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User (active/rating) |
Media / # |
Show |
Sound |
Details |
DB Source |
User Source |
Jack Warner (5/5) |
SHN / 0 |
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View |
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MAC>CD |
Roy Martin\'s Music Collection (5/5) |
FLAC / 0 |
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View |
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Weasel source (D098) |
Notes: |
transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
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sean hite (5/0) |
/ 0 |
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View |
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Notes: |
Taped and Transfered by: [email protected]
Section: 10L Row GG
Seat 5
Hand Held on a T-Bar
Nakamichi 300's CP1's & Sony TCD5M
Maxell XL II-S 90 x 2
Master Casssette Transfer : Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn
Sector boundaries verrified via shn tools. |
Jordan Jacobs (5/3) |
Flac / 0 |
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View |
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AUD |
Notes: |
2 Sennheiser KMF4 Microphones (4th row) > Sony TC-D5M - analog master cassette - Maxell MX90;Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files |
Brian M (4/5) |
CDR / 2 |
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View |
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MAC |
trev (3/0) |
CD / 2 |
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View |
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Barry Smith (3/5) |
CDR / 2 |
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View |
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TF (3/0) |
FLAC / 0 |
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View |
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Josh Cooperman (3/3.8) |
CDR / 2 |
|
A |
View |
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Earl Greaves (2/5) |
cdr / 2 |
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View |
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TREV (2/0) |
cd / 0 |
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View |
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forgottenspace (1/4.5) |
CD / 2 |
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View |
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N/A |
forgottenspace (1/4.5) |
CD / 2 |
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View |
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2 Sennheiser KMF4 Microphones (4th row) > Sony TC-D5M - analog master cassette - Maxell MX90 |
Ed Izsak (1/5) |
CDR / 2 |
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View |
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AUD |
Stuart Ferguson (1/4.3) |
CDR / 2 |
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View |
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Audience |
Notes: |
DVD 672 |
Stuart Ferguson (1/4.3) |
CDR / 2 |
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View |
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Audience; LB-8760 |
Notes: |
DVD 725; lineage: LB-8760. Recorded by The Weasel - "Da Weez", Mastered to cdr by D5scott, source:, 2 Sennheiser KMF4 Microphones (4th row) > Sony TC-D5M - analog master cassette - Maxell MX90, transfer:, Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files; note: Sound problems with the left microphone for tracks 1-4 so those tracks are mono.; R.I.P. Sandy - aka "Bigfoot" - He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him!; cdr splits not specified; in 3-way comparison these are different recordings based on different crowd at end of d1t6; this has the clearest sound with the least hiss; LB-3091 is warmer but more supressed sounding with more hiss; LB-2222 has most hiss and is harsh; excellent sound [A-]; levels look like they got to loud briefly at d1t1 0:10 and clip and were reduced in volume in mastering; mic static t15 1:56 and then levels go down a little; analog drop t16 4:40 |
Kaz (1/5) |
flac / 0 |
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View |
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Maria Reine (1/5) |
CD-R / 2 |
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View |
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Notes: |
[LB-3091]. Audience recording > Nakamichi 300's > CP1's > Sony TCD5M Cassette recorder > Maxell XL II-S 90 master > Nakamichi BX300 > ? > .aiff > Peak Bias > JAM > CD-R > EAC > WAV > shntool > mkwACT > SHN.
SHN[sg300a] |
blackcrowes92 (1/0) |
SHN / 1 |
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View |
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Notes: |
LB-3091, (69min+18min), Taped and Transfered by: [email protected], Section: 10L Row GG, Seat 5, Hand Held on a T-Bar, Nakamichi 300's CP1's & Sony TCD5M, Maxell XL II-S 90 x 2, Master Casssette Transfer : Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn, Sector boundaries verrified via shn tools; bittorrent download 08/05; excellent sound [A-] |
TF (0/0) |
cd / 0 |
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A |
View |
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