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Set I
Acoustic:, Blue Yodel No. 9 (Standing On The Corner), Ballad Of Casey Jones, Been All Around This World, I'm Troubled, Drifting Too Far From The Shore, If I Lose, Trouble In Mind, Rosa Lee McFall, Gone Home, I'm Ragged But I'm Right
Set II
Electric:, Cats Under The Stars, I Shall Be Released, Dear Prudence, Run For The Roses, Think, Evangeline, And It Stoned Me, Tangled Up In Blue, E: My Sisters And Brothers
Set III
Comment
Early show. Jerry Garcia Acoustic Band/Jerry Garcia Band: Jerry Garcia, John Kahn, David Kemper, David Nelson, Sandy Rothman
Last Changed By
System
Sources
(15616) View Source
JGAB: MISLABEL OF 10/28/87 matinee acoustic set (sbd), should not be further propagated.
(25751) View Source
JGB & JGAB, Early Show: Sony ECM-939LT stereo mic (center orchestra, ca. 15th row) > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette tape, Dolby Off for recording and playback; Transfer playback on Nakamichi MR-2 > Tascam CDRW-700 > EAC > SHN.
(80295) View Source
JGB, Early Show: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.
(80337) View Source
JGB-JGAB, late show: Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC (level 8). Electric set: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Acoustic recording remastered version of previously circulating shnid=15616. Electric band analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.
(15616) View Source
JGAB: MISLABEL OF 10/28/87 matinee acoustic set (sbd), should not be further propagated.
(25751) View Source
JGB & JGAB, Early Show: Sony ECM-939LT stereo mic (center orchestra, ca. 15th row) > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette tape, Dolby Off for recording and playback; Transfer playback on Nakamichi MR-2 > Tascam CDRW-700 > EAC > SHN.
(80295) View Source
JGB, Early Show: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.
(80337) View Source
JGB-JGAB, late show: Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC (level 8). Electric set: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Acoustic recording remastered version of previously circulating shnid=15616. Electric band analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.
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Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| sean hite (5/0) | FLAC / 0 | View | 80337 | |||
| Notes: | 80337 JGB-JGAB, late show: Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC (level 8). Electric set: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Acoustic recording remastered version of previously circulating shnid=15616. Electric band analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner. | |||||
| sean hite (5/0) | SHN / 0 | View | 25751 | |||
| Notes: | 25751 SBD> DAT> CD's> EAC> SHN; SHN/upload by Randall Ward, seed via Matt Knapp | |||||
| sean hite (5/0) | FLAC / 0 | View | 80295 | |||
| Notes: | 80295 JGB, Early Show: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner. | |||||
| Rick Martin (5/5) | SHN / 2 | A- | View | Sony ECM-939LT stereo mic (center orchestra, ca. 15th row) > Sony WM-D6C Pro-Walkman Onto... | ||
| Notes: | Complete Early Show(Sony ECM-939LT) | |||||
| Rick Martin (5/5) | Flac / 1 | A | View | Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and... | ||
| Notes: | Complete Early Show(Nak 300's) | |||||
| Gary (5/4.3) | CDR / 2 | View | 25751 | |||
| Notes: | AUD>MC>C>CD [A&E 25751] | |||||
| Russell (5/5) | FLAC / 1 | View | 80337 | |||
| Notes: | Late Show: Acoustic (SBD) and electric (AUD) sets | |||||
| captain_trip_420 (5/0) | / 1 | View | 80295 | FOB | ||
| Notes: | Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). | |||||
| Jeff Schlingbaum (5/5) | CDR / 2 | B+ | View | AUD | ||
| Jeff Hyman (3/5) | cdr / 1 | A | View | aud | ||
| Notes: | Second set (electric) only | |||||
| john zicconi (3/5) | CDR / 1 | AUD | View | Audience(mics unknown)>DAT>CDR>WAV>SHN | ||
| Notes: | Late show acoustic set only. The lineage has this as an audience recording though it may be a SBD as there is virtually no close up audience noise and according to thejerrysite.com, the SBD circulates. | |||||
