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Jerry Garcia Acoustic Band 10/25/87
Lunt-Fontanne Theatre, New York, NY
Set I
Acoustic:, Deep Elem Blues, I'm Troubled, Spike Driver Blues, Blue Yodel No. 9 (Standing On The Corner), Short Life Of Trouble, If I Lose, Get My Baby Out Of Jail, Oh Babe It Ain't No Lie, Drifting With The Tide, I'm Ragged But I'm Right
Set II
Electric:, How Sweet It Is To Be Loved By You, Forever Young, Stop That Train, Think, Mission In The Rain, The Harder They Come*, When I Paint My Masterpiece**-> Deal*, E: All Along The Watchtower** ***
Set III

Comment
Late show. Jerry Garcia Acoustic Band/Jerry Garcia Band: Jerry Garcia, John Kahn, David Kemper, David Nelson, Sandy Rothman. *=w/Bob Weir. **=w/Bob Weir vocals. "Ain't No Lie" dedicated to Elizabeth Cotton, who wrote it, ***=first and only time played.
Last Changed By System
Sources
(15616) View Source   
JGAB: MISLABEL OF 10/28/87 matinee acoustic set (sbd), should not be further propagated.
(25751) View Source   
JGB & JGAB, Early Show: Sony ECM-939LT stereo mic (center orchestra, ca. 15th row) > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette tape, Dolby Off for recording and playback; Transfer playback on Nakamichi MR-2 > Tascam CDRW-700 > EAC > SHN.
(80295) View Source   
JGB, Early Show: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.
(80337) View Source   
JGB-JGAB, late show: Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC (level 8). Electric set: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Acoustic recording remastered version of previously circulating shnid=15616. Electric band analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
SpacedDeadhead (5/4.8) CDR / 1 View   AUD
Notes: Late show - "Oh Babe, It Aint No Lie" dedicated to the memory of Elizabeth Cotton
erico (5/4.5) CDR / 1 A View  
Panda (5/0) / 0 A+ View  
Notes: 1st acoustic Set only
random75 (5/5) cdr / 1 View  
Darkstar (4/0) SHN / CDR / 0 A+ View  
Matt Faucher (4/4.8) CDR / 1 View  
Chuck Gannon (4/5) SHN / 1 View 15616 MAD>CD>WAV>SHN
Notes: MAD>CD>WAV>SHN Acoustic set only
JoeC (4/0) / 2 View  
Notes: Early show. Acoustic & Electric set.
JoeC (4/0) / 1 View  
Notes: Late show. Acoustic set.
JoeC (4/0) / 2 View  
Notes: Early show. Acoustic & Electric set.
Rich Willis (3/0) CDR / 1 View 15616
Notes: AUD
Rick Uebler (3/4.5) CDR / 1 View  
Whit (3/0) cdr / 1 View  
Notes: set 1 only from the late show
Jim Van Houten (2/5) CD / 1 View   AUD Cm > CD / Transfer Playback On Nakamichi MR-2 > Tascam CDRW-700 (Early Show)
Notes: Notes: Security was very difficult at this show and they were on the lookout for tapers. The tough security situation led to various problems with this tape (see below), plus you get to hear a whole lot of audience chatter etc. During the acoustic set, in which the audience sat down, the mic was placed on the armrest between seats. This placement resulted in major distortion during the applause between songs. Soundforge was used to cut down the levels during the distorted parts, and to make the tape sound less jarring for those passages. During the electric set when the audience stood up, the mic was hand-held at approx chest-level. Soundforge was not used on the electric set, which is presented exactly as recorded, audience and all. CDWave was used for tracking. Enjoy this show - we miss you Jerry. (1) Most of "Blue Yodel" is missing; cuts in at the last solo before the final chorus. (2) Most of "Cats" is missing; cuts in at the last verse after Jerry's solo. (3) The tape was flipped after "Think". The deck was hidden under a coat, and the mic-input volume knob was accidentally turned up. Consequently, the remainder of the show (last four songs) has a lot more gain. This results in some barely noticeable distortion in a few spots. When transferring from the master, the input gain to CD was lowered to account for this, and to make it generally match side-A of the electric set tape. (4) Tape cuts at the very last note.
Michael McMullan (2/5) CDR/FLAC / 2 A- View 80337 SBD/Aud
Brent Wallace (2/5) / 1 A View  
Notes: acoustic set only - Jerry Garcia Band: Jerry Garcia, John Kahn, David Kemper, David Nelson, Sandy Rothman
Luc Tomolonis (2/0) CDR / 1 10 View   SBD
Notes: Late Show Deep Elem I'm Troubled Spike Driver Blues Blue Yodel Short Life of Trouble If I Lose I'm Here To Get My Baby Out of Jail Babe it Ain't No Lie Drifting With the Tide Ragged But Right Fill: Tangled Up in Blue
Ed Izsak (1/5) CDR / 1 View   AUD
Notes: ELECTRIC SET- LATE SHOW
Mark Diamond (1/3) / 1 View  
Will Petty (1/0) / 0 View 80337 late
Mike McD (1/4.9) cd / 1 A+ A+ View   AUD.
Rusty Stalnaker (1/5) CDR / 1 A A+ View   SBD
Scott Rosen (1/5) shn / 1 View 15616
Notes: Audience(mics unknown)>DAT>CDR>WAV>SHN
Greg Anderson (0/5) CD-R / 1 View   SBD
Bob Abrams (0/5) FLAC / 2 View 80337
ak (0/0) CDR / 1 View   SBD
Mike Heath (0/0) CDr / 1 A View   ?
Notes: Acoustic set only.
krista moore (0/0) / 0 View