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User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
J Parzych (1/5) | FLAC / 0 | View | 114461 | SBD -> Master Reel -> CD | ||
J Parzych (1/5) | FLAC / 0 | View | 114094 | Lineage:MR@ 7.5 ips>R @ 7.5 ips | ||
J Parzych (1/5) | FLAC / 0 | View | 141129 | |||
ojo (1/2.3) | cdr / 3 | View | ||||
OldNeumanntapr (1/5) | FLAC / 3 | A | View | 106550 | Soundboard: Shure Line Mixers->Advent Advocate Dolby B Unit->Master Reel (Sony Deck-BASF... | |
Notes: | Trade CDs >FLAC (Level 8) Via xACT 2.36 | |||||
Joe (1/5) | SHN / 0 | View | 5165 | |||
Imetdork (1/0) | FLAC / 0 | View | 106550 | |||
aikox2 (1/4.9) | / 0 | View | ||||
John Peters (1/0) | SHN / 1 | View | 2221 | SBD: MR (7.5 ips) > Revox A 77 > Alesis Masterlink > CD-R > EAC > SHN | ||
John Peters (1/0) | FLAC / 1 | View | 114461 | SBD: MR > CD; CD > Samplitude Professional v11.2 > Adobe Audition v3.0 > FLAC | ||
michael rosenberg (1/5) | flac / 1 | A | A | View | 114461 | Master Soundboard Reels > PCM (Sony ESX HiFi/L-750 beta tape) |
Notes: | With the Beach Boys | |||||
Geoff MacNaughton (1/5) | 2 / 3 | A | View | 2221 | SBD | |
Richard Markley (1/5) | SHN / 2 | View | MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R | |||
Notes: | includes NRPS set DVD2 | |||||
Richard Markley (1/5) | SHN / 2 | View | 2221 | |||
Notes: | DVD391 | |||||
Richard Markley (1/5) | flac / 2 | View | 106550 | |||
Notes: | HD3 | |||||
Richard Markley (1/5) | flac / 2 | View | 114461 | |||
Notes: | HD3 | |||||
Richard Markley (1/5) | flac / 2 | View | 141129 | |||
Notes: | HD3 | |||||
Richard (1/5) | CD-R / 1 | A+ | View | S:R | ||
Richard (1/5) | CD-R / 3 | View | 106550 | |||
Notes: | GD/Garcia spindle I | |||||
SIRMick (1/5) | SHN / 2 | View | 2221 | |||
JOHNNY WINTER (1/5) | CDR / 2 | A | View | |||
John Clexton (1/0) | Tape / 1 | View | ||||
Notes: | Set 1 | |||||
Matt Vernon (1/4.8) | SHN / 3 | B | B/A | View | 5165 | |
Notes: | sbd - set 1 sounds a bit hissy with some minor static and volume modulation. The end of the set are strong perfomrnaces of H2H, CC->IKYR and Casey Jones played with conviction. Set 2 is marred by the Beach Boys with lots of delay getting them on stage and then the actual tunes are a noevlty at best. Lovelight is good but the mid set Beach Boy train wreck made it impossible to recover this night. | |||||
Matt Vernon (1/4.8) | SHN / 3 | X | X | View | 2998 | |
Notes: | SBD> MR> R> D> CD; EAC > SHN & upload to Stonebear.etree.org by Abe Stundel; disks came from the Fillmore Tree run on BUDD by Keith Bode. Bode's source disks came from Justin Hoffman who got *his* copies from the Merry Prankster's Tree. Lineage comes from Merry Prankster info; ; note 4 CD best-of-run is available from the Dead | |||||
Matt Vernon (1/4.8) | COMMERCIAL / 0 | View | ||||
Notes: | "Ladies and Gentlemen..." used these songs from this date: Casey Jones, Uncle John's Band, Turn On You Lovelight | |||||
Matt Vernon (1/4.8) | COMMERCIAL / 0 | View | ||||
Notes: | "Skull and Roses" used these songs from this date: Bertha and Me And Bobby McGee | |||||
Matt Vernon (1/4.8) | SHN / 3 | X | X | View | 4331 | |
Notes: | MR> CDR and MR> R> CDR; includes NRPS and Beach Boys; via vine? [2009-09-01]Upgrade in circ | |||||
Matt Vernon (1/4.8) | FLAC / 3 | B | A- | View | 106550 | |
Notes: | flac16; Recording Info Source One:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Recording Info Source Two:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips); Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two:Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller [2010-03-19]Sonically preferred source for this date. This date is not interesting to me because the unrehearsed Beach Boys dominate set 2. Bird Song, China Cat and Pigs LL rap are highlights, but overall no momentum and spotty. | |||||
Matt Vernon (1/4.8) | FLAC24 / 0 | X | X | View | 106562 | |
Notes: | flac24; Recording Info Source One: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) Recording Info Source Two: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips) Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two: Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/24; Reels Baked and Transferred By David Gans All Mastering By Charlie Miller | |||||
Matt Vernon (1/4.8) | FLAC / 4 | A/B | A- | View | 114094 | |
Notes: | flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96 > Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > Flac; Transfered and mastered by Matt Smith [2011-07-07]This is a good show except for the Beach Boy interlude - yes its a novelty but ... |