User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
buc2220 (5/5) | HARDRIVE / 2 | View | AUD | |||
michael kass (5/5) | cdr / 2 | View | ||||
Jack Warner (5/5) | FLAC / 0 | View | MAT>?>CD | |||
Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | supposedly Master>DAT (L053 & L045 & L095) | |||
sean hite (5/0) | / 0 | View | ||||
Notes: | Taper: unidentified Source/Lineage: no info * * * This is based on the same recording as LB-4459 * * * Listened to all of this Alterations: *Between track gap* at the start of each and every track now seamlessly spliced; hence, waveform flows with no audible flaws. See this image: http://jokerman.org.uk/lb/lbjpg/lb_gap.JPG LB-4459 points to some (annoying) *discontinuity pops* d1t8 02:52 & d2t2 00:21 (lost samples). They are now "smoothened", and inaudible. A discontinuity pop usually is a result of a bad CD-R rip. (I.m.o.) a weighty reason to shy from CD trades, because there are many uncontrollable factors in a CD-burn. See this image: http://jokerman.org.uk/lb/lbjpg/lb_discontinuity.JPG Tracks aligned on sector boundaries. Full spectrum, way above 20kHz. Band intro extracted and isolated 3 tracks are stripped of their following audience cheer, isolated. | |||||
sean hite (5/0) | / 0 | View | ||||
Notes: | unknown lineage | |||||
James (5/0) | CD / 2 | View | CD | |||
TF (3/0) | / 0 | View | ||||
TREV (2/0) | cd / 0 | View | ||||
Jerry Morgan (1/5) | cd / 2 | View | ||||
forgottenspace (1/4.5) | CD / 2 | View | AUD | |||
Ed Izsak (1/5) | CDR / 2 | View | DAUD | |||
thegreatdivide6 (1/0) | flac / 0 | View | ||||
Notes: | audience | |||||
Stuart Ferguson (1/4.3) | CDR / 2 | View | Audience | |||
Notes: | DVD 360 | |||||
Michael Brownlie (1/5) | cdr / 2 | View | ||||
TF (0/0) | cd / 0 | A | View |