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Bob Dylan 06/20/86
Southern Star Amphitheater, Houston, TX
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Set I
Shake A Hand, Positively 4th Street, Clean-Cut Kid, I'll Remember You, Shot Of Love, We Had It All, Union Sundown
Set II
To Ramona, A Hard Rain's A-Gonna Fall, It Ain't Me Babe, I Forgot More Than You'll Ever Know, Band Of The Hand, When The Night Comes Falling From The Sky, Lonesome Town, Ballad Of A Thin Man
Set III
Rainy Day Women No. 12 & 35, Seeing The Real You At Last, Across The Borderline, I And I, Like A Rolling Stone, In The Garden, E: Blowin' In The Wind, So Long Good Luck And Goodbye, Knockin' On Heaven's Door
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Lester's Soundroom (5/5) CDR / 2 View  
Notes: /
sean hite (5/0) LB-4138 / 0 View  
Notes: LB-4138, (43min+42min+72min), Audience cassette master > Cassette > Cassette > Cassette > CDR > dBpowerAMP > WAV > FLAC Frontend > Flac files
sean hite (5/0) / 0 View  
Notes: Mono Audience Recording NOTE: Tom Petty sets were not received on my Cassettes from JG SOURCE: Master Cassettes > Cassettes (JG) > 2 x TDK SA90 (Dolby B) > Akai GX-95 (Dolby B) > Soundforge PRO 10 (Left Channel Panned to Centre) > FLAC Level 6 Align on Sector Boundaries Track One Cut, Faded In JTT November 2009
PeaceTrader (5/0) CDR / 2 View  
Doug Coon (5/0) / 2 B View  
Tony Gianelli (2/0) CDR / 3 A View   Audience Cassette Master
Notes: w/ Tom Petty
Jerry Morgan (1/5) CD / 3 View  
Notes: Live in Houston 1986-True Confessions Tour
Ed Izsak (1/5) CDR / 3 View   AUD
Stuart Ferguson (1/4.3) CDR / 3 View   Audience; LB-4138
Notes: DVD 706; lineage: LB-4138. Audience cassette master > Cassette > Cassette > Cassette > CDR > dBpowerAMP > WAV > FLAC Frontend > Flac files, I received this fairly low generation show in a tape trade about 20 years ago. I have not seen it posted here yet, so I recently converted my tape. This is a great recording, with all of the instruments and vocals very clear in the mix. It has a crisp and full sound with no audience interference, so I would give it at least an A-. Listen to the sample., The show is similar to the other '86 shows, although I am assuming that they play more extended jams than usual, because I could not fit this on two CDs, and most of the other shows I have seen from this tour do fit on two. good to very good sound [B-]; very harsh as all frequencies are given almost equal power; this can be made better with eq to B; abrupt start on d1t1drop/cut between cdrs; has digi-pops starting t285:30 occasionally for rest of show
Stuart Ferguson (1/4.3) CDR / 3 View   Audience; LB-4138
Notes: DVD 894; lineage: LB-4138. Audience cassette master > Cassette > Cassette > Cassette > CDR > dBpowerAMP > WAV > FLAC Frontend > Flac files, I received this fairly low generation show in a tape trade about 20 years ago. I have not seen it posted here yet, so I recently converted my tape. This is a great recording, with all of the instruments and vocals very clear in the mix. It has a crisp and full sound with no audience interference, so I would give it at least an A-. Listen to the sample., The show is similar to the other '86 shows, although I am assuming that they play more extended jams than usual, because I could not fit this on two CDs, and most of the other shows I have seen from this tour do fit on two. good to very good sound [B-]; very harsh as all frequencies are given almost equal power; this can be made better with eq to B; abrupt start on d1t1drop/cut between cdrs; has digi-pops starting t285:30 occasionally for rest of show
Joe (1/5) FLAC / 0 View  
Notes: From an old DAT (two, actually, long show -- received in trade -- info: "A master > DAT > DAT"). I have no other Houstons to compare this to, but one clear "marker" for this tape is the guy who says "I'm not the one you need" just before Bob sings it the first time in It Ain't Me, Babe. This is possibly derived from the same source as LB-4138 (includes the Petty songs, anyway) -- there are moments when the audience is having a lot of (audible) fun, but it still sounds better than a B- to me. (I seldom undersand LB sound ratings, though, so don't go by me, maybe.) Could it be from the same source as LB-9913 but with the Petty songs? (It's certainly no SBD, though.) There is a drop/cut on my DAT between The Waiting and Breakdown (same as LB-4138), but the next drop/cut occurs between When The Night Comes Falling and Lonesome Town, NOT between Lonesome Town and Thin Man (so... different). There's also a drop/cut after In The Garden on this DAT. LB says somewhat cryptically of LB-4138 that it "has digi-pops starting t285:30 occasionally for rest of show." I don't know what location on the tape "t285:30" is supposed to reference, but I did not notice any glaring digipops on this one (I did notice some digital noise at the beginning of LARS, and I'm sure there must be more elsewhere -- DATs sucked!). LB also says of LB-4138 "abrupt start on d1t1" ... that is not true of this tape. My DAT change occurs after Seeing The Real You, so that has a somewhat abrupt end, but I think the last note just about finishes. WHAT I DID: Tascam DA-20 > Realtek sound card (digital transfer) > Audacity 2.0.6 (WAV capture) > Sound Forge XP 4.0 (broke into tracks, fade in 1, fade out 32, tape gaps and some adjacent audience lulls removed) > dBpoweramp Music Converter (WAV > FLAC) > Windows Explorer (file tagging) WHAT I DID NOT DO: resample the files (they remain @ 48 khz, just as on my original DAT, so you will have to convert them yourself in order to burn to CD) All thanks to the original taper and to the guy who sent me the DAT (who may or may not be the same person)!
Alex Wolf (0/0) / 0 View