shn | |||||
| Gary Field (1/5) | SHN / 2 | View | 11163 | AUD | ||
| Notes: | FOB MAC > DAT > CD > EAC > SHN. Taped by Brian O'Connell (5th row, left side in front of Melvin), hand-held Nak 100's > Sony D6. EAC > SHN [070416.5] | |||||
| Gary Field (1/5) | FLAC / 2 | View | 84360 | AUD | ||
| Notes: | 2 Nakamichi CM-100 Mics, CP-1 capsules>Sony D-6 analog tape recorder (FOB inside Pavilion - Stage Right); Transfer/mastering: Nak MR-1 -> Behringer Ultra-DI Pro DI800 -> Behringer Ultramizer Pro DSP-1424P -> (2) Presonus EQ3B Parametric EQ's -> Behringer Composer Pro-XL: side chain loop Behringer Ultragraph Pro FBQ1502: -> Behringer Ultraflex Pro EX3200 -> Presonus Blue Tube Pre-amp -> BBE 882i -> dbx 231 EQ -> Behringer Ultramatch Pro SRC2496 -> Apogee SPDIF -> M-Audio 1010LT -> Wavelab @ 24/96 (fixed pops, dropouts, fades at flips, limited noise reduction, L3 to 16/44). Compression / checks: Flac Frontend L8 -> Traders Little Helper (sbe check, ffp, md5's) [070424.1] | |||||
| Gary Field (1/5) | SHN / 2 | View | 25627 | AUD | ||
| Notes: | Realistic Stereo Mic on stand > Realistic Mixer > Sony Recorder; Master cassettes were transfered to Hi-Fi VHS circa 1990; Transfer: VHS > M-Audio Delta Audiophile/Audacity > Wav > shn32 [070730.3] | |||||
| Gary Field (1/5) | 99149 / 2 | View | 99149 | AUD | ||
| Notes: | Greg Holtz's Nak CM-100s with CP-1 cardiod caps > Sony WMD-6C; Transfer: By JAZ, Master Cassettes (Maxell MX90) Tascam 112 > Korg MR-1, 1bit 2.8MHz > USB > Korg Audio Gate Software 24bit 48KHz > Mastered in Wave Lab 5.0 using UAD Technology > R8brainPro for SRC 16/44.1KHz > Traders Little Helper flac8 [090603.1] | |||||
| Gary Field (1/5) | 117514 / 3 | View | 117514 | AUD | ||
| Notes: | flac24; AKG C451E/ck1s(PAS/DFC/Handheld Halfway Up Lawn)> AKG9V Phantoms>Sony TC-D5M; Transfer Information: Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/Flac8) Renamed Tracks/Metadata Tagging With AudioGate Software [111211.wd001] | |||||