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Bob Dylan 10/26/98
Market Square Arena, Indianapolis, IN
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Set I
Gotta Serve Somebody, I'll Remember You, Cold Irons Bound, Positively 4th Street, Watching The River Flow, Can't Wait,
Set II
Tomorrow Is A Long Time, Desolation Row, Tangled Up In Blue,
Set III
She Belongs To Me, Highway 61 Revisited

E: Love Sick, Rainy Day Women No. 12 & 35, Blowin' In The Wind, Like A Rolling Stone,
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Jack Warner (5/5) FLAC / 0 View   MAD>CD
Roy Martin\'s Music Collection (5/5) SHN / 0 View   LB-4587 (CC090)
Notes: Source: (Unknown) Audience recording (Full spectrum) > Unknown transfer > CDR(x) > Unknown DAE > WAV > SHN. LB-4567
sean hite (5/0) LB-6144 / 0 View  
Notes: LB-6144, (67min+35min), Source: Greg Holtz's Master DAT, Show Recorded with Sonic Studio DSM Stereo Mics>Sony PCM-M1 DAT, Location: 5th row floor seating - stage right, Transfer Info:, Sony PCM-R300 Master DAT Playback>PC>CDR>EAC>FLAC Level 8; bittorrent download 05/08; same recording as LB-4567 based on same clapping at end of d1t1 with channels swapped and this has higher levels after the volume adjustment at d1t1 0:26 to make volume more consistent on track; the volume raise gives a few spots that just start to clip; this also fades in on beginning of d1t1 where that does not; that one has fade outs between d1 and d2 with overlap while this fades out and in between d1 and d2; this has more crowd at the end of d2; they have same noted flaws except mic hits on d2t2 more severe on that one while this one's 3rd mic hit on d2t2 1:39 is more of a square wav flaw; in comparison if turned up on dt17 this has a little more hiss; (torrenters comments: "I did an early transfer from the master DAT shortly after the show, using Soundforge on a Pentium II 400MHz PC with a special order Soundblaster Live! sound card, WITH a coax digital input...this was a pretty fat setup back in 1999. I took those original wav files and burned audio CDs, and unfortunately I did not keep those files after I burned the CDs...AND the master DATs have since become filled with digital errors, so these CDs are all I have to work with."); (did not listen to all of this) (another comment from taper: "Hi, I have been informed that this particular recording ( LB-4567), was sourced from my master DAT. I believe that I made ONE (1) clone of my master DAT, and gave it to my friend Terry Roeder (R.I.P.), he lived in Indianapolis, and we taped a lot of shows together. This LB-4567 recording must have been sourced down the line from that cloned DAT. My master DAT has suffered over time, and it is unusable for further transfers. Luckily, I transferred it shortly after the show, and burned audio CDs from the transferred 16/44 wavs. I no longer have the original wav files, so I had to use EAC on the master audio CDs to produce this seed., Again, I taped this show and I have seeded my transfer at shnflac.net and dimeadozen.org on May 30, 2008.") discontinuity pop d1t9 3:36; mic hit d1t10 0:04, d2t2 1:36, 1:37, 1:39
Rodney (4/3) 110 / 1 A- View   Aud2
Notes: All
TF (3/0) / 0 View  
Josh (3/0) CDr / 2 B View   AUD
TREV (2/0) cd / 0 View  
Ryan (2/0) CDR, MP3 / 2 View  
forgottenspace (1/4.5) CD / 2 View   Sonic Studio DSM Stereo Mics>Sony PCM-M1 DAT
Notes: Greg Holtz
thegreatdivide6 (1/0) flac / 0 View   LB-4567
Notes: audience
Stuart Ferguson (1/4.3) CDR / 2 View   Audience; LB-6144
Notes: DVD 762; lineage: LB-6144. Greg Holtz's Master DAT, Show Recorded with Sonic Studio DSM Stereo Mics>Sony PCM-M1 DAT, Location: 5th row floor seating - stage right, Transfer Info:, Sony PCM-R300 Master DAT Playback>PC>CDR>EAC>FLAC Level 8; same recording as LB-4567 based on same clapping at end of d1t1 with channels swapped and this has higher levels after the volume adjustment at d1t1 0:26 to make volume more consistent on track; the volume raise gives a few spots that just start to clip; this also fades in on beginning of d1t1 where that does not; that one has fade outs between d1 and d2 with overlap while this fades out and in between d1 and d2; this has more crowd at the end of d2; they have same noted flaws except mic hits on d2t2 more severe on that one while this one's 3rd mic hit on d2t2 1:39 is more of a square wav flaw; in comparison if turned up on dt17 this has a little more hiss
C Montana (1/4) DVDR / 1 A A View   AU
Maria Reine (1/5) CD-R / 2 View  
Notes: [LB-4567](Total time = 60:01, 40:42). Audience recording. Recording process & lineage info are unknown. SHN[max300ss]
LossLess Legs (1/0) CDR / 2 View   Sonic Studio DSM Stereo Mics>Sony PCM-M1 DAT
Notes: 5/30/2008 - garageboy
Jon C (0/0) / 0 View  
TF (0/0) cd / 0 A View  
garageboy (0/0) CD / 2 A A View   Greg Holtz's Master DAT
Notes: Joni Mitchell opened the show