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Genesis 04/27/75
Palace Theatre, Manchester, England
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Set I
The Lamb Lies Down On Broadway
Fly On a Windshield
Broadway Melody of 1974
Cuckoo Cocoon
In the Cage
The Grand Parade of Lifeless Packaging
Rael Story, Pt. 1
Back in N.Y.C.
Hairless Heart
Counting Out Time
Carpet Crawlers
The Chamber of 32 Doors
Rael Story, Pt. 2
Lillywhite Lilith
The Waiting Room
Set II
Anyway
Here Comes the Supernatural Anaesthetist
Interlude
The Lamia
Silent Sorrows in Empty Boats
Arrival
The Colony of Slippermen
Ravine
The Light Dies Down On Broadway
Riding the Scree
In the Rapids
It!
Henry Story
The Musical Box
Applause and Play Out
Set III
 
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
aikox2 (1/4.9) / 0 View  
John Clexton (1/0) CD / 2 View  
Maria Reine (1/5) CD-R / 2 View  
Notes: [Hogweed Remaster HW02]. SHN[sg500e]
kam (1/0) shn / 0 View  
Notes: Hogweed-02
Charlie (1/0) / 0 View  
LossLess Legs (1/0) CDR / 2 View  
Notes: 04/29/2006 - wharfratjoe
Mike (1/5) CDR / 2 B View   aud
Notes: Hogweeds 02
geoff (1/4) CDR / 2 A A- View  
Notes: Instruments really clear, but vocals are a tad bass heavy and echoey.
wharfratjoe (1/5) shn / 2 View  
bluibootleg (1/0) FLAC / 2 View   Audience
Martin McNally (1/0) SHN / 2 6 View   AUD
Notes: Hogweed HW02 805MB
robin (1/4.9) CDR / 2 View   see tech notes
Paul Russell (1/4.6) cdr / 2 A- View   aud
Dene Wright (1/5) CD / 2 View   Audience
Notes: All
Erik Swain (1/3) CDR / 2 View   AUD > Hogweed remaster
Cheryl (1/0) shn / 2 A- View   AUD
Notes: Hogweed remaster HW02
Tim Burke (1/5) SHN / 2 View   Analog Audience
Notes: Hogweed Remasters HW02
Dan Sock (1/0) cdr / 2 View   remastered master >Hogweed Remasters (HW02)
Eric (1/5) SHN / 2 A- View  
Notes: HW 2
bewise (1/0) audio cdr / 2 View  
Bradford Crain (1/0) AudioCD / 2 View  
Notes: 6th Birthday present from Uncle Jimmy
Razmid (1/4.8) shn / 2 View  
Notes: The Show; This is a recording of the complete concert from the triumphant British leg of the Lamb tour. It is a beautifully clear and undistorted recording, which I have been able to remaster from the master tapes (many thanks to Colin Dodd for providing them). As Colin points out in his essay, the concert began late, and the venue curfew meant that only Musical Box was played as an encore. The music is immaculately played (as always), and the concert features an outstanding Waiting Room. By this stage in the tour they were stretching out a bit more on this improvisation, and both the frightening first part and the driving build up are extended, and have many different elements not heard previously. Perhaps, knowing that they had done their BBC recording of the tour (at the 15th April London concert), they felt freer to experiment a bit more in front of a very supportive home audience. Hackett seems to be refining his solos on Fly on a Windshield and Arrival. One moment of distraction; at the conclusion of Cuckoo Cocoon, Gabriel finishes his final flute phrase a bar early, and quickly repeats it. He then misses the first lyrics of 'In the Cage'. The British audiences were some of the most enthusiastic of the Lamb tour (rivalled only by the Italians, who sadly only got that one show at Torino). Not only did the band extend their improvisations, but Gabriel responded with elaborating and humourising his stories, to which the crowd respond energetically. There are some great interactions; I love his "...a huge roar on my right" at which a few members of the crowd (presumably on his right :-) roar! There is another noteworthy moment in Counting Out Time; during this song (as for the whole concert), slides were thrown onto 3 projection screens behind the band. Some images during this song show diagrams of female anatomy with arrows and numbers pointing out relevant parts. The audience can be heard laughing at these as Gabriel sings "...digesting every word the experts say" (about 36 secs into the track). There is also some audible amazement during 'Arrival' as Gabriel appears as the Slipperman. The source: This show has not been commercially bootlegged, and has only been circulating among traders either on CDRs from Colin's masters, or low generation tapes. Hence, although it is one of the better recordings and performances of the Lamb, it has not been widely known. Colin recorded the concert on 2 Maxell C120 Low noise cassettes. He captured the entire concert, flipping the tape during the applause at the end of Chamber of 32 Doors, and again during the beginning of Arrival. I have edited some applause into the first flip, and taken a section from Colin's recording of the 28th to patch the intro of Arrival (it is interesting how similar Hackett & Colin's 'improvisation' is one night to the other). I have then chosen to place the edit between CDs at the end of Waiting Room - not only does this give 2 discs under 70 mins (preferable for duplicating), but it allows me to include the full recording of the audience calling for a second encore at the conclusion of the concert. The restoration: Due to this recording coming from a low noise tape, the treble was a little muted. On the CDR of this show that has been in circulation, the tops are boosted considerably, giving a rather hissy recording. So the challenge (as often the case) was to attenuate this hiss while keeping the treble detail. The result (I hope you'll agree) is an open and clear recording with considerable top end detail. There are a few moments when lack of detail in the master leads to a graininess in the treble. Sorry, but there just wasn't much there, and to smooth it off would remove what subtlety was to be heard in Phil's drumming. I've chosen to preserve as much as I could of the music, at the expense of 'textbook' audio. The bass end of this recording is lovely and rich, showing Rutherford's bass and pedal work. If you're a Rutherford fan, this is the lamb show for you. If anything I have had to soften the bass off a little, but otherwise the equalisation balance on the master was very natural. The recording was made on a machine with automatic record levels, so I have manually restored the true volume dynamics. For instance; if you have the original version of this, you'll notice that Tony's solo keyboard intro at the beginning of the concert gets louder, until Peter's "And the Lamb..." and Phil's first drum splash knocks the levels down again. I have reconstructed these levels to sound more natural, and the rest of the band now come in powerfully as they should do. Fortunately the response of the auto record was quite long, 10-15 secs before responding to a quieter section in the music, so the short-time dynamics, the 'punch' of the recording, are not affected. Lastly, the tape was in mono. I have added subtle early reflections to add depth and space to the final sound. If you're listening on headphones, you may notice the effect, but the stereo field is still predominantly centralised.
Bill Jagde (1/5) CDR / 2 A- View   Aud
Notes: HW2
beefcanoe (1/5) CD-R / 2 A B View   AUD
Notes: Lamb
Joe Navratil (1/0) CDR/shn / 2 View   aaud remastered
Notes: Hogweeds 02
Dave Vallee (1/4.5) CDR / 2 A A- View  
Notes: Hogweeds 02 Release
Cory (1/5) CDR/SHN / 2 View  
John Gulas (1/4) / 2 View  
Eddy (1/3.9) 2cdr / 0 B+ View  
hackett732 (1/0) CD / 2 A- View  
Notes: "Rael Imperial": also includes 11 Lamb demo tracks