| Carl (3/0) | CD-R / 2 | View | 80295 | Sony ECM-939LT stereo mic (center orchestra, ca. 15th row) > Sony WM-D6C Pro-Walkman Onto... | ||
| zowie (3/5) | cd / 1 | a- | View | 80295 | aud | |
| Pierluigi Tomaselli (3/5) | cd / 2 | View | ||||
| Notes: | Early | |||||
| Scott Herring (3/0) | FLAC / 1 | View | 80337 | SBD | ||
| Notes: | DVD - JG18 Late Show Acoustic Set | |||||
| Adam Dwyer (2/0) | shn / 1 | View | 15616 | |||
| Canyon (2/5) | audio / 2 | View | AUD see tech notes | |||
| Notes: | HD1 | |||||
| Canyon (2/5) | audio / 3 | View | AUD | |||
| Notes: | hd1 early | |||||
| Dave Caimotto (2/0) | FLAC / 2 | View | Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC... | |||
| Notes: | Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC (level 8). Electric set: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). | |||||
| Rick Childs (1/4.9) | CDR / 2 | A | A | View | 25751 | |
| Notes: | Jerry Garcia Band Lunt-Fontanne Theater, New York City 10/25/87 - Early Show Sony ECM-939LT stereo mic > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette tape, Dolby Off for recording and playback Transfer playback on Nakamichi MR-2 > Tascam CDRW-700 > EAC > SHN Acoustic Set (45:44) 01. Blue Yodel No. 9 (1:43)(1) 02. Ballad Of Casey Jones (5:08) 03. I've Been All Around This World (5:53) 04. I'm Troubled (5:34) 05. Jerry (0:37) 06. Drifting With the Tide (3:27) 07. Band intros (0:54) 08. If I Lose (2:41) 09. Trouble In Mind (7:05) 10. Rosalie McFall (3:07) 11. Gone Home (4:36) 12. Ragged But Right (4:55) Electric Set (60:14) 01. Cats Under The Stars (2:21)(2) 02. I Shall Be Released (7:56) 03. Jerry introduces Jaclyn, Gloria and Melvin (0:46) 04. Dear Prudence (11:28) 05. Run For The Roses (5:46) 06. Think (6:21) 07. Evangeline (3:19)(3) 08. And It Stoned Me (6:17) 09. Tangled Up In Blue (9:56) 10. crowd (1:40) 11. Encore: My Sisters And My Brothers (4:19)(4) Notes: The tape was made in the center orchestra, approx 15th row. Security was very difficult at this show and they were on the lookout for tapers. The tough security situation led to various problems with this tape (see below), plus you get to hear a whole lot of audience chatter etc. During the acoustic set, in which the audience sat down, the mic was placed on the armrest between seats. This placement resulted in major distortion during the applause between songs. Soundforge was used to cut down the levels during the distorted parts, and to make the tape sound less jarring for those passages. During the electric set when the audience stood up, the mic was hand-held at approx chest-level. Soundforge was not used on the electric set, which is presented exactly as recorded, audience and all. CDWave was used for tracking. Enjoy this show - we miss you Jerry. (1) Most of "Blue Yodel" is missing; cuts in at the last solo before the final chorus. (2) Most of "Cats" is missing; cuts in at the last verse after Jerry's solo. (3) The tape was flipped after "Think". The deck was hidden under a coat, and the mic-input volume knob was accidentally turned up. Consequently, the remainder of the show (last four songs) has a lot more gain. This results in some barely noticeable distortion in a few spots. When transferring from the master, the input gain to CD was lowered to account for this, and to make it generally match side-A of the electric set tape. (4) Tape cuts at the very last note. | |||||
| J Parzych (1/5) | FLAC / 0 | View | 25751 | |||
| Alex Bushe (1/5) | CD-R / 2 | View | SBD | |||
| Ada Banasik (1/5) | SHN / 1 | View | 15616 | AUD(mics unknown)>DAT>CDR>WAV>SHN | ||
| Notes: | AUD (Late Show Only) | |||||
| Tommy Danscuk (1/5) | CD / 1 | View | Sbd > Cass | |||
| Notes: | Early - Acoustic set ONLY | |||||
| Charlie (1/5) | cdr / 1 | View | Sony ECM-939LT stereo mic > Sony WM-D6C Pro-Walkman | |||
| Notes: | early show | |||||
| Drumpelstiltzken (1/5) | CDR / 2 | A | A | View | ||
| Notes: | stealth aud | |||||
| hoptrip (1/0) | / 2 | View | 80295 | |||
| zerbini mike (1/0) | cd-r / 2 | View | ||||
| Notes: | early | |||||
| Chris Short (1/0) | CD-R / 1 | View | ||||
| Notes: | Set 1 only | |||||
| Steve Johnson (1/0) | SHN(CDR) / 2 | A | A- | View | ECM 939LT Stereo mic>Sony WM-D6C Pro-Walkman | |
| Notes: | DVD #004 | |||||